【摘要】：現(xiàn)代城市迅猛發(fā)展,高科技被廣泛應(yīng)用,相對(duì)于我們周邊時(shí)間與空間的不斷擴(kuò)張,人類自身的存在卻顯得越來越微不足道,從前的美學(xué)坐標(biāo)軸現(xiàn)在正一夕間發(fā)生著平行的位移。人類一邊在高科技創(chuàng)造的視覺世界里不由自主地沉浸迷失,一邊又希望在感性認(rèn)知里回歸到往日情愫。不可否認(rèn)的是,現(xiàn)代的快速單純具有直接的爆發(fā)力和沖擊力,即使在隨波逐流的形勢(shì)下,仍然有些地方保持著清醒,它以真實(shí)而又虛幻的方式帶給人類沖擊,它超越了視覺的感官體驗(yàn),在感性認(rèn)知和理性分析的結(jié)合下,我們的五官肉體產(chǎn)生共鳴,這些虛幻的令人沉醉的美就是透明的單純之美。在現(xiàn)代設(shè)計(jì)中,盡管視覺傳達(dá)的方式變得越來越復(fù)雜和發(fā)達(dá),但如果參照人類視覺系統(tǒng)生理和心理的反映,有效的利用空間與視知覺研究帶來的作用,就能在更大的范圍內(nèi)發(fā)揮各種現(xiàn)代制作技術(shù)的優(yōu)勢(shì)。同時(shí),作品的視覺傳達(dá)功能也會(huì)大大提高,達(dá)到事倍功半的效果。隨著信息科技時(shí)代的來臨,設(shè)計(jì)師必須有效的將科學(xué)與哲學(xué)結(jié)合起來運(yùn)用到視覺傳達(dá)領(lǐng)域中,使現(xiàn)代設(shè)計(jì)的藝術(shù)價(jià)值彰顯。對(duì)于空間與視知覺研究的進(jìn)一步探討將形成一種新的藝術(shù)形式并廣泛的應(yīng)用到各個(gè)領(lǐng)域中。與此同時(shí),有關(guān)空間未被得到關(guān)注的更多現(xiàn)象值得我們?nèi)ヌ剿骱脱芯?在前人基礎(chǔ)之上,不斷地發(fā)掘新的藝術(shù)形式,將為新一代的設(shè)計(jì)師提供更多的經(jīng)驗(yàn)。空間與視知覺的研究不僅對(duì)探索新型教育模式具有重要的意義,更體現(xiàn)了對(duì)設(shè)計(jì)人本化的思考以及對(duì)視知覺體系進(jìn)行系統(tǒng)研究的重要性。本文以國內(nèi)外研究成果和課題研究背景為基礎(chǔ),以埃利亞松2016年在上海龍美術(shù)館舉辦的“無相萬象”藝術(shù)展為切入點(diǎn),對(duì)埃利亞松的美學(xué)思想及其核心空間與視知覺的研究進(jìn)行深入分析并闡述空間與視知覺之間所產(chǎn)生的聯(lián)系,作用與影響,同時(shí)對(duì)空間與視知覺的研究方法與交互應(yīng)用做出詳細(xì)地闡述與分析,最后對(duì)空間與視知覺研究的重要性展開總結(jié)并對(duì)其進(jìn)行反思。
[Abstract]:With the rapid development of modern cities, high-tech has been widely used. Compared with the continuous expansion of time and space around us, the existence of human beings is becoming more and more insignificant. Human beings can not help being lost in the visual world created by high technology, while they hope to return to their former feelings in perceptual cognition. It is undeniable that modern speed and simplicity have direct explosive force and impact, even in the situation of drift, there are still some places to remain awake, it brings human impact in a real and illusory way. It transcends the sense of vision experience, in the combination of perceptual cognition and rational analysis, our five senses and bodies resonate, these illusory intoxicating beauty is transparent simple beauty. In modern design, although the way of visual communication becomes more and more complex and developed, if we refer to the physical and psychological reflection of human visual system, we can effectively utilize the function of the research of space and visual perception. You can play in a wider range of modern production technology advantages. At the same time, the visual communication function of the work will be greatly improved to achieve half the result. With the advent of information technology era, designers must effectively combine science and philosophy into the field of visual communication, so that the artistic value of modern design. The further study of space and visual perception will form a new art form and be widely used in various fields. At the same time, more phenomena which have not been paid attention to are worth our exploration and research. On the basis of our predecessors, we will find new art forms constantly, which will provide more experience for the designers of the new generation. The study of space and visual perception is of great significance not only to explore the new educational model, but also to reflect the importance of humanized design and systematic study of visual perception system. Based on the domestic and foreign research results and the research background of the subject, this paper starts with the "Vientiane without phases" exhibition held by Eliasson in Shanghai long Art Museum in 2016. This paper makes a deep analysis of Eliasson's aesthetic thought and the study of its core space and visual perception, and expounds the relationship, function and influence between space and visual perception. At the same time, the research methods and interactive applications of spatial and visual perception are elaborated and analyzed in detail. Finally, the importance of the research on spatial and visual perception is summarized and reflected on.
【學(xué)位授予單位】：武漢紡織大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J501

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