本文選題：早期攝影術(shù)　切入點(diǎn)：古典工藝　出處：《中央美術(shù)學(xué)院》2017年碩士論文　論文類型：學(xué)位論文

【摘要】：攝影術(shù)從發(fā)明以來一直在技術(shù)的更迭中不斷前行。從早期攝影術(shù)達(dá)蓋爾法、火棉膠濕版法的煩雜操作和攜帶大量拍攝設(shè)備到膠片相機(jī)的小型化,直至數(shù)碼相機(jī)的出現(xiàn)。人們基本上擺脫了技術(shù)的束縛,如今手機(jī)拍攝幾乎不需要掌握什么專業(yè)技能便可以輕松完成。攝影很早就進(jìn)入中國,但真正普及卻是二十世紀(jì)初才開始。這不同與歐美,在攝影術(shù)發(fā)明不久隨著濕版的普及很快便進(jìn)入了日常消費(fèi)領(lǐng)域,也正是攝影的普及十九世紀(jì)中期攝影的文化及其產(chǎn)業(yè)才有了迅速的發(fā)展。名片照片、立體觀片儀盛行在當(dāng)時(shí)的民間消費(fèi)領(lǐng)域,這也促進(jìn)攝影文化的產(chǎn)生。同時(shí)在科學(xué)攝影以及藝術(shù)攝影領(lǐng)域才有了更多的嘗試。"物影照片"的產(chǎn)生使得攝影正式踏上了藝術(shù)之路,利用鹵化銀的成像多樣性開始慢慢獨(dú)立于藝術(shù)之門,形成為一項(xiàng)獨(dú)立的藝術(shù)門類,如今攝影的藝術(shù)性已經(jīng)不再被質(zhì)疑。早期攝影技術(shù)的"物影成像"屬性為攝影藝術(shù)的形成起到了重要的推進(jìn)作用。在數(shù)碼普及的當(dāng)下,技術(shù)難度的降低反倒使更多的人開始反觀攝影史早期的技術(shù),慢慢發(fā)掘早期攝影術(shù)的魅力,攝影的史論研究和攝影技術(shù)的研究也逐漸在回溯這段歷史的價(jià)值。古老的拍攝工藝和化學(xué)品的不可控性帶來了與現(xiàn)在的數(shù)碼技術(shù)不同的畫面質(zhì)感。早期攝影所呈現(xiàn)的手工性及藝術(shù)價(jià)值也慢慢被創(chuàng)新者重視。在當(dāng)代攝影創(chuàng)作手法更加多元化的今天,中國攝影對(duì)這部分缺失的文化及技術(shù)史也將逐漸被補(bǔ)齊。文章第一章對(duì)早期術(shù)做了大概的概括,對(duì)銀鹽與光的化學(xué)性及"物影成像",成為攝影藝術(shù)的開端做了梳理。第二章從早期藝術(shù)家的探索及現(xiàn)代傳承展開,介紹達(dá)蓋爾、濕版及物影成像在當(dāng)代藝術(shù)家創(chuàng)作方面的繼承和發(fā)揚(yáng)。第三章研究了早期攝影術(shù)在中國發(fā)展的十年歷程及發(fā)展軌跡,闡釋了中國攝影所面臨的機(jī)遇與挑戰(zhàn)。
[Abstract]:Photography has been moving forward in technological change since its invention, from the early Daguerre process to the hassle operation of the Vulcan wet printing process and the miniaturization of cameras carrying large amounts of shooting equipment to film cameras. Until the advent of digital cameras. People basically got rid of the shackles of technology. Nowadays, mobile phone shooting can be done easily without any professional skills. Photography has been in China since a long time ago. But the real popularity began in early 20th century. Unlike in Europe and the United States, soon after the invention of photography, with the popularity of wet plates, it quickly entered the field of daily consumption. It was also the popularity of photography. In the middle of 19th century, the culture of photography and its industry developed rapidly. Business card photos and stereoscopic film viewing apparatus prevailed in the field of folk consumption at that time. This also promoted the production of photography culture. At the same time, more attempts were made in the field of scientific photography and art photography. Using the imaging diversity of silver halide, it began to become independent of the door of art and became an independent category of art. Nowadays, the artistry of photography is no longer questioned. The "shadow imaging" attribute of early photography technology has played an important role in the formation of photography art. The decrease in technical difficulty has led more and more people to begin to look back at the early techniques of photography history and slowly explore the charm of early photography. The historical study of photography and the study of photography technology are also gradually looking back on the value of this period of history. The uncontrollability of ancient photography techniques and chemicals has brought about a different picture texture from the present digital technology. The artisanal nature and artistic value of the present era are also being gradually valued by innovators. Today, when the contemporary photography creation techniques are more diversified, The missing cultural and technical history of Chinese photography will also be gradually supplemented. Chapter one of the article gives a general summary of early art. The chemistry of silver salt and light and "shadow imaging" become the beginning of photography art. The second chapter introduces Daguerre from the exploration of early artists and modern inheritance. The third chapter studies the development of early photography in China, and explains the opportunities and challenges that Chinese photography faces.
【學(xué)位授予單位】：中央美術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J409.2

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