本文選題：潘天壽 + 繪畫作品��； 參考：《沈陽大學(xué)》2017年碩士論文

【摘要】：潘天壽的藝術(shù)風(fēng)格是在吸收了舊文人畫的優(yōu)秀傳統(tǒng)的基礎(chǔ)上變化發(fā)展而來的,他的花鳥畫得益于八大山人和吳昌碩的畫風(fēng),山水畫較多的受到石濤的影響,指畫以吸收高其佩為多,他的藝術(shù)師古而不拘泥于古,繼承傳統(tǒng)而又有所發(fā)展,特別是其繪畫作品以獨(dú)特的構(gòu)圖方式,充滿金石味的筆墨,氣勢(shì)雄勁的造型等方面都有自己獨(dú)特的創(chuàng)造,尤其是繪畫作品中霸悍的格趣,最具有代表性。潘天壽繪畫作品中的霸悍之氣,可以用他的印語來概括:“一味霸悍”和“強(qiáng)其骨”,“一味霸悍”是一種追求大氣磅礴的用意,而“強(qiáng)其骨”則是繪畫中強(qiáng)調(diào)筆法的骨力和骨氣,使書畫中充滿陽剛之美。本文以潘天壽繪畫作品中充滿霸悍之氣的藝術(shù)理念為切入點(diǎn),結(jié)合畫家繪畫作品中的求“險(xiǎn)”與破“險(xiǎn)”的構(gòu)圖方式、樸厚勁挺的筆墨技巧、充滿力量感的方造型特征等方面,以及通過畫家“一味霸悍”和“強(qiáng)其骨”的理念,來突出表達(dá)潘天壽繪畫作品中的霸悍之氣。本論文主要通過五個(gè)方面分別來進(jìn)行闡述。第一,介紹潘天壽繪畫藝術(shù)風(fēng)格形成的原因和背景;第二,研究潘天壽繪畫作品中霸悍之氣的藝術(shù)特色;第三,分析潘天壽的繪畫藝術(shù)與不同時(shí)代畫家的對(duì)比;第四,具體分析潘天壽繪畫作品與同時(shí)代畫家的比較;第五,總結(jié)潘天壽對(duì)中國(guó)傳統(tǒng)繪畫發(fā)展所做出的貢獻(xiàn)和影響。通過研究潘天壽繪畫作品中的霸悍之氣的形成與具體的藝術(shù)表現(xiàn)方式,以期對(duì)當(dāng)代中國(guó)畫的發(fā)展以及今后的藝術(shù)創(chuàng)作具有積極的指導(dǎo)和借鑒作用。
[Abstract]:Pan Tianshou's artistic style was changed and developed on the basis of absorbing the excellent tradition of the old literati's painting. His flower-and-bird painting benefited from the painting style of the eight great mountain people and Wu Changshuo, and the landscape painting was more influenced by Shi Tao.Refers to the painting to absorb high admiration for many, his art artist ancient but not stick to the ancient, inheriting the tradition and has developed, especially his paintings with a unique way of composition, full of gold and stone flavor of the pen and ink,The style has its own unique creation, especially in the painting, the most representative.Pan Tianshou's intrepid spirit in his paintings can be summed up in his Indian language: "blindly hegemonic" and "strong bones", "blindly hegemonic" is the pursuit of a majestic intention.And "strong its bone" is the painting emphasis on the strength and strength of the brushwork, so that calligraphy and painting full of masculine beauty.This article takes Pan Tianshou's painting works full of tyrant spirit as the breakthrough point, combining the composition of "danger" and "breaking danger" in the painter's painting works, the simple and strong brushwork skills, the square modeling characteristics full of the sense of power, and so on.And through the painter's idea of "blindly hegemonic" and "strong its bone", to highlight Pan Tianshou's painting works of tyrants.This paper mainly through five aspects to elaborate.First, it introduces the reasons and background of Pan Tianshou's artistic style of painting; secondly, it studies the artistic characteristics of hegemonic and fierce spirit in Pan Tianshou's painting works; third, it analyzes the contrast between the painting art of Pan Tianshou and the painters of different times; fourth,It analyzes the comparison between Pan Tianshou's painting works and contemporary painters. Fifthly, it summarizes the contribution and influence of Pan Tianshou to the development of Chinese traditional painting.By studying the formation of tyrant spirit in Pan Tianshou's painting works and its specific artistic expression, this paper hopes to provide positive guidance and reference for the development of contemporary Chinese painting and the future artistic creation.
【學(xué)位授予單位】：沈陽大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J212

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