本文選題：民族聲樂演唱 + 東北漢族民歌　； 參考：《沈陽師范大學(xué)》2017年碩士論文

【摘要】：每一個(gè)民族都有屬于自己的民歌,每一種民歌形式都是獨(dú)特的。東北民歌亦不例外,在遼、吉、黑這片白山黑水之間,東北民歌唱出了這片土地上人們的熱情與希望。尤其是東北漢族民歌,更是唱出了闖關(guān)東的人們對(duì)苦難的痛訴以及對(duì)美好生活的向往。歌中所表達(dá)的感情同這片土地上的人們一樣善良、單純、質(zhì)樸、熱情又賦有幽默感,具有濃烈的地域特點(diǎn)。本文以東北漢族民歌為研究對(duì)象,通過對(duì)其文化背景與演唱技巧以及藝術(shù)風(fēng)格的分析來思考東北漢族民歌在當(dāng)代的藝術(shù)價(jià)值以及未來的發(fā)展方向,提出如何保護(hù)與發(fā)展東北漢族民歌的具體措施與建議。本文運(yùn)用文本分析與實(shí)踐相結(jié)合的研究方法希望能夠?qū)|北漢族民歌這一傳統(tǒng)藝術(shù)形式加以深刻、細(xì)致的解析,以求在未來的演唱中能夠?qū)⑵溲堇[得更為精準(zhǔn),讓更多的人熟悉、了解東北漢族民歌。本文共分五章,主要研究東北漢族民歌的藝術(shù)特色以及其在當(dāng)代民族聲樂中的運(yùn)用,并且結(jié)合其在當(dāng)代的發(fā)展境況提出相應(yīng)的建議。本文第一章引言,主要闡述了本文的選題目的與意義,進(jìn)行對(duì)東北漢族民歌理論研究的綜述,以及本文的寫作方法以及寫作視角。第二章東北漢族民歌概述,主要通過對(duì)東北漢族民歌的文化背景、民歌分類以及藝術(shù)特點(diǎn)與音樂特點(diǎn)進(jìn)行闡釋,鳥瞰式的勾勒出東北漢族民歌的大致輪廓,為以下的分析作基礎(chǔ)鋪墊。第三章東北漢族民歌演唱技巧在民族聲樂中的應(yīng)用,主要從東北漢族民歌氣息、咬字、襯詞、潤(rùn)腔以及真假聲演繹的幾個(gè)方面結(jié)合譜例進(jìn)行分析,并總結(jié)出其在當(dāng)代聲樂演唱中的文化價(jià)值。第四章,東北漢族民歌在當(dāng)代發(fā)展中遇到的問題與成因,分別通過與當(dāng)代社會(huì)背景結(jié)合指出東北漢族民歌在當(dāng)代發(fā)展所遇到的各種困難,以及分析出這些發(fā)展瓶頸產(chǎn)生的原因。第五章,針對(duì)第四章提出的問題,結(jié)合實(shí)際情況提出改變措施,并對(duì)未來發(fā)展給予建議。東北漢族民歌是東北地區(qū)的藝術(shù)瑰寶,盡管在其發(fā)展過程中暫時(shí)性地遇到了瓶頸,筆者相信在未來東北漢族民歌一定會(huì)走得更遠(yuǎn),久唱不衰!
[Abstract]:Every nation has its own folk songs, and every form of folk songs is unique. Northeast folk songs are no exception. Between Liao, Ji and Black, Northeast folk songs sing people's enthusiasm and hope on this land. Especially the folk songs of the Northeast Han nationality sing out the pain of suffering and the yearning for a better life. The feelings expressed in the song are as kind, simple, simple, warm and humorous as the people on this land. This article takes the Northeast Han folk song as the research object, through the analysis to its cultural background, singing skill and artistic style, thinks the Northeast Han nationality folk song in the contemporary art value and the future development direction. The concrete measures and suggestions on how to protect and develop Han folk songs in Northeast China are put forward. This article uses the text analysis and the practice to combine the research method hoped to be able to be able to the Northeast Han nationality folk song this traditional artistic form to carry on the profound, the meticulous analysis, in order to be able to be able to deduce in the future singing its more accurate, Let more people familiar with, understand the Northeast Han folk songs. This paper is divided into five chapters, mainly studying the artistic characteristics of Han folk songs in Northeast China and its application in contemporary national vocal music, and putting forward corresponding suggestions combined with its contemporary development situation. The first chapter introduces the purpose and significance of this thesis, summarizes the theoretical research of Han folk songs in Northeast China, and discusses the writing methods and perspectives of this paper. The second chapter summarizes the Northeast Han folk songs, mainly through the Northeast Han folk songs cultural background, folk songs classification, artistic and musical characteristics of interpretation, bird's eye view of the outline of Northeast Han folk songs. Lay the groundwork for the following analysis. The third chapter is about the application of folk song singing skills of Northeast Han nationality in national vocal music, mainly from several aspects of folk song breath, pronunciation, line words, run cavity and true and false sound deduction of Northeast Han nationality combined with spectrum examples. And sums up its cultural value in the contemporary vocal music singing. The fourth chapter, the Northeast Han folk songs in the contemporary development of the problems and causes, respectively through combining with the contemporary social background to point out the Northeast Han folk songs in the contemporary development of various difficulties, as well as analysis of the causes of these bottlenecks. In the fifth chapter, according to the problems raised in chapter 4, the author puts forward some measures to change the situation and gives some suggestions for the future development. The folk songs of Han nationality in Northeast China are the art treasures of Northeast China. Although they have met the bottleneck in the process of their development, the author believes that the folk songs of Han nationality in Northeast China will surely go further in the future and sing for a long time.
【學(xué)位授予單位】：沈陽師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J607

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