本文選題：音樂分析 + 演唱分析�。� 參考：《延邊大學(xué)》2017年碩士論文

【摘要】：《啜泣》(1940)是20世紀(jì)初期法國藝術(shù)歌曲創(chuàng)作領(lǐng)域最具影響力的作曲家之一-普朗克(Francis Poulenc 1899-1963)的作品,是普朗克聲樂套曲《平庸》中的第五首曲目。歌曲旋律舒緩,音色豐富,極富抒情感。本論文以氣息、速度、母音狀態(tài)、共鳴、聲音位置等聲樂技巧為內(nèi)容進(jìn)行了關(guān)于《啜泣》的演唱技巧研究。《啜泣》的演唱特征歸納為以下三個方面:第一,氣息和母音狀態(tài)在演唱《啜泣》的過程當(dāng)中,也起到根本性的作用是一個不可或缺的大前提。第二,氣息在聲音的位置飽滿響亮的音量起到?jīng)Q定性的作用。第三,母音狀態(tài)在聲音的高位置,正確的共鳴位置,咬字的準(zhǔn)確與相互連貫,也起到關(guān)鍵性的作用。演唱上要求做到氣息與共鳴的統(tǒng)一連貫,吐字精準(zhǔn),法語歌詞咬字要準(zhǔn)確,不能過于夸張,母音狀態(tài)演唱到位,可以達(dá)到更好的詮釋出這首抒情的藝術(shù)歌曲。
[Abstract]:"sobbing" (1940) is one of the most influential composers in the field of French art songwriting in the early 20th century-Planck Francis Poulenc 1899-1963), is the fifth track in Planck's vocal ensemble "mediocre". The song melodies soothing, the timbre is rich, the extremely rich lyric feeling. In this paper, the singing techniques of "sob" are studied in terms of breath, speed, vowel state, resonance, sound position and so on. The singing characteristics of < sob > are summarized as follows: first, Breath and vowels play a fundamental role in the process of singing sobs. Second, breath plays a decisive role in the position of sound full loud volume. Third, the vowel state plays a key role in the high position of the sound, the correct resonance position and the accuracy and coherence of the pronunciation. Singing requires that breath and resonance of the unity of coherence, accurate spelling, French lyrics to be accurate, can not exaggerate, the vowel state of singing in place, can achieve a better interpretation of this lyric art song.
【學(xué)位授予單位】：延邊大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J616
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本文編號：1821617