本文關(guān)鍵詞： 陳與義 《無住詞》 思想內(nèi)容 創(chuàng)作特色 繼承與創(chuàng)新　出處：《河北大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

【摘要】：陳與義《無住詞》數(shù)量雖少,卻成就極高,在宋詞發(fā)展史上有極其重要的地位。對《無住詞》的研究是陳與義研究的必不可少的內(nèi)容。陳與義生活在南北宋之交,這是民族矛盾和階級矛盾異常尖銳的時(shí)期,同時(shí)起起伏伏的仕宦經(jīng)歷也使作者逐漸厭倦官場而產(chǎn)生歸隱的消極念頭,以求遠(yuǎn)禍全身。這種思想表現(xiàn)在詞中便是抒發(fā)興亡離合的感受。從題材內(nèi)容來看,《無住詞》大體上可分為四類:一是憂時(shí)傷亂的感傷詞,經(jīng)歷了靖康之亂,山河破碎,百姓流離,作者以其敏感的心靈感受國破家亡的痛苦,于是在詞中憂國傷時(shí)、撫事念亂;二是描寫物色的閑適詞,陳與義的題畫、詠物詩量多而質(zhì)優(yōu),這類詞作也是形神畢肖、情景交融,極有特色;三是感舊懷人的懷舊詞,詞人感舊懷友,常常在作品中抒發(fā)昔是今非的身世之感和家國之悲;四是偶露禪意之作,多艱的時(shí)代以及多舛的命運(yùn),使得詞人在禪宗思想中尋找精神寄托。《無住詞》形成了自己獨(dú)特的藝術(shù)風(fēng)格,首先在創(chuàng)作技巧上“以詩為詞”,體現(xiàn)在對題材立意的詩化,擺脫了北宋令詞多言兒女情的套路,呈現(xiàn)出高雅的士大夫氣息,在詞中抒發(fā)憂國之思;以及創(chuàng)作技巧的詩化,陳氏在作詞過程中接受了江西詩派詩法的影響,將作詩的方法運(yùn)用到填詞中去,營造出新的境界。其次,表現(xiàn)在《無住詞》風(fēng)格清新明快、超曠豪邁,境界闊大、跌宕有致,用語自然、無疏筍氣。陳與義《無住詞》所采用的形式皆為令詞,不僅繼承了令詞含蓄蘊(yùn)藉的傳統(tǒng),同時(shí)又有所創(chuàng)見,表現(xiàn)在對令詞題材、語言的創(chuàng)新以及推動(dòng)令詞雅化的進(jìn)程上,使令詞煥發(fā)出新的光彩,成為南渡詞壇甚至是整個(gè)詞史上一道獨(dú)特而靚麗的風(fēng)景。
[Abstract]:Although the number of Chen Yanyi's words without residence is small, his achievements are extremely high. In the history of Song ci development has an extremely important position. The study of "No dwelling ci" is the essential content of Chen Yonyi, who lives in the north and south of the Song Dynasty. This is an extremely sharp period of ethnic and class contradictions, while the ups and downs of the official experience also make the author gradually tired of the official field and the emergence of negative thoughts. This kind of thought is expressed in the ci to express the feelings of the rise and fall. From the content of the subject matter, there are four kinds of words: one is the sentimental words of sorrow and disorder, which experienced the chaos of Jing Kang. When the mountain and river are broken and the people are displaced, the author, with his sensitive heart, feels the pain of breaking the country and destroying his family, so when he worries about the country in his ci, he thinks of confusion. Second, the description of casual words, Chen Yue Yi's theme painting, chanting poetry quantity and quality excellent, this kind of ci is also the shape and spirit of Xiao, mixed feelings and scenery, extremely characteristic; The third is the nostalgic words of the feeling of the old and the nostalgia of the people. The ci writers often express in their works the feeling that the past is the present and the bad and the grief of the family and the country. Fourth, the occasional Zen works, more difficult times and more ill-fated fate, so that the poet in the Zen thought to seek spiritual sustenance. "No living ci" formed its own unique artistic style. First of all, "taking poetry as the word" in the creative technique is embodied in the poetic meaning of the subject matter, and gets rid of the routine of the love of many words and children in the Ling-ci of the Northern Song Dynasty, presents the elegant atmosphere of the literati and officials, and expresses the thoughts of the country in the ci. As well as the poetic writing skills, Chen accepted the influence of the poetry method of Jiangxi poetry school in the process of writing poetry, and applied the poetry writing method to fill in the words to create a new realm. Secondly. Performance in the "no living word" style fresh and bright, super broad and heroic, broad realm, down and down, natural language, no bamboo shoots. Chen Yanyi "living-free words" used by the form are Ling ci. It not only inherits the tradition of "Ling ci", but also has some creative ideas, which is manifested in the subject matter, language innovation and the process of promoting the refinement of ci words, which makes the ci words radiate with new brilliance. It has become a unique and beautiful landscape in the history of Nandu ci.
【學(xué)位授予單位】：河北大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：I207.23

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