發(fā)布時(shí)間：2018-05-15 13:28

  本文選題：畫(huà)面背景 + 表現(xiàn)形式��； 參考：《沈陽(yáng)大學(xué)》2017年碩士論文

【摘要】：畫(huà)面背景作為畫(huà)面的一部分,它是如何形成的,在形成的過(guò)程中又是如何演變的,想必值得思索。在人類開(kāi)始從事原始繪畫(huà)之初,畫(huà)面背景便隨之自然生成了,最初對(duì)于畫(huà)面背景,人們并沒(méi)有什么認(rèn)識(shí),隨著不斷地實(shí)踐和滿足自身的需要,畫(huà)面背景的概念才逐漸形成。從威尼斯畫(huà)派以來(lái),畫(huà)面背景的面積開(kāi)始逐漸變大,畫(huà)面背景的內(nèi)容和形式也漸漸變得豐富起來(lái),導(dǎo)致產(chǎn)生這種變化的原因離不開(kāi)威尼斯當(dāng)時(shí)的社會(huì)背景、人文思想、群眾審美以及政府的需求等因素的影響。在秉承佛羅倫薩畫(huà)派優(yōu)良的繪畫(huà)技藝的同時(shí),威尼斯畫(huà)派對(duì)顏色的重新認(rèn)識(shí)和對(duì)繪畫(huà)的主張,以及他們對(duì)畫(huà)面背景的處理,一舉打破了文藝復(fù)興早期作品嚴(yán)謹(jǐn)、單一的表現(xiàn)形式,在繪畫(huà)藝術(shù)上取得了極大的突破,并且對(duì)歐洲之后形成的諸藝術(shù)流派都產(chǎn)生了不同程度的影響。17世紀(jì)的歐洲,隨著文藝復(fù)興的衰落,諸藝術(shù)流派可謂群雄迭起,雖然巴洛克藝術(shù)一躍成為歐洲藝術(shù)的主流,但是荷蘭畫(huà)派的成就也不容小覷,這其中,最具代表性的是魯本斯和倫勃朗。魯本斯作為巴洛克藝術(shù)的代表,他的繪畫(huà)技藝和對(duì)顏色的掌控深受威尼斯畫(huà)派的影響。在繪畫(huà)的表現(xiàn)形式上,魯本斯形成了自己鮮明的特點(diǎn),雖然,他的顏色深受威尼斯畫(huà)派的影響,但是,其對(duì)于畫(huà)面背景的處理和繪畫(huà)的表現(xiàn)形式是與威尼斯畫(huà)派截然不同的。同時(shí),分析巴洛克時(shí)期的畫(huà)面背景由于什么原因,導(dǎo)致產(chǎn)生了什么變化,對(duì)后世形成了什么影響,有助于我們更為有效地運(yùn)用歷史,繼承經(jīng)驗(yàn),并且學(xué)會(huì)揚(yáng)棄和創(chuàng)新。而倫勃朗作為卡拉瓦喬現(xiàn)實(shí)主義的直接繼承者,他對(duì)于畫(huà)面背景和主體人物的關(guān)系,通過(guò)巧妙地“布光”進(jìn)行聯(lián)系的方法,不僅開(kāi)啟了繪畫(huà)技法新的篇章,而且也對(duì)后世產(chǎn)生了深遠(yuǎn)的影響。18世紀(jì)末,法國(guó)浪漫主義美術(shù)的產(chǎn)生在藝術(shù)史上是一個(gè)關(guān)鍵的節(jié)點(diǎn),因?yàn)樗壤^承了威尼斯畫(huà)派和巴洛克藝術(shù)的優(yōu)良傳統(tǒng),同時(shí),又直接影響了近現(xiàn)代藝術(shù)的形成。由于浪漫主義美術(shù)產(chǎn)生于革命,其繪畫(huà)的畫(huà)面背景同樣受到當(dāng)時(shí)的社會(huì)背景和人文思想的影響,強(qiáng)烈地顏色和奔放的筆觸是浪漫主義美術(shù)畫(huà)面背景最鮮明的特征。本文以時(shí)間為縱軸,從歷史的角度出發(fā),通過(guò)討論從威尼斯畫(huà)派到浪漫主義美術(shù)時(shí)期的關(guān)鍵代表人物、流派的重要作品,并結(jié)合自己的創(chuàng)作,試圖分析畫(huà)面背景的形成和演變的過(guò)程。在確立研究方向的情況下,掌握歷史的發(fā)展規(guī)律,從而進(jìn)一步將理論結(jié)合到切身實(shí)踐當(dāng)中。
[Abstract]:As a part of the picture, it is worth thinking about how it is formed and how it evolves in the process of its formation. At the beginning of human being engaged in the primitive painting, the picture background was naturally generated. At first, people did not have any understanding of the picture background. With the continuous practice and meeting their own needs, the concept of the picture background was gradually formed. Since the Venetian school of painting, the area of the screen background has gradually become larger, and the contents and forms of the screen background have gradually become rich. The reasons for this change are inseparable from the social background and humanistic thought of Venice at that time. The influence of factors such as the aesthetic of the masses and the demand of the government. While adhering to the fine painting skills of the Florence school, the Venetian school's re-understanding of the color and the idea of painting, as well as their handling of the background of the picture, broke the rigour of the early Renaissance works in one fell swoop. A single form of expression has made a great breakthrough in the art of painting, and has influenced all the art schools formed after Europe to varying degrees. Europe in the 17th century, with the decline of the Renaissance, Although Baroque art has become the mainstream of European art, the achievements of Dutch painting school can not be underestimated, among which Rubens and Rembrandt are the most representative. As a representative of Baroque art, Rubens' painting skills and color control were greatly influenced by Venetian painting. Rubens formed his own distinctive characteristics in the form of painting. Although his color was greatly influenced by Venetian painting, his treatment of the background and the form of his painting were quite different from those of the Venetian school of painting. At the same time, it is helpful for us to make more effective use of history, inherit experience, and learn to sublate and innovate. Rembrandt, as the direct successor of Caravaggio's realism, not only opened a new chapter of painting techniques, but also connected the background of the picture with the main characters by means of ingenious "lighting". And it also had a profound impact on later generations. At the end of the 18th century, the French Romantic art was a key point in the history of art, because it not only inherited the fine tradition of Venetian painting and Baroque art, but also, at the same time, And directly affected the formation of modern art. Because Romantic art came into being in the revolution, the painting background was also influenced by the social background and humanistic thought at that time. Strong color and unrestrained brush strokes were the most distinct features of the Romantic painting background. This article takes the time as the vertical axis, from the historical angle, through the discussion from the Venice school to the romanticism fine art period key representative figure, the school important work, and unifies own creation, This paper attempts to analyze the formation and evolution of the background of the picture. In the case of establishing the research direction, we should grasp the law of historical development, and further combine the theory into practical practice.
【學(xué)位授予單位】：沈陽(yáng)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J205

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