【摘要】：作為英國跨世紀(jì)的歌唱皇后、當(dāng)代著名的跨界女歌唱家,莎拉布萊曼在其四十多年的演唱生涯中,歷經(jīng)了多次轉(zhuǎn)型,塑造了無數(shù)經(jīng)典,也開創(chuàng)了屢次傳奇,從群舞演員到金曲排行榜的通俗歌手、到音樂劇女皇、時(shí)至今日享譽(yù)月光女神的稱號(hào)。北京奧運(yùn)會(huì)時(shí),她被邀請演唱開幕式主題曲,這使我對她產(chǎn)生了興趣,中國什么樣的歌手都有,為何一定要選擇一個(gè)外國跨界歌手呢?帶著這個(gè)疑問,我去搜集了她的很多作品,她天籟般空靈的聲音令我折服,也正是由于帶著這份崇拜感,我才更想將她的歌聲研究透徹。她歌唱生涯分為三個(gè)階段,且演唱形式方法及風(fēng)格都大不相同,但最終她卻能將多種方法融為一體,另辟蹊徑,創(chuàng)造屬于自己獨(dú)特的演唱方法,她的演唱打破了古典與通俗音樂的隔膜界定,帶給人耳目一新的視聽感,不僅風(fēng)靡全世界,也推動(dòng)了西方古典音樂的傳播,同時(shí)奠基了她引領(lǐng)者的地位。本文將針對莎拉布萊曼的演唱風(fēng)格做全面的分析,通過對國內(nèi)外相關(guān)資料的梳理、分析、整理,先從她不同時(shí)期的人生經(jīng)歷及演唱方法、風(fēng)格著手,對比通俗音樂與美聲唱法的異同,并通過她對巔峰之作《告別時(shí)刻》的演繹來分析她美通唱法的發(fā)聲方法,了解莎拉是如何調(diào)節(jié)自身演唱時(shí)的聲音位置,來逐步消滅換聲點(diǎn)的痕跡,做到高音不擠、低音不虛的效果。著重對其美聲、通俗及音樂劇三種風(fēng)格融合的演唱作為突破點(diǎn),并結(jié)合筆者自身的學(xué)習(xí)經(jīng)驗(yàn)和演唱體會(huì)來進(jìn)行全面的分析。筆者通過對莎拉布萊曼演唱風(fēng)格的分析,不僅對幾種唱法有了更深的了解,并且筆者在嘗試著將其融合,使其為我所用,為自己能演繹多種風(fēng)格作品打下基礎(chǔ)。目前筆者的跨界演唱已初見成效,部分歌曲可以較好的跨界融合,但仍有很多作品還在探索中。筆者相信,通過對莎拉聲音的不斷研究,與自己反復(fù)的實(shí)踐磨合,一定會(huì)找到屬于自己的跨界演唱方式、形成自己的風(fēng)格。
[Abstract]:As Britain's cross-century singing queen, the contemporary famous crossover female singer, Sarah Brightman, in her more than 40 years of singing career, has undergone many transformations, created countless classics, but also created a number of legends. From dancers to pop singers on the charts to musical emperors, they are now known as Moonlight Goddess. During the Beijing Olympics, she was invited to sing the theme song of the opening ceremony, which made me interested in her. What kind of singer does China have? why must choose a foreign cross-border singer? With this question in mind, I went to collect many of her works. I was impressed by her ethereal voice, and it was with this feeling of worship that I wanted to study her songs thoroughly. Her singing career is divided into three stages, and her singing forms and styles are very different, but in the end she is able to combine a variety of methods and create her own unique singing methods. Her singing broke the dividing line between classical and popular music, brought a fresh audio-visual sense, not only swept the world, but also promoted the spread of Western classical music, and laid a foundation for her position as a leader. This article will do a comprehensive analysis of Sarah Brightman's singing style, through combing, analyzing, sorting out the relevant materials at home and abroad, starting with her life experience and singing methods in different periods, the style, By comparing the similarities and differences between popular music and Bel Canto, and by analyzing her singing methods through her interpretation of the peak of her work "the time of farewell", we can see how Sarah adjusts her voice position when she sings. To gradually eliminate the trace of the change point, so that the high tone is not crowded, the bass effect. This paper focuses on the combination of three styles of its beautiful sound, popular and musical as a breakthrough point, and combined with the author's own learning experience and singing experience to conduct a comprehensive analysis. Based on the analysis of Sarah Brightman's singing style, the author not only has a deeper understanding of several singing methods, but also tries to integrate them to make them work for me and lay the foundation for his own interpretation of various styles of works. At present, the author's cross-border singing has achieved initial results, some songs can better cross-border integration, but there are still a lot of works are still under exploration. The author believes that through the continuous study of Sarah's voice and his repeated practice, he will find his own way of singing across the border and form his own style.
【學(xué)位授予單位】：沈陽師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J616.2

【參考文獻(xiàn)】

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本文編號(hào)：2174987