微時代審美問題研究
發(fā)布時間：2018-08-14 13:28
【摘要】：在數(shù)字媒體發(fā)展的今天,網(wǎng)絡(luò)技術(shù)的發(fā)展和移動終端的蓬勃興起掀起了嶄新的時代,即微時代。微時代主要搭載的是微博、微信等新型媒體平臺,它們的出現(xiàn)引發(fā)了各種觀念的變革,產(chǎn)生了多種藝術(shù)現(xiàn)象,甚至重新定義了社會的新格局,并隨之改變了人們的日常生活方式,這一現(xiàn)象同時也引起學(xué)者的廣泛關(guān)注。本文有感于此,在立足前人的基礎(chǔ)上,針對微時代的審美展開研究,從審美主體入手,深入到審美接受過程中的審美接受心理,通過分析微時代的媒介及其人群的審美特征,闡明微時代對當(dāng)代審美造成的沖擊和影響,進(jìn)而豐富完善關(guān)于微時代方面的研究。第一章,主要對微時代審美的技術(shù)基礎(chǔ)進(jìn)行論述,分析藝術(shù)和技術(shù)的關(guān)系,從媒介平臺的定義入手,著重分析微時代技術(shù)的藝術(shù)化,在人民大眾的參與和互動共享的體驗活動中,承載了更多的信息內(nèi)容和更快的傳播速度,構(gòu)筑出一個藝術(shù)美學(xué)之網(wǎng)。其目的是證明媒介深入影響到人們的日常生活中,并作用于人們的審美心理,形成廣泛性的審美體驗。第二章,主要對微時代下人們的審美心理特征進(jìn)行歸納,從審美接受角度去考慮,在微時代種種信息種種文本的包圍下,人們的心理是如何展現(xiàn),雖然從眾心理、求異心理還是娛樂心理三者之間各有區(qū)別,但是都共同表明現(xiàn)代審美觀念進(jìn)一步發(fā)生變化,人們越來越關(guān)注個體的精神快感體驗。第三章,主要對微時代的文本藝術(shù)進(jìn)行探討,歸納出微時代其本身文本藝術(shù)的魅力。微時代鼓勵讀者和用戶自己去參與文本創(chuàng)作,甚至于鼓勵更多人們?nèi)⒓拥絺鞑ノ谋镜幕顒又小Ｎ⒉�、微信正是典型的代�?從微語言、微敘事和微圖像等三方面重點解析其文本藝術(shù)特征,并解讀它的美學(xué)效果。第四章,主要對微時代的審美特征進(jìn)行分析,微時代不同于以往信息時代的原因就在于它的雙向信息渠道和虛擬交互性,這反映出微時代的審美泛化和審美視覺化的美學(xué)特征,進(jìn)而看到它對以后的審美存在著有利有弊的影響。第五章,主要對重建微時代的審美秩序提出建議,微時代的高度自由發(fā)展,已經(jīng)引起了一系列的藝術(shù)問題或美學(xué)問題,如何立足我國國情,對微時代進(jìn)行合理引導(dǎo),對社會帶來積極的藝術(shù)影響,已經(jīng)成為現(xiàn)今我們需要高度重視的問題。只有匯集媒介人、受眾人群以及政府社會三方面的共同力量,才能讓微時代更好的發(fā)展。
[Abstract]:With the development of digital media, the development of network technology and the vigorous rise of mobile terminals set off a new era, the micro-era. The micro-era is mainly equipped with Weibo, WeChat and other new media platforms. Their emergence has caused a variety of changes in ideas, produced a variety of artistic phenomena, and even redefined a new pattern of society. And then changed people's daily life style, this phenomenon also aroused the widespread concern of scholars. On the basis of the predecessors, this paper studies the aesthetics of the micro-era, from the aesthetic subject to the aesthetic acceptance psychology in the process of aesthetic acceptance, through the analysis of the media of the micro-era and the aesthetic characteristics of the crowd. This paper expounds the impact and influence of micro-age on contemporary aesthetics, and enriches and perfects the research on micro-age. The first chapter mainly discusses the technical basis of micro-era aesthetics, analyzes the relationship between art and technology, starts with the definition of media platform, and focuses on the artistry of micro-era technology. In the people's participation and interactive sharing of experience activities, carrying more information and faster speed of communication, to build a network of art and aesthetics. Its purpose is to prove that the media deeply affects people's daily life and acts on people's aesthetic psychology to form a broad aesthetic experience. The second chapter, mainly summarizes the aesthetic psychological characteristics of people in the micro-era, considering from the angle of aesthetic acceptance, how people's psychology is displayed under the circumstances of various texts of information in the micro-era, although they follow the crowd psychology, There are differences between different psychology and entertainment psychology, but they all show that the modern aesthetic concept has further changed, and people pay more and more attention to the individual's spiritual pleasure experience. The third chapter mainly discusses the text art of the micro-era and sums up the charm of the text art of the micro-era. The micro-age encourages readers and users to participate in text creation and even more people to participate in the dissemination of text. Weibo, WeChat is a typical representative, from three aspects of micro-language, micro-narrative and micro-image to analyze the artistic characteristics of its text, and to interpret its aesthetic effect. The fourth chapter mainly analyzes the aesthetic characteristics of the micro-era. The reason why the micro-era is different from the previous information age lies in its two-way information channel and virtual interaction, which reflects the aesthetic generalization and aesthetic visual aesthetic characteristics of the micro-era. Then we can see that it has both advantages and disadvantages to the later aesthetic. In the fifth chapter, some suggestions are put forward to reconstruct the aesthetic order of the micro-era. The highly free development of the micro-era has caused a series of artistic or aesthetic problems. How to guide the micro-era reasonably based on the national conditions of our country? Bring positive artistic influence to the society, have become the problem that we need to attach great importance to nowadays. Only by bringing together the common forces of media, audience and government society can the micro-era develop better.
