發(fā)布時(shí)間：2018-03-06 11:43

  本文選題：日本動(dòng)畫(huà)　切入點(diǎn)：禪宗思想　出處：《武漢紡織大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

【摘要】：日本的動(dòng)畫(huà)與禪宗思想從表面上看似乎并無(wú)直接聯(lián)系。但深入解讀不難發(fā)現(xiàn),禪宗作為一種歷史沉淀下的傳統(tǒng)文化,融入了日本人生活的方方面面,同時(shí)也滲透到文學(xué)和藝術(shù)創(chuàng)作之中。本論文從禪境的傳統(tǒng)宗教意義、審美心理闡釋入手。從禪宗自印度經(jīng)中國(guó)傳入日本后的發(fā)展歷程為開(kāi)端,綜合同期日本動(dòng)畫(huà)在九十年發(fā)展中的各階段特點(diǎn),分析動(dòng)畫(huà)與禪宗二者之間相互聯(lián)系的必然性,探尋出禪宗思想與藝術(shù)創(chuàng)作的關(guān)系,提煉出“生命思想”和“心性之悟”兩個(gè)核心。通過(guò)對(duì)禪的溯源、境的義界、禪宗思想與藝術(shù)審美關(guān)系的研究,證明了禪境的審美思維已經(jīng)深深的積淀于日本人的心中,作為藝術(shù)創(chuàng)作的審美范則和心理追求而存在。因此,在禪境融合大環(huán)境下誕生的日本動(dòng)畫(huà),追源其歷史,也定有著與其結(jié)合的必然性。筆者以當(dāng)下日本較有影響力的動(dòng)畫(huà)作品為例,從故事取材到人物場(chǎng)景設(shè)定,再到對(duì)白語(yǔ)言和敘事結(jié)構(gòu),對(duì)禪境的視覺(jué)藝術(shù)表現(xiàn)進(jìn)行一一分析和歸納,綜合日本禪宗思想特點(diǎn),論證禪境審美己經(jīng)滲透到視覺(jué)藝術(shù)的理論和實(shí)踐中,對(duì)日本動(dòng)畫(huà)的形成造成了深遠(yuǎn)的影響。論文從文化融合的角度,得出動(dòng)畫(huà)為禪境提供豐富的表達(dá)途徑;禪境為動(dòng)畫(huà)構(gòu)筑神圣的精神內(nèi)核的判斷。期望借用禪直指本心、明心見(jiàn)性、留意當(dāng)下、超越理性而重直覺(jué)的理念,作為日本動(dòng)畫(huà)發(fā)展的核心內(nèi)涵,引以為鑒,為學(xué)習(xí)者在動(dòng)畫(huà)創(chuàng)作上提供更為廣闊的視野。
[Abstract]:Japanese animation and Zen thought seem to have no direct connection on the surface. However, it is not difficult to find that Zen, as a traditional culture under the historical precipitation, has been integrated into all aspects of Japanese life. At the same time, it also penetrates into literature and art creation. This thesis begins with the traditional religious meaning of Zen, the interpretation of aesthetic psychology, and the development of Zen Buddhism from India to Japan through China. Based on the characteristics of different stages of the development of Japanese animation in the same period in 1990, this paper analyzes the inevitability of the interrelation between animation and Zen Buddhism, and explores the relationship between Zen thought and artistic creation. Through the study of the origin of Zen, the realm of righteousness, the relationship between Zen thought and artistic aesthetics, it is proved that the aesthetic thinking of Zen has been deeply accumulated in the hearts of the Japanese. Therefore, Japanese animation, born in the context of Zen integration, has its roots in its history. The author takes Japan's more influential animation works as an example, from the material of the story to the setting of the scene of the characters, and then to the dialogue language and the narrative structure. This paper analyzes and summarizes the visual art performance of Zen, synthesizes the characteristics of Japanese Zen thought, and proves that the aesthetics of Zen has penetrated into the theory and practice of visual art. From the perspective of cultural integration, the paper draws a conclusion that animation provides a rich way of expression for Zen, and Zen is the judgment of constructing the sacred spiritual core of animation. The idea of transcending reason and attaching importance to intuition is the core connotation of the development of Japanese animation and provides learners with a broader vision in animation creation.
【學(xué)位授予單位】：武漢紡織大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J954

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本文編號(hào)：1574703