發(fā)布時(shí)間：2018-07-29 09:10

【摘要】：祖氏滇繡畫是云南非物質(zhì)文化遺產(chǎn),由云南省工藝美術(shù)行業(yè)協(xié)會副秘書長、非物質(zhì)文化遺產(chǎn)傳承人——祖玉蘭創(chuàng)立的一種刺繡畫藝術(shù)風(fēng)格。祖氏滇繡畫是祖玉蘭對刺繡工藝獨(dú)到的見解,以云南特色的“滇文化”為依托,以畫為題材,以精湛的刺繡技法為表現(xiàn)方式,立足于云南,服務(wù)于云南本土特色文化的研發(fā),將云南獨(dú)有的特色文化風(fēng)情進(jìn)行宣傳與推廣。中國的刺繡歷史非常悠久,文化底蘊(yùn)深厚,且種類繁多,中國現(xiàn)如今刺繡業(yè)更是持一種百花齊放的狀態(tài)。現(xiàn)代刺繡業(yè)不僅要傳承傳統(tǒng)刺繡品種,也需要探尋新的可能性,創(chuàng)造刺繡業(yè)新的格局。本課題依據(jù)文獻(xiàn)研究法、田野調(diào)查法等研究方法,以社會學(xué)、認(rèn)知心理學(xué)、市場學(xué)等學(xué)科理論為指導(dǎo),研究主要內(nèi)容的資料來源都是筆者通過實(shí)地考察與收集記錄,后期經(jīng)過嚴(yán)格篩選后再進(jìn)行有效地梳理與歸納整合,將祖氏滇繡畫的藝術(shù)審美特征進(jìn)行分析,以及對祖氏滇繡畫的發(fā)展現(xiàn)狀解析。以視覺傳達(dá)專業(yè)化的角度去把祖氏滇繡畫所用到的工具、材料以及針法、技藝和其流程進(jìn)行全方面的記錄與專業(yè)化的解讀,其中包含對單個(gè)工具、流程、針法、圖案的圖解,對其刺繡畫題材與圖案特征進(jìn)行詳細(xì)地分析。以這幾條主線為脈絡(luò),形成一篇針對祖氏滇繡畫制作工藝、選材特征專業(yè)化全面刨析的論文,最終為祖氏滇繡畫的推廣、科普宣傳以及大眾認(rèn)知帶來促進(jìn)作用與理論依據(jù)。
[Abstract]:Chu's Yunnan embroidery painting is Yunnan intangible cultural heritage, by Yunnan arts and crafts industry association deputy secretary-general, intangible cultural heritage inheritor-Zu Yulan created a embroidery art style. Zushu-Dian embroidery painting is Zu Yulan's unique view on embroidery technology. Relying on Yunnan's characteristic "Dian culture", taking painting as its subject matter and exquisite embroidery technique as its expression mode, it bases itself on Yunnan and serves the research and development of Yunnan's local characteristic culture. Yunnan unique cultural characteristics of publicity and promotion. China's embroidery has a very long history, profound cultural background, and a wide variety of types. Nowadays, China's embroidery industry is in a state of blooming with a hundred flowers in full bloom. Modern embroidery industry should not only inherit traditional embroidery varieties, but also explore new possibilities and create a new pattern of embroidery industry. Based on the methods of literature research and field investigation, and guided by the theories of sociology, cognitive psychology and marketing, the main sources of the research are the author through the field investigation and collection of records. In the later period, after strict screening, the author effectively combs and induces and integrates the artistic aesthetic characteristics of the Zushu-Dian embroidery painting, and analyzes the present situation of the development of the Zushu-Dian embroidery painting. From the perspective of visual communication specialization, the tools, materials, needlework, techniques and processes used in Suzu's Yunnan embroidery paintings are recorded and professionally interpreted in all aspects, including illustrations of individual tools, processes, needles, patterns, etc. To its embroidery painting theme and the pattern characteristic carries on the detailed analysis. Taking these main lines as the thread, this paper forms a comprehensive analysis of the making technology and material selection features of the embroidery painting of Zu's Dian, and finally brings about the promotion function and the theoretical basis for the promotion of the embroidery painting, the popularization of science and the public cognition.
【學(xué)位授予單位】：云南藝術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J523.6

【參考文獻(xiàn)】

相關(guān)期刊論文 前2條

1 李笑萍;;傳統(tǒng)手工刺繡的發(fā)展現(xiàn)狀及其原因分析[J];美與時(shí)代(上旬);2014年06期

2 李群;;從實(shí)用與審美看傳統(tǒng)刺繡的發(fā)展[J];商業(yè)文化(學(xué)術(shù)版);2008年01期

，

本文編號：2152198