約翰·馬克斯韋爾·庫(kù)切是南非杰出的小說(shuō)家、散文家、翻譯家和文學(xué)評(píng)論家,布克獎(jiǎng)和諾貝爾文學(xué)獎(jiǎng)得主�！兜却靶U人》和《內(nèi)陸深處》分別是庫(kù)切的兩部長(zhǎng)篇小說(shuō),因其獨(dú)特創(chuàng)新的敘事風(fēng)格、巧妙經(jīng)典的行文構(gòu)思在評(píng)論界受到了中西學(xué)者的青睞與廣泛關(guān)注。從目前國(guó)內(nèi)外的研究現(xiàn)狀來(lái)看,多數(shù)學(xué)者將研究視野集中在對(duì)這兩部作品的主題分析、后殖民研究、女性主義解讀、后現(xiàn)代敘事解讀、心理分析等較為宏大的話題上。然而,縱觀庫(kù)切的這兩部小說(shuō),身體、性別、權(quán)力、政治是庫(kù)切后殖民創(chuàng)作語(yǔ)境的四個(gè)基本維度,它們相互對(duì)峙卻又彼此依存,共同推動(dòng)了故事情節(jié)的發(fā)展,構(gòu)成了作品的內(nèi)在張力。盡管有個(gè)別學(xué)者注意到庫(kù)切小說(shuō)中的以上幾個(gè)要素,卻未從上述四個(gè)維度系統(tǒng)而深入地透視、研究和考察庫(kù)切這兩部作品的身體敘事。鑒于庫(kù)切作品在內(nèi)容與形式的統(tǒng)一性,如果將其小說(shuō)中的故事內(nèi)涵與敘事策略相融合來(lái)分析庫(kù)切的作品,從而去探索和揭示其作品的文學(xué)價(jià)值,則有助于為解讀庫(kù)切小說(shuō)提供一種新的途徑。因此,本文借助福柯的身體理論,釆用理論分析與文本細(xì)讀相結(jié)合的原則,以后殖民語(yǔ)境下的身體書(shū)寫(xiě)為切入點(diǎn),圍繞庫(kù)切兩部小說(shuō)中敘事的幾個(gè)焦點(diǎn)—身體、性別、權(quán)力與政治,對(duì)作品進(jìn)行剖析和探討...

【文章頁(yè)數(shù)】：91 頁(yè)

【學(xué)位級(jí)別】：碩士

【文章目錄】：
Acknowledgements
Abstract
摘要
Introduction
    Motivation and Significance
        About the Author
        Introduction to Waiting for the Barbarians
        Introduction to In the Heart of the Country
    Literature Review
        International Studies
        Domestic Studies
        Comments
    Critical Approach
        The Definition and the Development of the Body Theory by Michel Foucault
        The Key Terms of the Body Theory
        Comment
Chapter One Presentation of the Body under the Apartheid:Exploitation and Oppression
    1.1 Alienated Bodies
        1.1.1 Mutilated Girl at the Frontier
        1.1.2 Mad Woman in the Farmyard
    1.2 The Suffering Bodies
        1.2.1 The Raped Magda
        1.2.2 The Decoded Semi-blinded Woman
Chapter Two Punishment of the Body under the Political Power:Prejudice andDiscrimination
    2.1 The Imprisoned Body
        2.1.1 Excluded by Men
        2.1.2 Gender and Destiny
    2.2 The Marginalized Body
        2.2.1 Magda’s Black Phobia
        2.2.2 The White Aesthetics
Chapter Three The Resistance of the Body and the Patriarchal Power:Subversion andDeconstruction
    3.1 Subversion of Traditional Image of Female Bodies
        3.1.1 Rejection to the Male Gaze
        3.1.2 Writing the Female Self
    3.2 Deconstruction of the Masculinity
        3.2.1 Bodily Independence
        3.2.2 Transcendence and Rebirth
Conclusion
    Main Statement
    Implications
References
攻讀學(xué)位期間發(fā)表的學(xué)術(shù)論文和研究成果



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