發(fā)布時(shí)間：2018-04-02 02:25

  本文選題：文化記憶　切入點(diǎn)：媒介重構(gòu)　出處：《四川外國(guó)語(yǔ)大學(xué)》2017年碩士論文

【摘要】：近年來(lái),記憶研究不斷受到學(xué)界的關(guān)注,并成為眾多學(xué)科中一個(gè)重要的研究領(lǐng)域。研究媒介與記憶之間的關(guān)聯(lián)問(wèn)題,則是向?qū)Ψ筋I(lǐng)域進(jìn)行深入研究的拓展和延伸。作為記憶研究中一個(gè)不可或缺的領(lǐng)域,文化記憶在研究中似乎包含了一切文化文本:口頭的、書面的、語(yǔ)言的和非語(yǔ)言的。記憶的本質(zhì)在于其可塑性和重構(gòu)性。隨著互聯(lián)網(wǎng)技術(shù)的發(fā)展,媒介逐漸成為承載記憶的主要方式,媒介也就承擔(dān)起對(duì)群體和社會(huì)進(jìn)行重構(gòu)和傳承文化記憶的重任。至于如何進(jìn)行選擇與重構(gòu),就必須要根據(jù)當(dāng)下的需要,站在現(xiàn)在對(duì)過(guò)去進(jìn)行重新解釋或者以另一種方式進(jìn)行建構(gòu),所以記憶是一種主觀的選擇與重構(gòu),不是一個(gè)物理的儲(chǔ)存庫(kù)。本文從文化記憶和媒介重構(gòu)的理論角度對(duì)鄉(xiāng)村文化記憶在大眾媒介中的呈現(xiàn)進(jìn)行分析,采用跨學(xué)科、全方位、多層次的方法研究媒介是如何對(duì)鄉(xiāng)村文化記憶進(jìn)行重構(gòu)的。在媒介對(duì)鄉(xiāng)村文化記憶的重構(gòu)下,王硇村的文化記憶主要呈現(xiàn)出:王硇村的古村落歷史文化記憶與始祖民間傳說(shuō)的民俗文化記憶相結(jié)合的歷史民俗文化記憶以及古石樓建筑記憶,在建筑記憶中,媒體塑造了“南北合璧”、“北方川寨”等王硇村古石樓形象。本文采取定量和定性相結(jié)合的方法,針對(duì)王硇村報(bào)道的具體情況,選取2010年1月1日到2016年8月31日不到七年時(shí)間內(nèi)關(guān)于“王硇村”的報(bào)道進(jìn)行內(nèi)容和話語(yǔ)分析。在媒體的相關(guān)報(bào)道中,媒介對(duì)王硇村的文化記憶重構(gòu)呈現(xiàn)出了一定的選擇性和遺忘性,作者通過(guò)對(duì)分析后的歸納,試圖從媒介重構(gòu)文化記憶的深層次機(jī)制去探討媒介對(duì)王硇村的文化記憶進(jìn)行重構(gòu)的機(jī)制形成問(wèn)題,以及重構(gòu)之后的文化記憶將往何處去的問(wèn)題。基于此探討和研究,希望筆者的拙作能夠?qū)ξ幕洃浝碚撘约懊浇橹貥?gòu)等研究問(wèn)題有所貢獻(xiàn)。
[Abstract]:In recent years, memory research has been paid more and more attention and become an important research field in many disciplines.To study the relationship between media and memory is to expand and extend the research on the other side.As an indispensable field in memory research, cultural memory seems to contain all cultural texts: oral, written, linguistic and non-verbal.The essence of memory lies in its plasticity and reconstruction.With the development of Internet technology, media has gradually become the main way to carry on memory, and the media has assumed the responsibility of reconstructing the group and society and inheriting the cultural memory.As to how to choose and reconstruct, we must reinterpret the past or construct it in another way according to the needs of the present, so memory is a subjective choice and reconstruction, not a physical repository.This paper analyzes the presentation of rural cultural memory in mass media from the perspective of the theory of cultural memory and media reconstruction, and studies how the media reconstruct rural cultural memory by means of interdisciplinary, omnidirectional and multi-level methods.Under the reconstruction of rural cultural memory by the media,The cultural memory of Wang Naocun mainly shows: the historical and cultural memory of the ancient village of Wang Naocun and the folk culture memory of the ancestor's folklore, and the architectural memory of the ancient stone building, in the architectural memory,Media has shaped the image of ancient stone buildings in Wang Naocun, such as North-North Chuan-Zhai and North-South combination.In this paper, a quantitative and qualitative method is adopted to analyze the content and discourse of Wang Naocun's report in less than seven years from January 1, 2010 to August 31, 2016, according to the specific situation of Wang Naocun's report.In the relevant media reports, the media showed a certain degree of selectivity and forgetfulness in the reconstruction of Wang Naocun's cultural memory.This paper attempts to probe into the formation of the mechanism of media reconstruction of Wang Naochun's cultural memory from the deep mechanism of media reconstruction of cultural memory and the question of where the reconstructed cultural memory will go.Based on this research, I hope my works can contribute to the study of cultural memory theory and media reconstruction.
【學(xué)位授予單位】：四川外國(guó)語(yǔ)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：G206;G249.2

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本文編號(hào)：1698381