本文關(guān)鍵詞：山西題材影視劇的美學(xué)特征研究　出處：《山西師范大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 山西題材 影視劇 美學(xué) 風(fēng)格 文化

【摘要】：近年來(lái)，地方題材影視劇的創(chuàng)作逐漸呈現(xiàn)出繁榮的態(tài)勢(shì)，不同地域的影視作品在銀屏上爭(zhēng)相斗艷，帶給大眾不同的審美感受。其中，山西題材影視劇也憑借自身的優(yōu)勢(shì)在數(shù)量和質(zhì)量上取得了新的突破。特別是新世紀(jì)以來(lái)，一批山西題材影視作品的熱播在全國(guó)范圍內(nèi)掀起了“山西文化熱”�！缎∥洹贰墩九_(tái)》《喬家大院》《走西口》《喜耕田的故事》《八路軍》《呂梁英雄傳》《亮劍》《白銀帝國(guó)》等等，一系列優(yōu)秀的作品重新打響了“山西題材”的名號(hào)，贏得了大眾的歡迎，并在影視文化、地域文化和民族文化的建設(shè)中貢獻(xiàn)出自己的力量。這也是研究山西題材影視劇美學(xué)特征的前提和條件。 就筆者目前搜集的資料來(lái)看，學(xué)術(shù)界關(guān)于山西題材影視劇的研究雖然早有涉獵，但多為散見(jiàn)的論文。從研究對(duì)象來(lái)看，學(xué)者的研究多集中在某一領(lǐng)域，有的以某一部作品為主，有的以同一類型題材作品為主，或涉及電視劇方面，或涉及電影方面；從研究角度來(lái)看，多集中在對(duì)作品內(nèi)容、人物形象、藝術(shù)風(fēng)格、文化精神內(nèi)涵等方面的解讀，或是影視產(chǎn)業(yè)、文化產(chǎn)業(yè)、旅游業(yè)等其他方面的延伸拓展。因此，從美學(xué)視角對(duì)山西題材影視劇進(jìn)行系統(tǒng)、全面的研究仍處于空白狀態(tài)。山西獨(dú)特的地域性決定了其影視作品表現(xiàn)形式的特定性和多樣性，通過(guò)對(duì)其美學(xué)特征的分析，我們可以更直觀地把握山西特色文化。本文通過(guò)對(duì)山西題材影視劇美學(xué)風(fēng)格及審美價(jià)值的研究，，結(jié)合政治、經(jīng)濟(jì)、社會(huì)、文化等多方面因素，探討山西題材影視劇的美學(xué)意義和文化意義，并反思其存在的問(wèn)題。由此分析地方題材影視劇在中國(guó)影視劇發(fā)展中的作用，以期為山西地方文化建設(shè)和中國(guó)影視文化建設(shè)提供一定的參考價(jià)值。含引言全文共分四個(gè)部分進(jìn)行論述。 引言部分主要交代了本論文的研究意義及研究范圍，整理了國(guó)內(nèi)外相關(guān)的研究資料，說(shuō)明論文的研究框架及創(chuàng)新點(diǎn)。 正文分為三部分。 第一部分為本論文的主體部分，主要論述山西題材影視劇的美學(xué)特征： 首先，梳理山西題材影視劇的發(fā)展脈絡(luò),從20世紀(jì)20年代末年電影傳入山西到新世紀(jì)以來(lái)的山西題材影視劇創(chuàng)作。同時(shí)以文化學(xué)分類的標(biāo)準(zhǔn)將山西題材影視劇劃分為晉商題材、農(nóng)村題材、抗戰(zhàn)題材以及其他題材系列。其次，論述山西題材影視劇的“主旋律”的敘事主題及其審美表現(xiàn)。最后，從畫面和鏡頭、色彩、聲音等方面探討其藝術(shù)形式上的美學(xué)特征。 第二部分指出山西題材影視劇存在的不足：部分作品對(duì)山西本土地域文化的體現(xiàn)不夠充分；人物刻畫不夠典型；作品的政治性與藝術(shù)性失衡等。 第三部分主要分析地方題材影視劇在中國(guó)影視劇發(fā)展中的作用。通過(guò)對(duì)山西題材影視劇美學(xué)特征的研究，筆者發(fā)現(xiàn)地方題材影視劇在豐富中國(guó)影視劇題材類型，滿足大眾審美需求，打造中國(guó)影視劇的民族特色和民族風(fēng)格等方面扮演著不可或缺的角色。
[Abstract]:In recent years, the creation of local film and television drama gradually presents a prosperous situation, different regions of film and television works on the screen competing for each other, to bring different aesthetic feelings of the public. Shanxi theme movies and TV plays have also made new breakthroughs in quantity and quality, especially in the new century. The popularity of a batch of film and television works of Shanxi has set off a "Shanxi cultural craze" throughout the country. < Xiao Wu > < platform > < Qiaojia Courtyard > < walking Xikou > < the story of the happy tilling field > < eighth Route Army > < Lv Liang heroic biography > < Liang Jian > < Silver Empire] and so on. A series of excellent works re-established the name of "Shanxi theme", won the popularity of the public, and in the film and television culture. Regional culture and national culture contribute their own strength, which is also the premise and condition of studying the aesthetic characteristics of Shanxi films and TV dramas. According to the data collected by the author, although the academic research on Shanxi film and television drama has long been dabbled in, most of them are scattered papers. From the point of view of the object of study, the research of scholars is mostly concentrated in a certain field. Some are based on a certain work, some are mainly about the same subject