現(xiàn)代法治的“為”與“不為”——從“李雪蓮”的兩項(xiàng)訴求說起
發(fā)布時(shí)間:2018-01-10 08:35
本文關(guān)鍵詞:現(xiàn)代法治的“為”與“不為”——從“李雪蓮”的兩項(xiàng)訴求說起 出處:《浙江社會(huì)科學(xué)》2017年07期 論文類型:期刊論文
更多相關(guān)文章: 法治模式 行為預(yù)期 復(fù)雜社會(huì) 法律與文學(xué)
【摘要】:電影《秋菊打官司》曾引發(fā)"法治特殊論"與"法治普遍論"之爭,電影《我不是潘金蓮》有助于重新審視這場爭論。對女主角"李雪蓮"兩項(xiàng)訴求的分析表明,現(xiàn)代法治在特定事務(wù)上"無能為力"的表象,是刻意"有所不為"的結(jié)果,目的在于"有所作為",同時(shí)要求"不可亂為"。通過不介入某些實(shí)質(zhì)問題、拒絕做出人格判斷等自我限制,法治得以在高度復(fù)雜的現(xiàn)代社會(huì)中,執(zhí)行穩(wěn)定行為預(yù)期的重要功能。迫使法律進(jìn)行不適當(dāng)?shù)膶?shí)質(zhì)考量,引入"合法/非法"之外的第三種價(jià)值,不會(huì)讓法治更加完善,只會(huì)損害法治本身。另外,"法律與文學(xué)"研究面向戲劇化的文本,可能錯(cuò)失典型的人和事,存在先天局限。
[Abstract]:The film Qiuju Litigation has led to the controversy between "the special theory of rule of law" and "the universal theory of rule of law". The film "I am not Pan Jinlian" helps to re-examine the debate. An analysis of the heroine's two appeals to "Li Xuelian" shows that the modern rule of law is "powerless" in certain matters. It is the result of deliberate "something not to do", the purpose is to "do something", at the same time to ask "not to do anything". By not intervening in some substantive issues, refusing to make personality judgment and other self-restriction. In a highly complex modern society, the rule of law enables it to perform an important function of expected stabilization... It forces the law to carry out inappropriate substantive considerations and introduce a third value beyond "legality / illegality". It will not perfect the rule of law, it will only damage the rule of law itself. In addition, the text of the study of law and literature oriented to drama may miss out on typical people and events, and there are inherent limitations.
【作者單位】: 華東政法大學(xué)科學(xué)研究院;
【基金】:教育部人文社會(huì)科學(xué)研究青年基金項(xiàng)目“‘司法治理’思潮與多元解紛機(jī)制再司法化”(編號:13YJC820058)的研究成果
【分類號】:D920.4;J905
【正文快照】: 2016年上映的電影《我不是潘金蓮》,總讓人聯(lián)想起1992年那部《秋菊打官司》。令法學(xué)界記憶猶新的是,作為本土法社會(huì)學(xué)的一支,當(dāng)代中國的“法律與文學(xué)”研究,曾因《秋菊打官司》熱鬧過好一陣子。通過對《秋菊打官司》的解讀,借助美國人類學(xué)家克利福德·吉爾茲的“地方性知識”
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