本文選題：艷情小說 + 故事語(yǔ)法��； 參考：《湖北師范大學(xué)》2017年碩士論文

【摘要】：20世紀(jì)80年代以來(lái),隨著社會(huì)、文化與學(xué)術(shù)觀念的開放,越來(lái)越多的學(xué)者開始涉足明清艷情小說這一領(lǐng)域,并且取得了較為豐碩的成果,但從敘事學(xué)角度切入這一領(lǐng)域的研究,仍留下較大學(xué)術(shù)空間。本文試圖以結(jié)構(gòu)敘事學(xué)和文化敘事學(xué)角度為切入點(diǎn),對(duì)明清艷情小說中故事組織規(guī)則即故事語(yǔ)法進(jìn)行研究,并分析隱含在這種故事語(yǔ)法下面的文化內(nèi)涵。文章分為四部分:一、以結(jié)構(gòu)敘事學(xué)為基礎(chǔ),借鑒托多羅夫、布雷蒙、格雷馬斯等人的研究模式,對(duì)明清艷情小說的故事語(yǔ)法進(jìn)行研究,歸納出眾多明清艷情小說幾種共同的故事語(yǔ)法,清理不同故事語(yǔ)法的主要構(gòu)成要素;二、從小說發(fā)展史角度,歸納出明清之前中國(guó)古代小說中關(guān)于兩性違規(guī)情愛關(guān)系故事的主要故事語(yǔ)法,并與明清艷情小說故事語(yǔ)法進(jìn)行比較,揭示其異同;三、從文化論角度,探討明清艷情小說故事語(yǔ)法與文化語(yǔ)境和文化規(guī)則之間的內(nèi)在關(guān)聯(lián),由此揭示明清艷情小說故事語(yǔ)法積淀的文化內(nèi)涵;四、最后,從理論上探討故事的技術(shù)性構(gòu)成規(guī)則與文化規(guī)則之間的內(nèi)在關(guān)系。
[Abstract]:Since the 1980s, with the opening of society, culture and academic ideas, more and more scholars have set foot in the field of romantic novels in the Ming and Qing dynasties, and have achieved fruitful results, but from the perspective of narratology, they have been involved in the research in this field. Still leave larger academic space. From the perspective of structural narratology and cultural narratology, this paper attempts to study the rules of story organization in romantic novels of Ming and Qing dynasties, that is, story grammar, and analyze the cultural connotations hidden under this kind of story grammar. The article is divided into four parts: first, based on the structural narratology, using the research model of Todorov, Bremond, Greimas, etc., to study the story grammar of romantic novels in Ming and Qing dynasties. Sum up several kinds of common story grammar of many romantic novels in Ming and Qing dynasties, and clear up the main elements of different story grammar. Second, from the perspective of the history of novel development, This paper sums up the main story grammar of Chinese ancient novels before Ming and Qing dynasties about the relationship between sexual and illegal love, and compares it with the story grammar of romantic novels in Ming and Qing dynasties to reveal its similarities and differences. Thirdly, from the angle of cultural theory, This paper probes into the inner relation between the story grammar and cultural context and cultural rules of romantic novels in Ming and Qing dynasties, thus revealing the cultural connotation of the accumulation of story grammar in romantic novels in Ming and Qing dynasties. This paper theoretically discusses the inner relationship between the technical constitution rules and the cultural rules of the story.
【學(xué)位授予單位】：湖北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I207.41

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本文編號(hào)：1965400