本文關(guān)鍵詞： 現(xiàn)實主義 余德莊 小說 評價　出處：《重慶師范大學》2017年碩士論文　論文類型：學位論文

【摘要】：20世紀80年代中期,在西方現(xiàn)代主義、后現(xiàn)代主義的強勢沖擊下,現(xiàn)實主義如日中天的炙熱景象轉(zhuǎn)眼已變?yōu)槿漳焊F途的黃昏景觀。此后,經(jīng)歷了所謂的“向內(nèi)轉(zhuǎn)”和文學本體論,現(xiàn)實主義文學漸遁邊緣,甚至被認為已經(jīng)過時。在這樣的時代氛圍下,部分作家不愿投入現(xiàn)實主義文學創(chuàng)作,部分理論家也有意無意地規(guī)避現(xiàn)實主義理論話語。但也有作家仍然堅持自己的藝術(shù)定力,經(jīng)受了歷史的考驗,創(chuàng)作出有生命力的現(xiàn)實主義作品,顯示了難以為時代所遮掩的光芒。新時期重慶文學作家——余德莊,在某種意義上正是這樣一位受到忽視的重要作家。在厘清現(xiàn)實主義基本概念的基礎(chǔ)上,本文以現(xiàn)實主義文學在當今社會語境和藝術(shù)語境中的意義為背景,構(gòu)成“現(xiàn)實主義視域”。勾勒余德莊現(xiàn)實主義小說的創(chuàng)作歷程,進而分別從余德莊小說創(chuàng)作的現(xiàn)實主義價值取向和現(xiàn)實主義藝術(shù)追求兩個維度,重新發(fā)現(xiàn)和認識現(xiàn)實主義文學及余德莊小說的社會意義和藝術(shù)價值。小說的現(xiàn)實主義價值取向主要從題材選擇、主題指向和現(xiàn)實主義精神三個方面進行闡釋。小說的現(xiàn)實主義藝術(shù)追求則從情節(jié)結(jié)構(gòu)、人物塑造、語言表達和創(chuàng)作方法四個方面著手。從總體上看,余德莊的小說創(chuàng)作不僅較好地發(fā)揮了現(xiàn)實主義小說的“現(xiàn)實性”,還充分詮釋了現(xiàn)實主義文學的藝術(shù)魅力,具有強烈的現(xiàn)實意義和藝術(shù)價值。但同時也應(yīng)該看到,余德莊的小說創(chuàng)作仍存在一定的局限:從現(xiàn)實主義文學的眼光看,余德莊的現(xiàn)實主義小說雖較好地發(fā)揮了現(xiàn)實主義小說的“現(xiàn)實性”,卻未能充分展示現(xiàn)實主義小說的超越性;從一種理想的文學眼光看,現(xiàn)實主義文學本身在表現(xiàn)現(xiàn)實生活的豐富性、多樣性和復(fù)雜性方面,也存在一定的局限。以當下的社會語境和藝術(shù)語境為背景,重新探討余德莊的小說創(chuàng)作,不僅能重新認識現(xiàn)實主義文學及余德莊小說的意義和價值,還能為我們理性認識文學與現(xiàn)實的關(guān)系提供某些積極的啟示。
[Abstract]:In the middle of 1980s, under the powerful impact of western modernism and postmodernism, the hot scene of realism turned into a late twilight landscape. After going through the so-called "inward turn" and literary ontology, realism literature is on the verge and even considered obsolete. In such an atmosphere, some writers do not want to devote themselves to realistic literary creation. Some theorists have also deliberately or unintentionally evaded the theoretical discourse of realism. However, there are also writers who persist in their artistic determination, have withstood the test of history, and have created viable realistic works. Yudezhuang, a writer of Chongqing literature in the new era, is in a sense such an important writer who has been neglected. On the basis of clarifying the basic concepts of realism, Yu Dezhuang, a literary writer of Chongqing in the new period, has shown a light that cannot be concealed by the times. This paper, based on the significance of realistic literature in the social and artistic context, constitutes a "realistic horizon", which outlines the creation process of Yu Dezhuang's realistic novels. Then, from two dimensions of realistic value orientation and realistic artistic pursuit of Yu Dezhuang's novel creation, Rediscover and understand the social significance and artistic value of realistic literature and Yu Dezhuang's novels. The realistic artistic pursuit of the novel starts from the following four aspects: plot structure, character shaping, language expression and creation method. Generally speaking, the realistic artistic pursuit of the novel begins from the following four aspects: the structure of the plot, the portrayal of the characters, the language expression and the method of creation. Yu Dezhuang's novel creation not only gives full play to the "reality" of realistic novels, but also fully interprets the artistic charm of realistic literature, which has strong realistic significance and artistic value. Yu Dezhuang's novel creation still has some limitations: from the perspective of realistic literature, although Yu Dezhuang's realistic novel has well brought into play the "reality" of the realistic novel, it has failed to fully demonstrate the transcendence of the realistic novel; From an ideal literary perspective, realistic literature itself has some limitations in terms of the richness, diversity and complexity of real life. Revisiting Yu Dezhuang's novel creation can not only reunderstand the significance and value of realistic literature and Yudezhuang's novels, but also provide some positive enlightenment for us to understand the relationship between literature and reality.
【學位授予單位】：重慶師范大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：I207.42

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本文編號：1505307