本文選題：中國動(dòng)畫 + 視覺語言��； 參考：《東北電力大學(xué)》2017年碩士論文

【摘要】：中國動(dòng)畫在20世紀(jì)20年代起步,雖發(fā)展過程中遭遇了無數(shù)的挫折與艱難險(xiǎn)阻,但也曾經(jīng)歷過“中國學(xué)派”的輝煌時(shí)期。傳統(tǒng)意義上靜止的畫面是動(dòng)畫的單獨(dú)一幀,結(jié)合影視語言規(guī)律以每秒24幀的速率連續(xù)播放就會(huì)形成獨(dú)特審美風(fēng)格的動(dòng)畫藝術(shù)。這些動(dòng)畫藝術(shù)以其獨(dú)特的審美風(fēng)格區(qū)分。例如情節(jié)幽默夸張、畫風(fēng)寫實(shí)的美式動(dòng)畫風(fēng)格,又例如追求細(xì)節(jié)和深刻內(nèi)容意義的日本動(dòng)畫。在“中國學(xué)派”輝煌時(shí)期,中國動(dòng)畫更注重于藝術(shù)至上、形式多樣,更多的接近藝術(shù)片而非商業(yè)片。中國動(dòng)畫吸收借鑒傳統(tǒng)文化的精髓,與國畫、年畫、版畫、壁畫、京劇、民間剪紙、皮影戲等多門類藝術(shù)形式融于一體,創(chuàng)作出水墨動(dòng)畫、木偶動(dòng)畫、剪紙動(dòng)畫等具有民族風(fēng)格的動(dòng)畫形式。在現(xiàn)代社會(huì)商業(yè)經(jīng)濟(jì)的作用下,現(xiàn)代的中國動(dòng)畫為了追求最大的經(jīng)濟(jì)利益,動(dòng)畫制作已經(jīng)變成模式化的流水線產(chǎn)品。如今的中國動(dòng)畫偏向于模仿美國三維動(dòng)畫的寫實(shí)風(fēng)格和日本二維動(dòng)畫的唯美風(fēng)格,從而舍棄了中國民族動(dòng)畫的精髓。大多數(shù)的中國動(dòng)畫人不能將這些優(yōu)點(diǎn)和我們中國本土的題材相結(jié)合,創(chuàng)造出能夠表達(dá)中國傳統(tǒng)審美特點(diǎn)的優(yōu)秀動(dòng)畫片,所以缺乏本土特色是現(xiàn)今中國動(dòng)畫的一大難題。本課題是研究中國動(dòng)畫的視覺語言,從表面可觀察到的表現(xiàn)形式到其內(nèi)在的傳統(tǒng)藝術(shù)審美理論來分析中國動(dòng)畫視覺語言的傳承與創(chuàng)新研究,這對(duì)于當(dāng)下中國動(dòng)畫創(chuàng)作有著一定的啟發(fā)意義與指導(dǎo)作用。本課題的主要研究?jī)?nèi)容包括中國動(dòng)畫視覺語言的發(fā)展歷程;中國動(dòng)畫視覺語言的表現(xiàn)形式;中國動(dòng)畫視覺語言對(duì)傳統(tǒng)藝術(shù)的傳承借鑒;中國動(dòng)畫視覺語言的創(chuàng)新應(yīng)用分析;畢業(yè)設(shè)計(jì)作品應(yīng)用解析這幾個(gè)方面。本課題研究中國動(dòng)畫視覺語言的傳承與創(chuàng)新,主要從中國動(dòng)畫視覺語言的形成歷史進(jìn)行背景分析,也要對(duì)其代表性的特殊的視覺語言表現(xiàn)形式進(jìn)行分析,然后結(jié)合中國傳統(tǒng)審美文化來解析中國動(dòng)畫視覺語言對(duì)傳統(tǒng)藝術(shù)的傳承借鑒,再對(duì)這些視覺語言的創(chuàng)新應(yīng)用進(jìn)行解析,最后用理論指導(dǎo)實(shí)踐的展開,創(chuàng)作自己的畢業(yè)設(shè)計(jì)并分析不足之處。
[Abstract]:Chinese animation started in the 1920s. Although it has encountered numerous setbacks and difficulties in its development, it has also experienced the brilliant period of "Chinese school". Traditionally, a still picture is a single frame of animation, and the animation art of unique aesthetic style can be formed by continuous playing at the rate of 24 frames per second combined with the rules of film and television language. These animation art is distinguished by its unique aesthetic style. For example, the plot is humorous and exaggerated, the style of American animation is realistic, and the Japanese animation, which pursues the details and profound content meaning. In the brilliant period of "Chinese School", Chinese animation paid more attention to art supremacy, various forms, more close to art film rather than commercial film. Chinese animation absorbs the essence of traditional culture and combines with traditional Chinese painting, New year painting, print painting, murals, Peking Opera, folk paper-cut, shadow play and other kinds of art forms to create ink and ink animation, puppet animation, etc. Paper-cut animation and other forms of animation with national style. Under the action of commercial economy in modern society, modern Chinese animation has become a modular assembly line product in order to pursue the greatest economic benefits. Nowadays, Chinese animation tends to imitate the realistic style of American 3D animation and the aesthetic style of Japanese 2D animation, thus abandoning the essence of Chinese national animation. Most Chinese animators can not combine these advantages with our native themes, and create excellent animation that can express the traditional aesthetic characteristics of China, so the lack of local characteristics is a big problem of Chinese animation nowadays. This topic is to study the visual language of Chinese animation, from the apparent form of expression to its inherent traditional artistic aesthetic theory to analyze the inheritance and innovation of Chinese animation visual language. This for the current Chinese animation creation has a certain enlightening significance and guidance. The main research contents of this topic include the development course of Chinese animation visual language, the expression form of Chinese animation visual language, the inheritance and reference of Chinese animation visual language to traditional art, the innovation and application analysis of Chinese animation visual language; Application analysis of graduation design works. This paper studies the inheritance and innovation of Chinese animation visual language, mainly from the history of the formation of Chinese animation visual language background analysis, but also to its representative special form of visual language expression analysis. Then combined with Chinese traditional aesthetic culture to analyze the inheritance and reference of Chinese animation visual language to traditional art, then to analyze the innovative application of these visual languages, and finally to use theory to guide the development of practice. Create your own graduation project and analyze the deficiencies.
【學(xué)位授予單位】：東北電力大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J954

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本文編號(hào)：1866569