【摘要】：五十年代至六十年代初,這段時期是新中國成立以來,中國水彩繪畫史上出現(xiàn)的第一個繁榮時期。煙臺地區(qū)的藝術(shù)創(chuàng)作也緊跟時代步伐,出現(xiàn)有史以來藝術(shù)創(chuàng)作的高峰期,以水彩為形式語言的藝術(shù)創(chuàng)作開始在本地區(qū)嶄露頭角。陳蘭英作為煙臺地區(qū)早期的從事水彩創(chuàng)作的藝術(shù)家,她藝術(shù)創(chuàng)作的影響以及對煙臺美術(shù)事業(yè)發(fā)展所做的貢獻在當?shù)厥怯心抗捕玫�。本文主要的研究�?nèi)容是陳蘭英水彩畫創(chuàng)作研究,一方面試圖在梳理她的藝術(shù)人生的同時分析藝術(shù)創(chuàng)作的形成和地域性的特點,以及藝術(shù)作品的風格和藝術(shù)創(chuàng)作的理念,從而概括出她對煙臺水彩畫發(fā)展的影響。另一方面以個案研究為主要研究方法,結(jié)合訪談調(diào)查法對陳蘭英進行多次專題采訪,對其成長背景、藝術(shù)經(jīng)歷、創(chuàng)作風格、藝術(shù)觀念等方面深入了解,進行系統(tǒng)深刻的分析概括,與此同時采訪到了藝術(shù)家的幾位畫界朋友,為本論文的撰寫提供了確切的史料支持。本文主要內(nèi)容分為五個章節(jié):第一章是針對陳蘭英的時代背景與家學淵源,實踐教學和藝術(shù)啟蒙以及豁然貫通與藝術(shù)踐行等方面對其人生歷程的概述。第二章主要闡述了早期陳蘭英涉足水彩繪畫學習的緣由,以及她水彩畫觀念的形成。第三章從多種影響下分析陳蘭英在逐步成熟時期的藝術(shù)實踐,并通過作品著重剖析其在表現(xiàn)內(nèi)容和形式語言的擴展。第四章為陳蘭英后期藝術(shù)實踐的精彩綻放,分別就彩墨畫和水彩畫兩種表現(xiàn)形式論述其美術(shù)創(chuàng)作和藝術(shù)觀念。第五章是綜述陳蘭英水彩畫之外的思考,她對煙臺美術(shù)事業(yè)的貢獻以及她在藝術(shù)創(chuàng)作方面的地域性影響。
[Abstract]:From the 1950s to the early 1960s, this period was the first prosperous period in the history of Chinese watercolor painting since the founding of New China. The artistic creation of Yantai area also closely followed the pace of the times, the peak period of artistic creation appeared in history, and the artistic creation in the form of watercolor language began to emerge in this area. Chen Lanying as an early artist engaged in watercolor creation in Yantai area, the influence of her artistic creation and her contribution to the development of Yantai art industry are obvious to all in the area. The main research content of this paper is the research of Chen Lanying's watercolor painting creation. On the one hand, it tries to analyze the formation and regional characteristics of artistic creation, as well as the style of artistic works and the concept of artistic creation while combing her artistic life. Thus generalize her influence on the development of Yantai watercolor painting. On the other hand, taking the case study as the main research method and combining with the interview and investigation method, Chen Lanying was interviewed for many times, so as to have a deep understanding of his growing up background, artistic experience, creative style, artistic concept, and so on. At the same time, the author interviewed several friends of the artist in the field of painting, which provided the exact historical data support for the writing of this paper. The main content of this paper is divided into five chapters: the first chapter is an overview of Chen Lanying's life course in terms of his background of the times and the origin of his family, practical teaching and artistic enlightenment, as well as the sudden penetration and practice of art. The second chapter mainly elaborated the early Chen Lanying dabbles in the watercolor painting study reason, and her watercolor painting idea formation. The third chapter analyzes Chen Lanying's artistic practice in the gradually mature period under the influence of various kinds of influence, and analyzes the expansion of his performance content and formal language through his works. The fourth chapter is the brilliant blooming of Chen Lanying's later artistic practice, and discusses his artistic creation and artistic concept respectively on the two forms of color ink painting and watercolor painting. The fifth chapter is a summary of Chen Lanying's watercolor paintings, her contribution to Yantai art and her regional influence in artistic creation.
【學位授予單位】：魯東大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J215

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