我在油畫創(chuàng)作中對主觀性色彩的思考與運(yùn)用
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本文關(guān)鍵詞:我在油畫創(chuàng)作中對主觀性色彩的思考與運(yùn)用 出處:《云南藝術(shù)學(xué)院》2017年碩士論文 論文類型:學(xué)位論文
更多相關(guān)文章: 主觀性色彩 油畫創(chuàng)作 運(yùn)用
【摘要】:在油畫創(chuàng)作中色彩是必不可少的繪畫元素,那么對色彩運(yùn)用的同時就會遇到主觀性色彩與客觀性色彩的問題。主觀性色彩是創(chuàng)作者把對客觀物象的觀察進(jìn)行更深層次的認(rèn)識,再與自己內(nèi)心的思想情感加以融合以及重新組合所呈現(xiàn)出來的藝術(shù)效果。本人將文章分為三個部分,第一個部分將對主觀性色彩進(jìn)行一個總體概述,會從三個方面進(jìn)行闡述,分別是主觀性色彩的概念、歷史發(fā)展、特征進(jìn)行表述。文章第二部分則是舉例了自己比較喜歡的國內(nèi)外色彩畫家,分析他們在創(chuàng)作中對主觀性色彩的運(yùn)用以及個人繪畫色彩語言的特點(diǎn)。第三部分為本文的重點(diǎn)部分,在油畫實(shí)踐創(chuàng)作中,通過前幾章的分析與研究,主觀性色彩在自身創(chuàng)作中的思考與運(yùn)用。油畫發(fā)展至今,在創(chuàng)作中都離不開對色彩的主觀性運(yùn)用。隨著近代視聽科技和傳媒的發(fā)展,以及繪畫中記錄和再現(xiàn)功能的喪失,主觀性色彩或稱之為表現(xiàn)性色彩才被更多的畫家們從新重視并將其發(fā)揚(yáng)光大。油畫創(chuàng)作中色彩不僅僅是對客體色彩的照搬,而更多的是藝術(shù)家豐富的內(nèi)心情感和精神傳達(dá)。
[Abstract]:In the painting color painting is essential elements, so the use of color and color and color will meet the subjectivity objectivity problem. The subjective color is the creator of the deeper understanding of the objective observation of images, and their inner thoughts and feelings of fusion and re combination of presentation of the artistic effect. I will the article is divided into three parts, the first part will make a general overview of the subjective color, can be explained from three aspects, namely the concept of subjective color, historical development, characteristics are introduced. The second part is an example of a love of domestic and foreign color painter analysis in their writings use of the subjective color and individual painting language features. The third part is the key part of this paper, in the practice of oil painting creation, through the first few Analysis and research of the chapter, consideration and application of subjective color in their own creation in the development of oil painting. So far, in the creation of all cannot do without the subjective use of color. With the development of modern science and technology and audio-visual media, and the loss of function of recording and reproduction of the painting color or the color of subjective color representation was more artists from the new attention and will carry forward. Oil painting color is not only a copy of the object color, and more is the artist's inner feelings and convey the spirit.
【學(xué)位授予單位】:云南藝術(shù)學(xué)院
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2017
【分類號】:J213
【參考文獻(xiàn)】
相關(guān)碩士學(xué)位論文 前1條
1 陳小寒;論色彩在繪畫藝術(shù)中的審美意義[D];四川師范大學(xué);2013年
,本文編號:1404029
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