本文選題：余象斗　切入點(diǎn)：神魔小說　出處：《遼寧師范大學(xué)》2015年碩士論文　論文類型：學(xué)位論文

【摘要】：余象斗編寫并刊行的《南游記》、《北游記》,是其勞費(fèi)心力而創(chuàng)的神魔小說。余象斗對(duì)這兩部小說的人物主角選取、故事發(fā)生背景的安排、小說人物形象的“再塑造”、情節(jié)進(jìn)程速度的把握,以及內(nèi)在的思想內(nèi)涵投射等方面都進(jìn)行了眾多方面的深慮。兩部小說所講述的是發(fā)生在佛道、妖魔、鬼怪中的故事,其主人公分別出自于佛家、道家中的一員。整個(gè)故事大都以主人公的“誤念”而發(fā),并以主人公的“歸正”為結(jié),故事一層一層的展開,人物形象碎片不斷的拼接,人物思想成等級(jí)狀的歸于本原。由于明朝建立政權(quán)特殊的歷史背景,所以前期時(shí)明統(tǒng)治者在政治、文化、經(jīng)濟(jì)等方面的控制較嚴(yán)格,對(duì)上乘權(quán)貴、底層百姓的控制都是同等對(duì)待的。但隨著時(shí)間的推移,到了明朝后期,統(tǒng)治者的統(tǒng)治也逐漸的走向?qū)捤�。明朝后期市民階級(jí)數(shù)量的擴(kuò)大,人們文化消費(fèi)能力變強(qiáng),進(jìn)而對(duì)文化商品的需求也加大,這為明朝神魔小說作家們提供了良好的創(chuàng)作條件。在這些因素共同促下,使明代神魔小說的創(chuàng)作成就達(dá)到歷代的頂峰,對(duì)后世人們進(jìn)行小說創(chuàng)作提供了可借鑒的作品。生活在明朝末年的余象斗,其創(chuàng)作刊印的《北方真武祖師玄天上帝出身志傳》(北游記)和《五顯靈官大帝華光天王傳》(南游記)就是這個(gè)時(shí)代產(chǎn)物。在本文中,著重從這兩部小說的文本實(shí)際出發(fā),分析這兩部作品在創(chuàng)作目的、創(chuàng)作模式、內(nèi)涵思想、以及人物形象的塑造和故事結(jié)局的安排的特點(diǎn),探究了其小說創(chuàng)作的特色,并闡釋了其小說創(chuàng)作的影響,進(jìn)而對(duì)兩部作品的文學(xué)地位做出恰當(dāng)?shù)脑u(píng)價(jià)。
[Abstract]:Yu Xiang Dou's "Journey to the South" and "Journey to the North", written and published by Yu Xiang Dou, is a novel of gods and demons created by Yu Xiang Dou. Yu Xiang Dou selects the characters of the protagonists of the two novels and arranges the setting in which the story takes place. The "remolding" of the characters in the novel, the grasp of the pace of the plot process, and the projection of the inner meaning of the thoughts are all involved in many aspects. The two novels tell stories that take place in the Buddha's Taoism, the devil, the ghost, and so on. The protagonists come from Buddhism and one of the Taoists. The whole story is mostly made by the protagonist's "misreading", and ends with the hero's "correction". The story unfolds layer by layer, and the image of the character is constantly pieced together. Because of the special historical background of the establishment of the regime in the Ming Dynasty, the rulers of the Ming Dynasty had strict political, cultural, economic and other controls in the early period, and exercised strict control over the superior and powerful. The control of the people at the bottom was treated equally. But with the passage of time, the rule of the rulers gradually moved towards loosening up in the late Ming Dynasty. With the expansion of the number of civil classes in the late Ming Dynasty, people's cultural consumption power became stronger. Furthermore, the demand for cultural goods also increased, which provided good creative conditions for the writers of the gods and demons novels of the Ming Dynasty. Together, these factors promoted the creation of the gods and demons novels of the Ming Dynasty to the climax of the past dynasties. For later generations to write novels to provide reference works. Living in the last years of the Ming Dynasty, The creation and publication of "the History of the Origin of God" (Journey to the North) and the "Biography of the Emperor Huaguang of the Great" (the Journey to the South) published by him are the products of this era. In this paper, the text of the two novels focuses on the reality of the two novels. This paper analyzes the characteristics of the two works in terms of their purpose, mode of creation, connotation thought, the shaping of characters and the arrangement of story ending, probes into the characteristics of their novel creation, and explains the influence of their novel creation. Then the literary status of the two works to make an appropriate evaluation.
【學(xué)位授予單位】：遼寧師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類號(hào)】：I207.41

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