新世紀(jì)中國(guó)電影的國(guó)家形象塑造研究
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本文關(guān)鍵詞:新世紀(jì)中國(guó)電影的國(guó)家形象塑造研究 出處:《中國(guó)礦業(yè)大學(xué)》2015年碩士論文 論文類型:學(xué)位論文
更多相關(guān)文章: 中國(guó)電影 國(guó)家形象 電影敘事 形象傳播
【摘要】:電影始終是現(xiàn)代國(guó)家的一張名片,它在一定程度上影響了世界各國(guó)對(duì)于本國(guó)的認(rèn)識(shí)和印象。在信息時(shí)代,國(guó)家形象不完全是一種客觀存在,它的塑造離不開各種傳媒、各種文藝作品尤其是電影。新世紀(jì)中國(guó)銀幕形象作為國(guó)家形象的縮影,深刻的反映了中國(guó)人精神的現(xiàn)代化演進(jìn),也折射著中國(guó)民主化進(jìn)程新探索和社會(huì)體制的新發(fā)展。塑造良好的富有感召力的中國(guó)國(guó)家形象不僅對(duì)提高國(guó)家的文化軟實(shí)力至關(guān)重要,而且對(duì)我國(guó)的可持續(xù)發(fā)展產(chǎn)生潛移默化的影響。于是,思考怎樣重新定位中國(guó)形象,識(shí)別這些國(guó)家形象在電影中的表意方式、檢視這些表意符號(hào)的生成路徑,通過電影文本來考察新世紀(jì)中國(guó)在現(xiàn)代化進(jìn)程中的國(guó)家形象塑造現(xiàn)狀等問題,都不再僅僅是一種抽象的理論辨析,而是變成了和每個(gè)人命運(yùn)休戚相關(guān)的、非常急切的現(xiàn)實(shí)探索。在當(dāng)前國(guó)內(nèi)外價(jià)值多元的語境下,借助電影媒介塑造良好的國(guó)家形象不僅需要我們?cè)趪?guó)內(nèi)積極探索以電影的方式建構(gòu)中國(guó)夢(mèng)想,促使國(guó)家認(rèn)同,產(chǎn)生凝聚力的現(xiàn)實(shí)路徑,同時(shí)也需要我們?cè)趪?guó)際社會(huì)交往中能夠自信自覺的在電影藝術(shù)媒介中設(shè)置議題、表達(dá)國(guó)家立場(chǎng)。
[Abstract]:Film has always been a business card of modern countries, to a certain extent, it has affected the understanding and impression of countries in the world. In the information age, the national image is not completely an objective existence. It can not be shaped without a variety of media, a variety of literary works, especially movies. The new century Chinese screen image as a microcosm of the national image, a profound reflection of the modern evolution of the Chinese spirit. It also reflects the new exploration of China's democratization process and the new development of social system. And the sustainable development of our country has a subtle impact. Therefore, how to reposition the image of China, identify these national images in the film ideographic ways, examine the generation of these ideographic symbols. Through the film text to investigate the status quo of China's national image in the modernization process in the new century, it is no longer just an abstract theory discrimination, but has become closely related to the fate of everyone. In the context of diverse values at home and abroad, building a good national image with the help of film media not only requires us to actively explore the way to construct the Chinese dream in China. In order to promote national identity and produce cohesion, we also need to be able to confidently and consciously set up issues and express national positions in the film art media in international social interaction.
【學(xué)位授予單位】:中國(guó)礦業(yè)大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2015
【分類號(hào)】:J905
【參考文獻(xiàn)】
相關(guān)期刊論文 前1條
1 陳旭光;車琳;;新中國(guó)電影60年:社會(huì)階層變遷與銀幕主流形象的流變——兼及中國(guó)電影國(guó)家形象塑造問題的思考[J];當(dāng)代電影;2010年01期
,本文編號(hào):1421550
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