本文關(guān)鍵詞： 王秀梅小說 題材類型 空間敘事 時間敘事 意象敘事　出處：《魯東大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

【摘要】：本文以王秀梅的小說為研究對象,從四個方面展開具體論述。首先,論文探討了王秀梅小說豐富新穎的題材類型。本章分為三節(jié),第一節(jié)分析王秀梅中短篇小說的題材類型,劃分了驚悚懸疑小說、都市情感小說和其他小說題材類型。第二節(jié)分析王秀梅長篇小說的題材類型,劃分了驚悚懸疑小說、都市情感小說和革命歷史小說三大類型。第三節(jié)總結(jié)王秀梅小說題材與體式的新穎性與深刻性。通過本章初步把握王秀梅小說題材上的特征,并兼及探討了其創(chuàng)作的發(fā)展歷程與變化軌跡。在分析王秀梅小說題材類型的基礎(chǔ)上,結(jié)合王秀梅小說特殊的膠東地域文化特征,論文第二部分具體論述王秀梅小說女性意識之下的空間敘事。本章分為兩節(jié),第一節(jié)分析王秀梅小說中的實(shí)體空間即宏觀的物理空間和微觀的物理空間。實(shí)體空間不但是小說故事演繹的背景地,參與敘事進(jìn)程,聚焦時間,常常還有特定的象征隱喻,對文本主題的闡釋起重要作用。第二節(jié)分析王秀梅小說中的虛化空間即人物有意識的和無意識的心理空間,揭示敘事空間所蘊(yùn)含的多重意義,深刻剖析王秀梅筆下的都市男女面對生活時堅(jiān)韌隱忍的人生態(tài)度,引發(fā)讀者對都市男女生存空間和生存困境的思考。再次,論文具體論述王秀梅小說先鋒訴求下的時間敘事,敘事時間結(jié)構(gòu)類型和敘事時間處理方式體現(xiàn)出王秀梅在“山東作家群”和“膠東作家群”中的先鋒性。本章分為兩節(jié),第一節(jié)分析王秀梅小說中橫向展開式、縱向展開式和復(fù)線展開式三種敘事時間結(jié)構(gòu)類型,整體把握王秀梅小說靈活多變的敘事時間結(jié)構(gòu)。第二節(jié)分析王秀梅小說中的敘事時間處理方式,分別從時序、時距和時頻三方面進(jìn)行探討,時間的倒錯體現(xiàn)出王秀梅小說的后現(xiàn)代時間觀;加速性的省略敘事和減緩性的場景敘事體現(xiàn)出敘事節(jié)奏與故事所反映的生活節(jié)奏之間形成的審美張力;詞語、句子和事件、情節(jié)、場景的重復(fù)體現(xiàn)出王秀梅對小說意蘊(yùn)與整一的空間情景的追求。論文的第四部分具體論述王秀梅小說詩意觀照下的意象敘事,相對于山東其他作家,王秀梅選取的意象個性鮮明,賦予文本詩化效果。本章分為三節(jié),第一節(jié)分析王秀梅小說中個性鮮明的自然之“象”、家居之“象”、社會之“象”和虛構(gòu)之“象”。第二節(jié)分析王秀梅小說中主要意象的內(nèi)蘊(yùn):“洞”“火車”意象與尋找主題,“刀”“雪”意象與反抗主題,以及“槐花洲”意象與逃離主題。第三節(jié)分析王秀梅小說意象的組織和藝術(shù)效果,探討其詩意世界和審美張力形成的原因。在最后的結(jié)語部分,論文結(jié)合王秀梅的生活經(jīng)歷,將其置于“山東作家”和“膠東作家”的創(chuàng)作群體和文化背景中,分析其創(chuàng)作的獨(dú)特意義,探討其小說的未來前景,力圖較全面地探討王秀梅寫作在中國當(dāng)代文學(xué)的地位和意義。
[Abstract]:This paper takes Wang Xiumei's novels as the object of study, and discusses them from four aspects. Firstly, the paper discusses the rich and novel theme types of Wang Xiumei's novels. This chapter is divided into three sections. The second section analyzes the theme types of Wang Xiumei's novels, divides them into thriller suspense novels, urban affective novels and other novel themes. The third section summarizes the novelty and profundity of Wang Xiumei's novel theme and style. On the basis of analyzing the theme types of Wang Xiumei's novels and combining with the special regional cultural characteristics of the Jiaodong novels, this paper also discusses the development course and the changing track of his works. The second part of the thesis specifically discusses the space narration under the female consciousness of Wang Xiumei's novels. This chapter is divided into two sections. The first section analyzes the physical space in Wang Xiumei's novels, that is, the macroscopic physical space and the microscopic physical space. The physical space is not only the background of the story deduction, but also takes part in the narrative process, focuses on the time, and often has specific symbolic metaphors. The second section analyzes the fictitious space in Wang Xiumei's novels, that is, the conscious and unconscious psychological space of the characters, and reveals the multiple meanings of the narrative space. This paper deeply analyzes Wang Xiumei's life attitude of urban men and women in the face of life, which causes readers to think about the living space and plight of urban men and women. Thirdly, the paper specifically discusses the time narration under the vanguard's demand of Wang Xiumei's novels. The types of narrative time structure and the way of dealing with narrative time reflect Wang Xiumei's pioneering character in Shandong Writers Group and Jiaodong Writers Group. This chapter is divided into two sections. There are three types of narrative time structure: longitudinal expansion and double-line expansion, which can grasp the flexible and changeable narrative time structure of Wang Xiumei's novels as a whole. Time distance and time frequency are discussed in three aspects. The reverse error of time reflects Wang Xiumei's postmodern view of time. The accelerated ellipsis narrative and the slow down scene narrative reflect the aesthetic tension between the narrative rhythm and the life rhythm reflected by the story; words, sentences and events; The repetition of the scene reflects Wang Xiumei's pursuit of the meaning of the novel and the whole space scene. Part 4th of the thesis specifically discusses the image narration under the poetic view of Wang Xiumei's novel, compared with other writers in Shandong Province. Wang Xiumei selected a distinctive image personality, giving the text poetic effect. This chapter is divided into three sections, The first section analyzes the vivid natural "image", the home "image", the social "image" and the fictional "image" in Wang Xiumei's novels. The second section analyzes the connotation of the main images in Wang Xiumei's novels: the "hole" and "train" image and its search. The theme, the image of "the knife" and "snow" and the theme of resistance, The third section analyzes the organization and artistic effect of Wang Xiumei's novel imagery, and discusses the causes of its poetic world and aesthetic tension. Put it in the creative group and cultural background of Shandong Writers and Jiaodong Writers, analyze the unique significance of their creation, and discuss the future prospects of their novels. This paper tries to probe into the status and significance of Wang Xiumei's writing in Chinese contemporary literature.
【學(xué)位授予單位】：魯東大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：I207.42

【參考文獻(xiàn)】

相關(guān)期刊論文 前2條

1 王秀梅;;一墻之隔[J];江南;2015年06期

2 王秀梅;;四十千[J];湖南文學(xué);2015年02期

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本文編號：1499758