本文選題：壓勝錢 + 道教　； 參考：《太原理工大學(xué)》2017年碩士論文

【摘要】：我國的工藝美術(shù)不單品類繁多,且工藝精湛。其中錢幣的鑄造與使用,本來是為了順應(yīng)社會(huì)的實(shí)際需求,以利貨品流通,充當(dāng)價(jià)值媒介。然而,鑄造的精致與設(shè)計(jì)的美觀,不但產(chǎn)生了審美的效應(yīng),還很容易引發(fā)文化象征的聯(lián)想,也正因此,在我國古代貨幣中出現(xiàn)了一類有錢幣之形而無錢幣之實(shí)的象征事物——壓勝錢。在古錢幣學(xué)界,壓勝錢不做流通用。鑒于此類錢幣多與宗教信奉并推許的"壓勝法"有關(guān),即為用符咒等法祛邪攘災(zāi),因而有學(xué)者稱其為"壓勝錢",通俗而言,用作吉利品或避邪品的古錢幣即為壓勝錢。這類非正用品錢幣,為人們帶來口彩與精神滿足的同時(shí),以其較高的藝術(shù)價(jià)值和與古錢千絲萬縷的聯(lián)系,成為中國古代民俗文物中的一個(gè)獨(dú)特的版塊。其中道教壓勝錢不論是宗教意蘊(yùn)還是紋樣構(gòu)成,都承載著中國數(shù)千年歷史所蘊(yùn)含的精神理念。其貴重的材料、精絕的技藝和豐富的文化內(nèi)涵,不僅代表了民族的創(chuàng)造才能,也傳承了道家的文化。故本課題將其單獨(dú)列為一類,著眼于道教壓勝錢的圖案設(shè)計(jì),從宗教歷史發(fā)展的角度對(duì)其紋樣內(nèi)涵進(jìn)行了分析。本篇主要內(nèi)容分三部分論述,第一部分主要介紹道教壓勝錢并分析其宗教歷史背景,將歷史按年代分段,總結(jié)每個(gè)時(shí)代道教發(fā)展對(duì)壓勝錢圖案的影響;第二部分主要介紹道教壓勝錢的圖案,將圖案紋飾分類歸納為人物、符篆、動(dòng)物三類,后得出道教壓勝錢圖案的鑄造手法和造型特征,并簡要概述了壓勝錢圖案中蘊(yùn)含的道教美學(xué)思想;第三部分為應(yīng)用部分,總結(jié)了道教壓勝錢圖案的構(gòu)成法則,并舉例說明其法則應(yīng)用于獎(jiǎng)牌、紀(jì)念幣鑄造的可行性。
[Abstract]:China's arts and crafts are not only a variety of categories, and exquisite craftsmanship. The original purpose of coin is to conform to the actual demand of society, to facilitate the circulation of goods and to serve as a medium of value. However, the exquisite casting and beautiful design not only have an aesthetic effect, but also easily lead to the association of cultural symbols. In ancient China, there appeared a kind of symbol of coin but no coin. In the world of ancient coins, it is better to suppress money than to use it in circulation. In view of the fact that this kind of coin is mostly related to the religious belief and approval of the "pressure victory method", that is, to use charm and other methods to dispel evil spirits and make trouble, some scholars call it "suppressing victory over money". In popular terms, the ancient coins used as lucky or evasive goods are called pressure winning money. With its high artistic value and inextricable connection with ancient money, this kind of non-orthodox article coin has become a unique part of the ancient Chinese folklore relics, while bringing people the satisfaction of mouth color and spirit, and at the same time, with its high artistic value and inextricably linked with ancient money, this kind of money has become a unique part of the ancient Chinese folklore. Among them, Taoism dominates money, whether it is religious meaning or pattern structure, which carries the spiritual idea contained in the history of thousands of years in China. Its valuable materials, exquisite skills and rich cultural connotations not only represent the creative talent of the nation, but also inherit the Taoist culture. Therefore, this paper classifies it as a separate category, focuses on the design of Taoist design, and analyzes the connotation of its pattern from the perspective of religious historical development. The main content of this article is divided into three parts. The first part mainly introduces Taoism to win money and analyzes its religious historical background, and sums up the influence of Taoist development on the pattern of money suppression in each era. The second part mainly introduces the Taoist patterns of winning money, classifying the patterns into three categories: characters, charms and animals, and then comes to the casting techniques and modeling characteristics of Taoist patterns of winning money. The third part is the application part, summarizes the composing law of the Taoist pattern of winning money, and illustrates the feasibility of its application in medals and commemorative coin casting.
【學(xué)位授予單位】：太原理工大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J522

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本文編號(hào)：1889394