本文關(guān)鍵詞：王麗萍電視劇研究　出處：《山東師范大學(xué)》2013年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 王麗萍 家庭倫理 敘事策略 女性意識(shí)

【摘要】：上世紀(jì)九十年代以來(lái)，隨著我國(guó)改革開(kāi)放的深入和社會(huì)主義市場(chǎng)經(jīng)濟(jì)體制的逐步建立完善，社會(huì)生活和家庭生活發(fā)生了巨大的變化，社會(huì)家庭倫理秩序呈現(xiàn)出新的特征。反映這一變化的家庭倫理題材電視劇的創(chuàng)作也呈現(xiàn)出百花齊放的繁榮局面，涌現(xiàn)出一大批優(yōu)秀作品。同時(shí)，也暴露出了一些亟待解決的問(wèn)題，如創(chuàng)作題材同質(zhì)化嚴(yán)重、情節(jié)設(shè)置高度模式化、矛盾沖突極端化、人物關(guān)系畸形、價(jià)值觀念混亂等。這些問(wèn)題不解決，將會(huì)使觀眾對(duì)這類電視劇產(chǎn)生審美疲勞，逐漸失去興趣。 作為家庭倫理劇編劇的杰出代表，王麗萍十幾年間創(chuàng)作了大量?jī)?yōu)秀的電視劇作品。其作品有著獨(dú)特的文化視角和創(chuàng)作手法，成為研究家庭倫理劇創(chuàng)作的重要個(gè)案。 本文以王麗萍的電視劇作品為研究對(duì)象，以敘事學(xué)、倫理學(xué)、社會(huì)學(xué)、傳播學(xué)、影視學(xué)、女性主義等相關(guān)理論為指導(dǎo)，總結(jié)歸納王麗萍電視劇的藝術(shù)特色，并分析其電視劇作品的倫理內(nèi)涵、女性關(guān)照和現(xiàn)實(shí)意義，以期對(duì)我國(guó)家庭倫理題材電視劇的發(fā)展盡綿薄之力。本文包括以下幾個(gè)方面： 首先，在大量閱讀文獻(xiàn)資料和對(duì)家庭倫理劇特別是王麗萍電視劇作品進(jìn)行分析整理的基礎(chǔ)上，總結(jié)家庭倫理劇存在的問(wèn)題以及將王麗萍電視劇作品作為個(gè)案進(jìn)行研究的重要性，分析本篇論文選題的背景和意義。對(duì)國(guó)內(nèi)外關(guān)于王麗萍電視劇作品的研究現(xiàn)狀進(jìn)行分析，發(fā)現(xiàn)還沒(méi)有對(duì)其作品做系統(tǒng)性論述的論著，進(jìn)一步確立了對(duì)王麗萍電視劇作品進(jìn)行研究和分析的必要性。 其次，梳理王麗萍的成長(zhǎng)經(jīng)歷，分析這種經(jīng)歷對(duì)她的電視劇創(chuàng)作主題和創(chuàng)作風(fēng)格的影響，介紹王麗萍的創(chuàng)作歷程和風(fēng)格流變，分析她不同時(shí)期電視劇作品的藝術(shù)特點(diǎn)，介紹其作品所獲重要獎(jiǎng)項(xiàng)，解析其作品獲得巨大社會(huì)關(guān)注的原因。 再次，對(duì)王麗萍電視劇作品進(jìn)行敘事學(xué)分析。在敘事主題上，王麗萍以社會(huì)變革中的都市家庭生活、都市人的心理問(wèn)題、知青及知青后代的人生境遇及社會(huì)發(fā)展中的熱點(diǎn)話題為主；在敘事結(jié)構(gòu)上，采用一主多副的多線索敘事模式和雙核對(duì)立、核心-衛(wèi)星式的人物關(guān)系設(shè)置，，以多元化的戲劇沖突表現(xiàn)當(dāng)下都市人的生活；在人物塑造上，以正襯、反襯的手法塑造類型化人物；在語(yǔ)言特色上，人物語(yǔ)言以精心設(shè)計(jì)的日�；瘜�(duì)白為主，哲理化語(yǔ)言為輔。 第四，對(duì)王麗萍電視劇作品中所蘊(yùn)含的父權(quán)家長(zhǎng)制的衰敗、家庭重心和家庭模式的改變、新舊夫妻觀和生育觀的矛盾、族親與姻親的微妙變化、新型婆媳關(guān)系等家庭倫理秩序的變遷進(jìn)行深層次的解讀。 第五，分析王麗萍電視劇作品對(duì)現(xiàn)實(shí)生活中女性生存狀態(tài)的人文關(guān)懷及蘊(yùn)含其中的隱性的女性主義話語(yǔ)；研究王麗萍電視劇作品中所推崇的中華民族的傳統(tǒng)美德和真善美的當(dāng)代標(biāo)準(zhǔn)對(duì)構(gòu)建和諧家庭、和諧社會(huì)的價(jià)值。
[Abstract]:Since -10s, with the deepening of China's reform and opening up and the gradual establishment and perfection of the socialist market economic system, great changes have taken place in social life and family life. The social family ethical order presents new characteristics. The creation of family ethics TV series, which reflects this change, also presents a prosperous situation, and a large number of excellent works emerge at the same time. It also exposed some urgent problems, such as serious homogenization of creative themes, highly stylized plot setting, extreme conflict and contradiction, deformity of character relations, confusion of values, and so on. Will make the audience to this kind of TV series aesthetic fatigue, gradually lose interest. As an outstanding representative of family ethics drama screenwriter, Wang Liping has created a large number of outstanding TV plays in the past ten years. His works have a unique cultural perspective and creative techniques. It has become an important case of family ethics drama creation. This article takes Wang Liping's teleplay works as the research object, with narrative, ethics, sociology, communication, film and television, feminism and