發(fā)布時間：2018-01-29 14:58

  本文關(guān)鍵詞： 陜甘寧地區(qū) 營造法式 琴棋書畫　出處：《中央美術(shù)學院》2017年碩士論文　論文類型：學位論文

【摘要】：本文以金代陜甘寧地區(qū)磚雕壁畫墓為主要研究內(nèi)容,探析金代墓葬裝飾藝術(shù)與畫史及傳世材料所呈現(xiàn)金代繪畫之間的相互關(guān)系,及其與宋金時期家庭生活的緊密聯(lián)系。在此基礎(chǔ)上,進一步結(jié)合陜甘寧獨特的地緣特征來呈現(xiàn)墓葬美術(shù)區(qū)域同一性與差異性并存的復雜面貌,揭示金代墓葬美術(shù)與當時社會文化生活的聯(lián)系和互動。本研究基于考古類型與圖像分析方法,首先,對陜甘寧磚雕壁畫金墓的墓葬規(guī)制、建筑形式及磚雕壁畫裝飾進行分區(qū)概述;其次,從壁畫裝飾與圖像配置的形式與方法,著重闡釋陜甘寧地區(qū)磚雕壁畫金墓所呈現(xiàn)出的普遍性及其特殊性;最后,以陜西甘泉袁莊村M4號墓磚雕裝飾中的"婦人啟門"與"假門"為對象,揭示磚雕裝飾如何以其特殊的方式再現(xiàn)金代婦女在閨門禮儀之下的生活空間。本文以陜西甘泉袁莊村金墓為研究分析的個案,從墓葬壁畫與卷軸繪畫、墓葬營建畫匠與畫史記載畫家、四藝與宋金藝文志三者之間的聯(lián)系與影響,闡述此墓所蘊含的文化背景與社會觀念。
[Abstract]:Taking the brick mural tombs in Shaanxi-Gansu-Ningxia area of Jin Dynasty as the main research content, this paper probes into the interrelation between the decorative art of tomb decoration of Jin Dynasty and painting history and materials handed down in Jin Dynasty. And its close relationship with family life in the Song and Jin dynasties. On this basis, further combined with the unique geographical characteristics of Shaanxi, Gansu and Ningxia to present the complex appearance of regional identity and difference of tomb art. This study based on the archaeological types and image analysis methods, first of all, to the Shaanxi-Gansu-Ningxia brick mural tomb of the tomb rules. Architectural form and decoration of brick carvings and murals are summarized. Secondly, from the form and method of mural decoration and image configuration, the paper emphatically explains the universality and particularity of the golden tomb of brick carvings in Shaanxi, Gansu and Ningxia. Finally, taking the "woman opening door" and "false door" in the decoration of M4 tomb in Yuan Zhuang Village, Ganquan, Shaanxi Province as the object. To reveal how brick decoration in its special way to reproduce the Jin Dynasty women under the door etiquette under the living space. This paper takes the golden tomb of Yuan Zhuang Village in Ganquan Shaanxi Province as a case study from the tomb murals and scroll painting. The relationship and influence between the tomb builders and the painters in the history of paintings, the four arts and the artistic records of the Song and Jin dynasties, and the cultural background and social concepts contained in the tomb are expounded.
【學位授予單位】：中央美術(shù)學院
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：K878.8

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