matter, or related to the TV series, or the film; From the point of view of research, it focuses on the interpretation of the content of the work, the image of the characters, the artistic style, the connotation of the cultural spirit, or the extension of the film and television industry, the cultural industry, the tourism industry and so on. From the aesthetic perspective of Shanxi film and television drama system, the overall study is still in a blank state. Shanxi's unique regional nature determines the specific form and diversity of its film and television works. Through the analysis of its aesthetic characteristics, we can grasp the characteristics of Shanxi culture more intuitively. Through the study of the aesthetic style and aesthetic value of Shanxi film and television drama, combined with politics, economy, society. This paper discusses the aesthetic and cultural significance of Shanxi film and television drama, and reflects on its existing problems, so as to analyze the role of local film and television drama in the development of Chinese film and television drama. In order to provide some reference value for the construction of Shanxi local culture and Chinese film and television culture, the full text of the introduction is divided into four parts. The introduction mainly explains the research significance and scope of this paper, collates the relevant research materials at home and abroad, and explains the research framework and innovation of the paper. The text is divided into three parts. The first part is the main part of this paper, mainly discusses the aesthetic characteristics of Shanxi film and television drama: First of all, combing the development of Shanxi theme film and television drama. From the end of 1920s, the film was introduced into Shanxi Province to the new century, Shanxi theme film and television drama creation. At the same time, Shanxi theme film and television drama is divided into Shanxi business theme and rural theme by the standard of cultural classification. Second, it discusses the narrative theme and aesthetic performance of the theme of Shanxi theme film and television drama. Finally, from the picture and lens, color. This paper discusses the aesthetic characteristics of its artistic form from the aspects of sound and so on. The second part points out the shortcomings of Shanxi film and television drama: part of the works of the local local culture of Shanxi is not fully reflected; the portrayal of characters is not typical; the work of political and artistic imbalance and so on. The third part mainly analyzes the role of local film and television drama in the development of Chinese film and television drama. Through the study of Shanxi theme film and television drama aesthetic characteristics. The author finds that local films and TV dramas play an indispensable role in enriching the genre of Chinese films and TV dramas, satisfying the aesthetic needs of the masses and creating the national characteristics and national styles of Chinese films and TV dramas.
【學(xué)位授予單位】：山西師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J901

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