【學(xué)位授予單位】：安徽大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J01
本文編號：2183004
[Abstract]:With the development of digital media, the development of network technology and the vigorous rise of mobile terminals set off a new era, the micro-era. The micro-era is mainly equipped with Weibo, WeChat and other new media platforms. Their emergence has caused a variety of changes in ideas, produced a variety of artistic phenomena, and even redefined a new pattern of society. And then changed people's daily life style, this phenomenon also aroused the widespread concern of scholars. On the basis of the predecessors, this paper studies the aesthetics of the micro-era, from the aesthetic subject to the aesthetic acceptance psychology in the process of aesthetic acceptance, through the analysis of the media of the micro-era and the aesthetic characteristics of the crowd. This paper expounds the impact and influence of micro-age on contemporary aesthetics, and enriches and perfects the research on micro-age. The first chapter mainly discusses the technical basis of micro-era aesthetics, analyzes the relationship between art and technology, starts with the definition of media platform, and focuses on the artistry of micro-era technology. In the people's participation and interactive sharing of experience activities, carrying more information and faster speed of communication, to build a network of art and aesthetics. Its purpose is to prove that the media deeply affects people's daily life and acts on people's aesthetic psychology to form a broad aesthetic experience. The second chapter, mainly summarizes the aesthetic psychological characteristics of people in the micro-era, considering from the angle of aesthetic acceptance, how people's psychology is displayed under the circumstances of various texts of information in the micro-era, although they follow the crowd psychology, There are differences between different psychology and entertainment psychology, but they all show that the modern aesthetic concept has further changed, and people pay more and more attention to the individual's spiritual pleasure experience. The third chapter mainly discusses the text art of the micro-era and sums up the charm of the text art of the micro-era. The micro-age encourages readers and users to participate in text creation and even more people to participate in the dissemination of text. Weibo, WeChat is a typical representative, from three aspects of micro-language, micro-narrative and micro-image to analyze the artistic characteristics of its text, and to interpret its aesthetic effect. The fourth chapter mainly analyzes the aesthetic characteristics of the micro-era. The reason why the micro-era is different from the previous information age lies in its two-way information channel and virtual interaction, which reflects the aesthetic generalization and aesthetic visual aesthetic characteristics of the micro-era. Then we can see that it has both advantages and disadvantages to the later aesthetic. In the fifth chapter, some suggestions are put forward to reconstruct the aesthetic order of the micro-era. The highly free development of the micro-era has caused a series of artistic or aesthetic problems. How to guide the micro-era reasonably based on the national conditions of our country? Bring positive artistic influence to the society, have become the problem that we need to attach great importance to nowadays. Only by bringing together the common forces of media, audience and government society can the micro-era develop better.
【學(xué)位授予單位】：安徽大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J01
【相似文獻(xiàn)】
相關(guān)期刊論文 前2條
1 張謙;;音樂傳播專業(yè)的能力培養(yǎng)與教學(xué)設(shè)想——基于音樂就業(yè)市場職業(yè)案例調(diào)查的思考[J];音樂傳播;2012年01期
2 ;[J];;年期
相關(guān)重要報紙文章 前5條
1 王卓;播客———利基營銷新平臺[N];中國工業(yè)報;2006年
2 趙長寶;“財政微信”如何樹“威信”[N];中國財經(jīng)報;2014年
3 記者 李吉勝 通訊員 趙體江;查破案件50余起[N];人民公安報;2011年
4 陳桂娟;我市今年預(yù)計接收畢業(yè)生5.7萬人[N];大連日報;2007年
5 本報記者 戴曉蓉;打破傳統(tǒng)媒體界限構(gòu)建全新溝通平臺[N];深圳特區(qū)報;2007年
相關(guān)碩士學(xué)位論文 前5條
1 徐金玉;中國電子商務(wù)媒介平臺的生態(tài)危機(jī)及對策研究[D];重慶大學(xué);2016年
2 馮亮;微時代審美問題研究[D];安徽大學(xué);2017年
3 劉云飛;媒介平臺的類型與需求響應(yīng)[D];暨南大學(xué);2013年
4 黨悅;新媒介平臺中的新文體研究[D];長春理工大學(xué);2013年
5 鄭爽;媒介平臺理論初探[D];暨南大學(xué);2011年
，本文編號：2183004
本文鏈接：http://sikaile.net/shoufeilunwen/zaizhiboshi/2183004.html
最近更新
教材專著