other related theories as the guidance, summed up the artistic characteristics of Wang Liping TV series. It also analyzes the ethical connotation, female care and practical significance of its TV drama works, in order to contribute to the development of family ethics TV series in China. This paper includes the following aspects: First of all, on the basis of reading a great deal of literature and analyzing family ethics drama, especially Wang Liping TV drama works. Summarize the problems existing in family ethics drama and the importance of studying Wang Liping's TV plays as a case study. Analysis of the background and significance of the topic of this paper. On the domestic and foreign research on Wang Liping's teleplay works are analyzed, found that there has not been a systematic discussion of his works. Further established the necessity of studying and analyzing Wang Liping's teleplay works. Secondly, combing Wang Liping's growing up experience, analyzing the influence of this experience on the theme and style of her TV drama creation, introducing the writing process and style change of Wang Liping. This paper analyzes the artistic characteristics of her works of TV drama in different periods, introduces the important awards of her works, and explains the reasons why her works have received great social attention. Thirdly, the narrative analysis of Wang Liping TV series works. In the narrative theme, Wang Liping in the social transformation of urban family life, the psychological problems of urban people. The life situation of educated youth and their descendants and the hot topics in social development are the main topics; In the narrative structure, the author adopts the multi-clue narrative mode of one principal and multiple pairs and the dual-core opposites, the core and satellite character relationship setting, and shows the life of the present urban people with the diversified drama conflict. In the shaping of characters, we should use positive and contrasting techniques to shape the types of characters; In terms of linguistic features, the characters' language is mainly composed of carefully designed daily dialogue, supplemented by philosophical language. In 4th, the decline of patriarchal patriarchal system contained in Wang Liping's TV plays, the change of family center and family pattern, the contradiction between new and old concepts of husband and wife and fertility, the subtle changes of kinship and in-laws. The new relationship between mother-in-law and daughter-in-law and other family ethical order changes to a deeper interpretation. In 5th, it analyzes the humanistic concern of Wang Liping's TV plays to the living state of women in real life and the implicit feminist discourse. This paper studies the value of the traditional virtues of the Chinese nation and the contemporary standards of truth, goodness and beauty in Wang Liping's TV plays to the construction of a harmonious family and a harmonious society.
【學(xué)位授予單位】：山東師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J905;I207.35

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本文編號(hào)：1393118