本文選題：民間舞蹈　切入點：藝術(shù)特點　出處：《河北大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

【摘要】：“秧歌”作為河北省代表性民間舞蹈,是人們生活中不可或缺的文化傳統(tǒng)。本課題的研究是對河北省高碑店市辛橋鄉(xiāng)孤株村秧歌會在歷史形成和現(xiàn)今社會發(fā)展下表現(xiàn)出的傳承與變異,建立在該民間會社組織的縱向歷史發(fā)展,橫向內(nèi)部結(jié)構(gòu)等方面進(jìn)行的綜合田野考察實踐上,以秧歌會中傳統(tǒng)秧歌和現(xiàn)代健身秧歌兩大組織團(tuán)體作為基本考察對象,著重描述和分析孤株村秧歌會中傳統(tǒng)秧歌的產(chǎn)生,發(fā)展以及為適應(yīng)現(xiàn)代社會作出的改變;傳統(tǒng)秧歌與現(xiàn)代社會新背景下產(chǎn)生的健身秧歌的對比研究等。在較為嚴(yán)格的田野考察工作基礎(chǔ)之上,對孤株村秧歌會的歷史源流、發(fā)展現(xiàn)狀、會社結(jié)構(gòu)、藝術(shù)特點、表演用樂、傳承保護(hù)等方面進(jìn)行了全面研究,以及民間傳統(tǒng)文化在社會轉(zhuǎn)型過程中面臨的諸多矛盾和沖突,秧歌會在適應(yīng)社會發(fā)展上所做的努力和改變等,力求客觀細(xì)致地描述華北普通農(nóng)村的民間音樂組織和民間音樂文化生活的完整面貌,并從民族音樂學(xué)、舞蹈生態(tài)學(xué)、民俗學(xué)、社會學(xué)等多角度對這些文化事項進(jìn)行歸納和闡釋。論文第一章從宏觀上介紹秧歌的概念,歷史沿革及分類。特別分析秧歌與秧歌會的區(qū)別和聯(lián)系;縱向鋪陳孤株村的歷史、自然、社會以及人文背景,為引入第二章“孤株村秧歌會音樂表演形式”的舞體橫向論述做好理論鋪墊;第二章是從對孤株村秧歌會內(nèi)部傳統(tǒng)秧歌和現(xiàn)代秧歌兩種藝術(shù)形式的分別闡述;同時對秧歌會伴奏用樂做了陳述和分析。第三章對孤株村秧歌會的會社結(jié)構(gòu)和內(nèi)部組織管理情況進(jìn)行具體描述,并運用民族音樂學(xué)視角對研究對象進(jìn)行理論探究;第四章運用民俗學(xué)雙窗口闡釋法對孤株村秧歌會正月出會儀式進(jìn)行描述和解釋;第五章對孤株村秧歌會在現(xiàn)今社會的生存現(xiàn)狀、傳承和發(fā)展面臨問題進(jìn)行論述,并對這類民間文化的傳承和保護(hù)提出建議。
[Abstract]:Yangge as the representative folk dance in Hebei Province, It is an indispensable cultural tradition in people's life. The research of this subject is the inheritance and variation of the Yangko of Gaobeidian County, Xinjiao Township, Hebei Province, under the historical formation and the present social development. Based on the comprehensive field investigation practice in the vertical historical development and horizontal internal structure of the folk association organization, the traditional Yangko group and the modern fitness Yangko organization group were taken as the basic objects of investigation. Description and analysis of the emergence, development and changes to adapt to the modern society of the traditional Yangko in the village of isolated plant; Comparative study of traditional Yangko and fitness Yangko produced under the new background of modern society and so on. On the basis of more strict field investigation work, the historical origin, development status, club structure, artistic characteristics, performance music, etc. We have carried out a comprehensive study on inheritance and protection, as well as many contradictions and conflicts faced by traditional folk culture in the process of social transformation, and Yangko will make efforts and changes in adapting to the development of society. Striving to describe objectively and meticulously the complete features of folk music organizations and folk music cultural life in ordinary rural areas of North China, and from the perspectives of ethnomusicology, dance ecology, folklore, The first chapter introduces the concept, historical evolution and classification of Yangko from a macro perspective. In particular, it analyzes the difference and relationship between Yangko and Yangko Society. Natural, social and humanistic background, for the introduction of the second chapter of "Guzhu Village Yangko will music performance form" horizontal discussion of dance style to do a good theoretical foundation; The second chapter is from the isolated village Yangko Association internal traditional Yangko and modern Yangko two forms of art respectively elaborated; At the same time, it makes a statement and analysis on the accompaniment music of Yangko Association. Chapter three describes the society structure and internal organization and management of the Yangko Association in Guzhi Village, and makes a theoretical research on the research object from the perspective of ethomusicology. Chapter 4th describes and explains the opening ceremony of Guzhi Village Yangko Society on January by means of the double-window interpretation of folklore, and Chapter 5th discusses the existing situation, inheritance and development of the Yangko Society in the present society. And to this kind of folk culture inheritance and protection puts forward the proposal.
【學(xué)位授予單位】：河北大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J722.211

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