媒介融合背景下“熱播劇”的審美特征研究
發(fā)布時(shí)間:2018-07-04 13:01
本文選題:熱播劇 + 審美特征; 參考:《河北師范大學(xué)》2017年碩士論文
【摘要】:在媒介融合背景下,熱播劇的審美特征發(fā)生了重大變化。所謂媒介融合背景下的熱播劇,是指在電視機(jī)和網(wǎng)絡(luò)終端上公開播放的,具有較高收視率并能引起強(qiáng)烈社會(huì)反響,在一段時(shí)期內(nèi)反復(fù)播放的長(zhǎng)篇連續(xù)劇目。僅從近年來倍受眾觀眾追捧的、點(diǎn)擊率超高的劇集來看,熱播劇在知覺層面呈現(xiàn)出來的審美特征是引發(fā)觀眾共鳴,在敘事層面呈現(xiàn)出來的審美特征是符合生活的邏輯,在詩(shī)意呈現(xiàn)方面呈現(xiàn)出來的審美特征是超脫功利的體驗(yàn)。熱播劇審美特征的呈現(xiàn)是由內(nèi)外部因素共同導(dǎo)致的。熱播劇審美特征生成的外部影響因子是價(jià)值多元化、受眾向度多元化、媒介多元化。這些因素導(dǎo)致受眾在對(duì)電視劇的收受上發(fā)生了審美習(xí)慣、審美需求、審美方式、審美渠道的重構(gòu)。從內(nèi)部影響因子來看,作為審美客體的熱播劇,其內(nèi)容的生產(chǎn)、審美主客體關(guān)系的變化、生產(chǎn)機(jī)制的變化使得電視劇文本在初期建構(gòu)中與受眾發(fā)生了緊密關(guān)聯(lián),導(dǎo)致熱播。為避免熱播劇落入“低俗化”“庸俗化”“同質(zhì)化”等窠臼,本文在對(duì)熱播劇審美特征進(jìn)行研究的基礎(chǔ)上提出熱播劇創(chuàng)作中存在的問題,并對(duì)審美糾偏的方式方法提出解決方案。
[Abstract]:Under the background of media fusion, the aesthetic characteristics of popular TV drama have changed greatly. The popular TV drama under the background of media fusion refers to the long series that is broadcast publicly on TV and network terminals, with high ratings and strong social repercussions, and plays repeatedly for a period of time. Only from the TV series, which has been sought after by the audience in recent years, the aesthetic features of popular TV dramas at the perceptual level are that they resonate with the audience, and the aesthetic features presented at the narrative level are in line with the logic of life. The aesthetic characteristic of poetic presentation is the experience of transcending utility. The aesthetic features of popular TV plays are caused by internal and external factors. The external factors influencing the aesthetic characteristics of popular drama are value diversification, audience orientation diversification and media diversification. These factors lead to the reconstruction of aesthetic habit, aesthetic demand, aesthetic way and aesthetic channel. From the perspective of internal influence factors, the production of the content, the change of the relationship between aesthetic subject and object, and the change of production mechanism make the text of TV play closely related to the audience in the initial construction, which leads to the popularity of TV drama. In order to avoid the popular drama falling into the rut of "vulgarization" and "homogeneity", this paper puts forward the problems existing in the creation of popular drama on the basis of the study of the aesthetic characteristics of the popular play. And put forward the solution to the way of aesthetic correction.
【學(xué)位授予單位】:河北師范大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2017
【分類號(hào)】:J901
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