發(fā)布時間：2018-01-19 05:18

  本文關鍵詞： 京劇 打擊樂 教學　出處：《沈陽師范大學》2017年碩士論文　論文類型：學位論文

【摘要】：隨著我國經(jīng)濟水平的不斷提高,日益健全的物質生活水平得到了極大的提升,在人們脫離對物質的追求之后如何豐富人們的精神世界成為了當今社會藝術文化得到重視的基礎。而音樂尤其是作為猶如國人世界符號的戲曲音樂更是迎來了大批中外學者的青睞,帶來了極大的研究熱情。響應時代需求本人就戲曲音樂的重要組成部分,更是該學科的基礎性研究與應用性研究的重點——京劇打擊樂為研究切入點,通過對京劇打擊樂的功能研究為主體,引申到對京劇打擊樂教學模式的探索為研究中心,致力于傳承及推廣京劇打擊樂,提升其教學成效。本文通過對京劇打擊樂發(fā)展史的學習;對京劇打擊樂的樂器構成的了解;對京劇打擊樂的表演程式的解讀及深入京劇打擊樂在實際舞臺表演的四大功用,即鬧臺打擊樂、唱腔打擊樂、身段打擊樂、曲牌打擊樂的整體研究來體現(xiàn)京劇打擊樂在實際舞臺表演上具有協(xié)調(diào)舞臺表演節(jié)奏、配合演員舞臺表演、表現(xiàn)劇中角色形象、烘托舞臺典型情景的獨特且重要的舞臺藝術功能。在對京劇打擊樂其在表現(xiàn)形式及日常教學的一線教學師生的調(diào)研了解下,通過數(shù)據(jù)整合分析可知京劇打擊樂具有獨特的程式性表演形式;簡潔凝練的表演手法;變化豐富且配合默契的特色審美特征。這些獨特的藝術特性為京劇打擊樂的功能研究與其教學模式的探索提供了極大的理論基礎及實際可操作性的教學改革指明了方向。依托現(xiàn)有學科的理論知識及本次調(diào)研的結果,科學而系統(tǒng)的得出了我對現(xiàn)有京劇打擊樂教學模式要在京劇打擊樂演奏員的基礎修養(yǎng)上加以提升;要重新意識到傳統(tǒng)教學模式“口傳心授”的現(xiàn)代傳承的重要性、必要性及不可替代性;認識到在今后的京劇打擊樂教學上要更重視且有目的的加大對京劇打擊樂復合型人才的培養(yǎng)力度,從而達到提高京劇打擊樂教育教學的成效,改良現(xiàn)有京劇打擊樂教學模式的目的。
[Abstract]:With the continuous improvement of our country's economic level, the increasingly sound material living standard has been greatly improved. How to enrich people's spiritual world has become the foundation of art and culture in today's society after people get rid of the pursuit of material. Music, especially opera music, which is like the symbol of Chinese people's world, ushered in a great deal. Approve the favor of Chinese and foreign scholars. Response to the needs of the times on the opera music is an important part of the discipline is the basic research and application of the focus of research-Beijing Opera percussion music as the research breakthrough point. Through the research on the function of percussion music in Beijing Opera, the research center is the exploration of the teaching mode of percussion music in Beijing opera, which is devoted to inheriting and popularizing percussion music of Beijing opera. This paper studies the history of percussion music in Beijing Opera. An understanding of the composition of percussion instruments in Beijing Opera; To the Beijing Opera percussion performance program interpretation and in-depth Beijing Opera percussion in the actual stage performance of the four major functions, namely, stage percussion, percussion singing, body percussion. The overall study of percussion music reflects the Beijing Opera percussion music in the actual stage performance with the coordination of the rhythm of stage performance, with the actor stage performance, performance of the role image of the play. Setting off the unique and important stage art function of the typical scene of the stage. Under the investigation and understanding of the Beijing Opera percussion music in the form of expression and daily teaching in the front line teaching teachers and students. Through the analysis of data integration, it can be seen that percussion music of Peking Opera has a unique program performance form. Concise and concise performance techniques; These unique artistic characteristics provide a great theoretical basis for the functional research of Beijing Opera percussion music and the exploration of its teaching mode. Based on the theoretical knowledge of the existing disciplines and the results of this survey. The scientific and systematic conclusion that I to the existing Beijing Opera percussion music teaching mode in Beijing Opera percussion on the basis of the improvement of the performance; We should re-realize the importance, necessity and irreplaceable importance of the modern inheritance of "oral teaching" in the traditional teaching mode. It is recognized that in the future Beijing Opera percussion teaching should pay more attention to and purposefully increase the training of Beijing Opera percussion music complex talents, so as to improve the Beijing Opera percussion education and teaching results. The purpose of improving the present teaching mode of percussion music in Peking Opera.
【學位授予單位】：沈陽師范大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J617.14-4

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本文編號：1442801