發(fā)布時間：2018-03-11 21:48

  本文選題：文化創(chuàng)意產(chǎn)業(yè)　切入點：創(chuàng)意　出處：《沈陽師范大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

【摘要】：在大眾文化和消費文化大行其道的今天,產(chǎn)業(yè)形態(tài)不斷演變發(fā)展,產(chǎn)生了文化創(chuàng)意產(chǎn)業(yè)。文化創(chuàng)意產(chǎn)業(yè)首先來源于文化產(chǎn)業(yè),文化產(chǎn)業(yè)立足于物質(zhì)的生產(chǎn)和消費,是一種“商品形式的文化”。但文化創(chuàng)意產(chǎn)業(yè)尋求的是獨特和創(chuàng)新,防止毫無創(chuàng)意性的批量復(fù)制。馬克思主義美學(xué)對現(xiàn)實性的終極關(guān)懷,讓我們不能不對當(dāng)下社會出現(xiàn)的這種新生產(chǎn)業(yè)進(jìn)行理論思考。本文用美學(xué)的角度和觀點對創(chuàng)意產(chǎn)業(yè)進(jìn)行現(xiàn)實和理論研究,從理論上作出概括和總結(jié),突出用審美、藝術(shù)和創(chuàng)意,按照經(jīng)濟(jì)規(guī)律和消費規(guī)律對文化創(chuàng)意產(chǎn)業(yè)的引領(lǐng)功能,正是本論文選題的目的。本文借鑒了有關(guān)大眾文化、藝術(shù)設(shè)計、經(jīng)濟(jì)規(guī)律的研究成果,運用了文獻(xiàn)法、學(xué)科交叉分析法、理論聯(lián)系實際等研究方法,對美學(xué)視域中的文化創(chuàng)意產(chǎn)業(yè)規(guī)律問題進(jìn)行研究。審美是對現(xiàn)實的超越和引領(lǐng)。美學(xué)視域中的文化創(chuàng)意產(chǎn)業(yè),從產(chǎn)業(yè)和文化兩方面著眼。產(chǎn)業(yè),強調(diào)的是經(jīng)濟(jì)規(guī)律,但是目前來看產(chǎn)業(yè)化的傾向十分明顯;文化,強調(diào)的是審美規(guī)律。首先,我們要凸顯的是超越現(xiàn)實的、引領(lǐng)現(xiàn)實的審美的境界。而文化創(chuàng)意更多注重的是哲學(xué)美學(xué)視域下的精神內(nèi)涵,對應(yīng)的是審美文化和創(chuàng)意精神。其次,我們需要的是有時代性、民族性、普世性的創(chuàng)意,是創(chuàng)意結(jié)合審美創(chuàng)造的過程,而不是單一量產(chǎn)的產(chǎn)品。最終要遵循文化藝術(shù)的規(guī)律,形成一種審美文化,不是將文化產(chǎn)業(yè)化,而是要用文化藝術(shù)來感染這個產(chǎn)業(yè)。本文的落腳點為研討我們的文化創(chuàng)意產(chǎn)業(yè)出現(xiàn)的問題,突出馬克思主義美學(xué)的實踐指導(dǎo)功能。因此,在明確文化創(chuàng)意產(chǎn)業(yè)的概念和旨向后,從審美的引領(lǐng)、創(chuàng)造性、超越性、傳播的多樣性五個方面闡述了文化創(chuàng)意產(chǎn)業(yè)的審美之維。同時,從應(yīng)該按照美的規(guī)律塑造、時代審美特性、民族審美風(fēng)格三個方面創(chuàng)建文化創(chuàng)意產(chǎn)業(yè)的理想樣式。
[Abstract]:In today's popular culture and consumer culture, the industrial form is constantly evolving and developing, resulting in cultural and creative industries. Cultural and creative industries first come from cultural industries, and cultural industries are based on material production and consumption. Is a "commodity form of culture." but the cultural and creative industries seek to be unique and innovative, to prevent the creation of uncreative batch replications.The ultimate concern of Marxist aesthetics for reality, Let us not fail to think theoretically about this new industry that has emerged in the present society. In this paper, we use the angle and viewpoint of aesthetics to carry out realistic and theoretical research on creative industry, summarize and summarize it in theory, and highlight the use of aesthetics, art and creativity. The purpose of this thesis is to guide the cultural and creative industries according to the laws of economy and consumption. This paper draws lessons from the research results of popular culture, art design and economic law, and applies the literature method and interdisciplinary analysis method. Combining theory with practice and other research methods, this paper studies the law of cultural creative industry in the field of aesthetics. Aesthetics is the transcendence and guidance of reality. The cultural and creative industry in aesthetic horizon is based on industry and culture. The emphasis is on economic law, but at present the tendency of industrialization is very obvious; culture, emphasis on aesthetic law. First of all, what we want to highlight is beyond reality. To guide the aesthetic realm of reality. What cultural creativity pays more attention to is the spiritual connotation in the field of philosophical aesthetics, corresponding to aesthetic culture and creative spirit. Secondly, what we need is the creativity of times, nationality and universality. It is a process of creative combination with aesthetic creation, rather than a single mass production product. Ultimately, we should follow the laws of culture and art, and form an aesthetic culture, not to industrialize culture. Instead, we should infect this industry with culture and art. The purpose of this paper is to study the problems in our cultural and creative industries and to highlight the practical guiding function of Marxist aesthetics. Therefore, after defining the concept and purpose of cultural and creative industries, This paper expounds the aesthetic dimension of cultural and creative industries from five aspects of aesthetic guidance, creativity, transcendence and diversity of communication. At the same time, the aesthetic characteristics of the times should be shaped according to the laws of beauty. Three aspects of national aesthetic style to create the ideal style of cultural and creative industries.
【學(xué)位授予單位】：沈陽師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：G124;B83-0

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