《大師與瑪格麗特》中時(shí)間概念詞的語義分析
發(fā)布時(shí)間：2019-03-06 07:06
【摘要】：俄羅斯學(xué)者對(duì)時(shí)間范疇的研究由來已久,早在17世紀(jì)就有學(xué)者注意到這一問題,最初關(guān)注的焦點(diǎn)是動(dòng)詞時(shí)間形式,18、19世紀(jì)提出了有關(guān)時(shí)間形式的多角度觀點(diǎn),20世紀(jì)后開始對(duì)動(dòng)詞的五種時(shí)間形式等問題達(dá)成共識(shí)。隨著語言學(xué)的發(fā)展,學(xué)者們開始從多角度探究時(shí)間問題,尤其是針對(duì)文學(xué)作品的研究,僅僅是從文藝角度研究文學(xué)作品是不夠的,還要從語言學(xué)的角度研究文學(xué)作品,分析作者寫作意圖。布爾加科夫(БулгаковМ.А.,1891-1940)是俄羅斯20世紀(jì)的杰出作家,他對(duì)俄國(guó)小說藝術(shù)的發(fā)展有著巨大的貢獻(xiàn),他對(duì)詞語的使用有著自己獨(dú)特的見解。布爾加科夫在創(chuàng)作《大師與瑪格麗特》時(shí)使用了大量的時(shí)間概念詞來構(gòu)建小說的三層敘事時(shí)空:現(xiàn)實(shí)時(shí)空,神話時(shí)空,歷史時(shí)空。分析和研究作者對(duì)時(shí)間詞匯的使用和理解,能夠幫助我們更清晰的認(rèn)識(shí)小說時(shí)空之間的差異及作者的時(shí)間價(jià)值觀。長(zhǎng)久以來,學(xué)者們盡管對(duì)文學(xué)作品做了大量的研究,但大多是停留在研究其藝術(shù)特色上。本文將從語言學(xué)的角度對(duì)《大師與瑪格麗特》(МастериМаргарита,1973)中的俄語時(shí)間概念詞進(jìn)行語義分析,首先,從廣義及狹義兩方面對(duì)時(shí)間概念詞進(jìn)行界定;其次,將文中的時(shí)間概念詞進(jìn)行分類并逐一說明其使用特點(diǎn);最后,介紹弗洛連斯基的三位一體理論并將其與《大師與瑪格麗特》中三層敘述時(shí)空做對(duì)比,分析小說三層時(shí)空的時(shí)間結(jié)構(gòu)及小說主要人物的時(shí)間觀念,俄語時(shí)間概念詞的個(gè)性使用特點(diǎn)。
[Abstract]:Russian scholars have been studying the time category for a long time. As early as the 17th century, some scholars paid attention to this problem. The initial focus was on the verb time form. In the 18th and 19th centuries, the author put forward a multi-angle view on the time form. After the 20th century, we began to reach consensus on the five temporal forms of verbs. With the development of linguistics, scholars began to explore the issue of time from many angles, especially the study of literary works. It is not enough to study literary works from the perspective of literature and art, but also to study literary works from the perspective of linguistics. Analyze the author's intention to write. Burgakov (1891-1940) is an outstanding Russian writer in the 20th century. He has made great contributions to the development of Russian novel art and has his own unique views on the use of words. Burgakov used a large number of time-concept words to construct the three levels of narrative space-time: real space-time, mythical space-time and historical time-space in the creation of "Master and Marguerite". The analysis and study of the author's use and understanding of the time vocabulary can help us to clearly understand the differences between the time and space of the novel and the author's time values. For a long time, although scholars have done a lot of research on literary works, most of them remain in the study of their artistic characteristics. This paper makes a semantic analysis of the Russian time concept words in "Master and Margaret" (1973) from the linguistic point of view. Firstly, the time concept words are defined in both the broad sense and the narrow sense. Secondly, the time concept words in the paper are classified and their usage characteristics are explained one by one. Finally, this paper introduces Froynski's Trinity Theory and compares it with the three layers of narrative space-time in Master and Marguerite, and analyzes the time structure of the three-layer space-time in the novel and the time concept of the main characters in the novel. The characteristics of the use of Russian time concept words.
【學(xué)位授予單位】：黑龍江大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2016
【分類號(hào)】：H35
，
本文編號(hào)：2435310
[Abstract]:Russian scholars have been studying the time category for a long time. As early as the 17th century, some scholars paid attention to this problem. The initial focus was on the verb time form. In the 18th and 19th centuries, the author put forward a multi-angle view on the time form. After the 20th century, we began to reach consensus on the five temporal forms of verbs. With the development of linguistics, scholars began to explore the issue of time from many angles, especially the study of literary works. It is not enough to study literary works from the perspective of literature and art, but also to study literary works from the perspective of linguistics. Analyze the author's intention to write. Burgakov (1891-1940) is an outstanding Russian writer in the 20th century. He has made great contributions to the development of Russian novel art and has his own unique views on the use of words. Burgakov used a large number of time-concept words to construct the three levels of narrative space-time: real space-time, mythical space-time and historical time-space in the creation of "Master and Marguerite". The analysis and study of the author's use and understanding of the time vocabulary can help us to clearly understand the differences between the time and space of the novel and the author's time values. For a long time, although scholars have done a lot of research on literary works, most of them remain in the study of their artistic characteristics. This paper makes a semantic analysis of the Russian time concept words in "Master and Margaret" (1973) from the linguistic point of view. Firstly, the time concept words are defined in both the broad sense and the narrow sense. Secondly, the time concept words in the paper are classified and their usage characteristics are explained one by one. Finally, this paper introduces Froynski's Trinity Theory and compares it with the three layers of narrative space-time in Master and Marguerite, and analyzes the time structure of the three-layer space-time in the novel and the time concept of the main characters in the novel. The characteristics of the use of Russian time concept words.
【學(xué)位授予單位】：黑龍江大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2016
【分類號(hào)】：H35
，
本文編號(hào)：2435310
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