發(fā)布時(shí)間：2018-03-04 01:16

  本文選題：熱巴舞　切入點(diǎn)：藏傳佛教　出處：《云南藝術(shù)學(xué)院》2017年碩士論文　論文類型：學(xué)位論文

【摘要】：“熱巴舞”是藏族民俗樂(lè)舞中的習(xí)俗性舞蹈,它是一種包含舞蹈、音樂(lè)、戲劇、戲曲、氣功、說(shuō)唱、雜技等眾多藝術(shù)元素為一體的綜合性藝術(shù)�！盁岚臀琛笔芄挪孛襁w徒和宗教文化傳播的影響來(lái)到云南地區(qū),并以表演型與祭祀型兩種形態(tài)在云南地區(qū)扎根、發(fā)展。更是因受到迪慶州多元文化共存、共生的影響“熱巴舞”不在局限于藏族的發(fā)展,同時(shí)還傳授給相鄰的納西族與傈僳族,成為一種為藏族、納西族、傈僳族共享的民族藝術(shù)。作者試圖運(yùn)用舞蹈學(xué)與人類學(xué)的研究方法對(duì)“熱巴舞”的起源、發(fā)展歷程及在發(fā)展過(guò)程中由于受民族文化影響而產(chǎn)生的流變進(jìn)行分析和闡述。本論文分導(dǎo)論與四個(gè)部分展開(kāi)。導(dǎo)論闡述本文的研究目的與價(jià)值意義,界定本文所涉及的主要概念,介紹本文的研究的思路與方法。第一部分,概述“熱巴舞”的起源并對(duì)其起源傳說(shuō)進(jìn)行辨識(shí),介紹“熱巴舞”的種類及在云南地區(qū)的播布情況。第二部分,歸納“熱巴舞”發(fā)展的歷史階段,并分析影響其發(fā)展的不同因素。第三部分,介紹“熱巴舞”在云南流變后形成的類型,運(yùn)用舞蹈生態(tài)學(xué)形態(tài)特征的提取方法對(duì)“熱巴舞”形態(tài)進(jìn)行提取分析,并闡述“熱巴舞”流變過(guò)程中功能與內(nèi)容等方面的改變。第四部分,是探討“熱巴舞”在云南地區(qū)的發(fā)展與流變的普遍規(guī)律,并提出作者對(duì)“熱巴舞”今后在云南地區(qū)發(fā)展的若干思考。本文的是對(duì)云南地區(qū)藏族“熱巴舞”實(shí)證性的研究,其中圖表均為實(shí)地田野調(diào)查的研究成果,期望本文的研究能在中國(guó)民族舞蹈研究上邁出實(shí)際的步伐。
[Abstract]:"Reba Dance" is a traditional dance in Tibetan folk music and dance. It is a kind of dance, music, drama, opera, qigong and rap. A comprehensive art in which acrobatics and many other artistic elements are integrated. Influenced by the migration of ancient Tibetans and the spread of religious culture, "Reba Dance" came to Yunnan and took root in the Yunnan region in two forms: performing and sacrificial. Development. Because of the coexistence of Diqing Prefecture's multiculturalism, the symbiotic influence of "Reba Dance" was not confined to the development of the Tibetan nationality, but also imparted to the neighboring Naxi and Lisu ethnic groups, becoming a kind of Tibetan and Naxi nationality. The author tries to use the methods of dance and anthropology to study the origin of "Reba Dance". The course of development and the changes caused by the influence of national culture in the course of development are analyzed and expounded. This paper is divided into four parts. The introduction explains the purpose and value of this paper. This paper defines the main concepts involved in this paper, introduces the ideas and methods of this study. The first part, summarizes the origin of "Reba Dance" and identifies its origin and legends. This paper introduces the types of "Reba Dance" and its distribution in Yunnan Province. The second part summarizes the historical stage of the development of "Reba Dance", and analyzes the different factors that affect its development. Part three, This paper introduces the types of "Reba Dance" formed after the change of Yunnan Province, and analyses the form of "Reba Dance" by the method of extracting the morphological characteristics of dance ecology. It also expounds the change of function and content in the process of "Reba Dance". Part 4th is to discuss the general law of the development and change of "Reba Dance" in Yunnan. The author also puts forward some thoughts on the development of "Reba Dance" in Yunnan in the future. This paper is an empirical study of the Tibetan "Reba Dance" in Yunnan region, in which the charts are all the results of field investigation. It is hoped that the research in this paper can take a practical step forward in the study of Chinese folk dance.
【學(xué)位授予單位】：云南藝術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J722.22

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