發(fā)布時間：2018-01-01 12:06

  本文關鍵詞：鞏義石窟寺北魏后期飛天藝術樣式的中土化研究　出處：《北京服裝學院》2017年碩士論文　論文類型：學位論文

  更多相關文章： 鞏義石窟 北魏 飛天 中土化

【摘要】：魏晉南北朝的佛教雕塑史是一部不斷民族化、中國化的歷史。佛教藝術自印度進入中華大地,與中國本土的時代背景、文化土壤、審美趣味等發(fā)生反應,經(jīng)歷碰撞、交融的過程,在此扎根。佛教藝術風格逐漸由外來藝術樣式過渡到完全中國式審美的中土化藝術樣式。北魏時期,良好的政治根基、相對完備的社會基礎環(huán)境與自由開放的文化土壤為佛教在中國的迅速傳播以及佛教藝術的中土化發(fā)展創(chuàng)造了重要條件。本文據(jù)此展開分析和討論,首先,以時間和地點為轉移,概述早期印度的天人風格以及飛天藝術東漸過程中不同地域、階段藝術風格的流變,梳理了飛天藝術樣式大致的發(fā)展源流。隨后,論述中土化飛天藝術樣式的審美特點和形成藝術風格背后的綜合影響因素。最后,從鞏義石窟飛天藝術樣式的風格特點及飛天視覺表象背后的隱性審美趨向,著重闡述了鞏義石窟飛天藝術的中土化發(fā)展概況。論文結語部分,總結了鞏義石窟寺飛天的中土化進程,鑒古思今,由此引發(fā)了對于當代藝術的思考——中國的當代藝術如何處理和把握外來藝術形態(tài)與中國民族藝術的關系。
[Abstract]:The history of Buddhist sculpture in Wei Jin and Southern and Northern dynasties is a nationalized and Chinese history. Buddhist art from India into the land of China with the Chinese local background cultural soil aesthetic taste and other reactions. The Buddhist art style gradually transition from the foreign art style to the completely Chinese aesthetic Chinese style of art. The Northern Wei Dynasty period, the good political foundation. The relatively complete social basic environment and free and open cultural soil have created important conditions for the rapid spread of Buddhism in China and the development of Buddhist art in China. With time and place as the transfer, this paper outlines the early Indian style of Heaven and Man, as well as the evolution of different regions and stages of art style in different regions during the eastward development of Feitian Art, and combs the general development source of Feitian Art style. This paper discusses the aesthetic characteristics of the mid-earth Feitian art style and the comprehensive influencing factors behind the formation of the artistic style. Finally, from the Gongyi Grottoes Feitian art style style style characteristics and the hidden aesthetic trend behind the Feitian visual image. This paper focuses on the development of the art of flying heaven in Gongyi Grottoes. The conclusion of the paper summarizes the process of the mid-earth in Gongyi Grottoes Temple. This led to the consideration of contemporary art-how to handle and grasp the relationship between foreign art forms and Chinese national art.
【學位授予單位】：北京服裝學院
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：K879.3;J315

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本文編號：1364420