本文關(guān)鍵詞：他者想象與文化建構(gòu)—好萊塢電影中的華人功夫女郎形象分析　出處：《貴州師范大學(xué)》2016年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 好萊塢 功夫女郎 東方主義 比較文學(xué)變異學(xué)

【摘要】：從十九世紀(jì)第一位華裔女演員黃柳霜亮相好萊塢開始到二十世紀(jì)八九十年代,眾多華人女影星紛紛走出國門,進(jìn)軍好萊塢,試圖在美國電影界爭得一席之地。但她們總是被好萊塢塑造為異國情調(diào)的“奇觀”,多以魅惑危險的“龍女”或迷人神秘的“中國娃娃”形象出現(xiàn)在銀幕上。客觀地說,好萊塢型塑的這些華人女性形象,并不完全是某些好萊塢電影制作人的主觀臆想,而是以好萊塢為代表的美國文化的一種他者建構(gòu),也即是美國人的“社會集體想象物”。1997年,007系列電影之《明日帝國》(Tomorrow Never Dies,1997)中首次出現(xiàn)了中國女特工形象——林`u,她以敏捷干練的身手馳騁于好萊塢銀幕,開辟了“功夫女郎”這一好萊塢對華人女性的新的表現(xiàn)模式。隨后,不斷出現(xiàn)借助中國功夫活躍于好萊塢大銀幕的華人女性,她們除卻身懷絕技,武藝高強,身手敏捷這一共性之外,又個性鮮明,姿態(tài)萬千,形態(tài)各異,成為了好萊塢電影人物畫廊中一抹靚麗驚艷的色彩。本文以好萊塢視域下的華人功夫女郎為研究對象,探究好萊塢視域下華人功夫女郎形象的具體呈現(xiàn)模式,將好萊塢影片中的華人功夫女郎形象分為特工、殺手和俠女三類來進(jìn)行類型分析,探討各類形象的共性特征及相互間的差異,并挖掘各類形象背后的文化意蘊及形象異同根源。論文內(nèi)容主要包括四章。前三章選取《明日帝國》、《霹靂嬌娃》、《臥虎藏龍》、《尖峰時刻Ⅱ》、《X-戰(zhàn)警Ⅱ》五部電影中的華人功夫女郎為主要研究對象,同時結(jié)合其他多部好萊塢影片中的華人功夫女郎形象進(jìn)行類型分析,具體對特工、殺手、俠女三種類型形象的外形特征、性格特點等進(jìn)行細(xì)致解析。第四章對上述三類功夫女郎形象進(jìn)行不同角度、不同維度的比較和對照,指出相互間的共性和差異,并結(jié)合比較文學(xué)形象學(xué)、媒介學(xué)、變異學(xué),女性主義、東方學(xué)等理論,在前三章的基礎(chǔ)上對形象類型的成因、形象類型背后的文化機(jī)制,以及不同形象類型之間的異同根源進(jìn)行深入挖掘和闡釋。
[Abstract]:From 19th century, when Huang Liushuang, the first Chinese actress, appeared in Hollywood, many Chinese movie stars went abroad to enter Hollywood in the 1980s and 1990s. Trying to win a place in American cinema. But they are always portrayed as exotic "wonders" by Hollywood. Many of the "Dragon Girl" or the charming mysterious "Chinese Doll" images appear on the screen. Objectively speaking, these Chinese female images are shaped by Hollywood. Not entirely the subjective imagination of some Hollywood filmmakers, but a kind of other construction of American culture represented by Hollywood, that is, the "collective imagination" of Americans. 1997. In the 007 film series "tomorrow Never Diesi" (1997), the first Chinese female secret agent image-Lin'u appears. She gallops on the Hollywood screen with the quick and able skill, opened up the "kung fu girl", this Hollywood to the Chinese woman's new performance pattern. Subsequently. With the help of Chinese kung fu active in Hollywood screen Chinese women, in addition to their own skills, high strength, agile skills in addition to the common, but also distinctive, with a variety of gestures, different shapes. This article takes the Chinese kungfu girls in the Hollywood horizon as the research object and explores the specific presentation mode of the Chinese kungfu girls image in the Hollywood horizon. The Chinese kungfu girls in Hollywood films are divided into three categories: special agent, killer and chivalrous woman to analyze the types, to explore the common features of all kinds of images and the differences between them. The content of the thesis mainly includes four chapters. The first three chapters choose "tomorrow Empire", "thunderclap", "Crouching Tiger, Hidden Dragon", "Peak moment 鈪，

本文編號：1421579