本文選題：攝影藝術(shù) + 格式塔理論　； 參考：《江蘇大學(xué)》2017年碩士論文

【摘要】：本文嘗試以設(shè)計藝術(shù)的基礎(chǔ)理論和藝術(shù)心理學(xué)方法,對攝影藝術(shù)進(jìn)行具體研究。作為視覺藝術(shù)的一種,攝影創(chuàng)作同樣需要研究表現(xiàn)形式,需要對畫面進(jìn)行取舍、組織和設(shè)計,需要研究攝影的視覺心理效應(yīng)。攝影也不僅是原封不動的依樣攝取,采用設(shè)計藝術(shù)的基礎(chǔ)理論去分析攝影圖像,研究攝影藝術(shù)中的創(chuàng)作方法,可以探討攝影藝術(shù)的表現(xiàn)形式,探索其中的藝術(shù)規(guī)律,有利于加強攝影藝術(shù)的創(chuàng)造性,從而大大提升攝影藝術(shù)的表現(xiàn)水平。本文將重點探討不同藝術(shù)形式和視覺心理在攝影中的體現(xiàn)與應(yīng)用。首先是根據(jù)格式塔理論視覺組織律,研究相關(guān)視覺原理在攝影中的體現(xiàn)和應(yīng)用,探討各種視覺元素的相互作用和整體關(guān)系,然后再根據(jù)這一基本原理,針對構(gòu)圖方式以及視覺心理效應(yīng)進(jìn)行深入分析。其次是探討攝影中的秩序化設(shè)計方法,如通過對稱與均衡、節(jié)奏與漸變等秩序化的方法來強化藝術(shù)效果,并對攝影畫面的設(shè)計元素——點線面的構(gòu)成形式加以分析。此外,本文還要通過不同性質(zhì)的色彩對比來加強藝術(shù)效果,通過視覺差異來理性分析視覺元素之間對比關(guān)系和視覺效應(yīng)。最后,論文還針對藝術(shù)常態(tài)與非常態(tài)的心理效應(yīng),探討攝影藝術(shù)的常規(guī)、創(chuàng)新以及視覺沖擊力的具體方法。通篇理論始終圍繞攝影的圖像效果——既有攝影藝術(shù)的特色,也有視覺藝術(shù)的共性特點。為了使理論研究緊密結(jié)合攝影藝術(shù)實踐,論文采用大量攝影作品和圖例分析,并通過圖解和圖表使理論可視化,因而有一定的藝術(shù)實用價值,也希望對攝影創(chuàng)作和理論研究具有一點建設(shè)性意義。
[Abstract]:Based on the basic theory of design art and the method of art psychology, this paper attempts to study the art of photography. As a kind of visual art, photographic creation also needs to study the form of expression, to choose, organize and design the picture, and to study the visual psychological effect of photography. Photography is not only a matter of taking the picture intact, but also using the basic theory of design art to analyze the photographic images and study the creative methods in the photography art. We can explore the form of expression of the photography art and explore the art law therein. It is advantageous to strengthen the creativity of photography art, thus greatly promote the performance level of photography art. This article will focus on the different art forms and visual psychology in photography embodiment and application. First of all, according to the gestalt theory of visual organization law, to study the related visual principles in photography and applications, to explore the interaction of various visual elements and the overall relationship, and then according to this basic principle, The composition and visual psychological effects are analyzed in depth. The second is to discuss the design methods of order in photography, such as symmetry and equilibrium, rhythm and gradual change to strengthen the artistic effect, and to analyze the composition form of the design element-point line plane of the photographic picture. In addition, this article also through the different nature of color contrast to strengthen the artistic effect, through the visual differences to rationally analyze the contrast between the visual elements and visual effects. Finally, aiming at the psychological effects of normal and abnormal art, the paper discusses the routine, innovation and visual impact of photography. The whole theory revolves around the image effect of photography-both the characteristics of photographic art and the common features of visual art. In order to combine the theoretical research closely with the practice of photography art, the thesis adopts a large number of photographic works and legend analysis, and visualizes the theory through diagrams and charts, so it has certain artistic and practical value. It also hopes to have a little constructive significance for photographic creation and theoretical research.
【學(xué)位授予單位】：江蘇大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J405

【參考文獻(xiàn)】

相關(guān)博士學(xué)位論文 前2條

1 林秋達(dá);基于分形理論的建筑形態(tài)生成[D];清華大學(xué);2014年

2 張鴻;《宇宙與意象》研究及中國古代宇宙詩學(xué)論[D];中國社會科學(xué)院研究生院;2014年

相關(guān)碩士學(xué)位論文 前2條

1 徐達(dá)娜;景觀吸引力的構(gòu)成要素分析[D];江蘇大學(xué);2016年

2 彭雅莉;格式塔心理學(xué)對圖形設(shè)計的影響[D];南昌大學(xué);2006年

，

本文編號：1812769