本文關(guān)鍵詞：圖形的分解重構(gòu)在平面設(shè)計(jì)中的運(yùn)用研究　出處：《武漢紡織大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

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【摘要】：圖形作為最基礎(chǔ)的視覺語言,是一種有內(nèi)涵、有目的的藝術(shù)表現(xiàn)符號,運(yùn)用于我們生活實(shí)踐的各個角落。近年來,圖形的表現(xiàn)形式日趨多樣化,人們的審美追求也在不斷提高,引發(fā)著設(shè)計(jì)師創(chuàng)新各種新的表現(xiàn)手法與形式,來使設(shè)計(jì)作品具有新的形式美感。圖形的分解重構(gòu)設(shè)計(jì)方式在時代發(fā)展的背景下,以層出不窮的自由、個性設(shè)計(jì)手法給我們帶來了新的審美,在傳統(tǒng)設(shè)計(jì)的風(fēng)格上以新的藝術(shù)形式?jīng)_擊著我們的視覺,帶來無窮的視覺魅力。它將已有的視覺元素進(jìn)行分解,形成新的形式元素,根據(jù)新的形式美感的規(guī)律重構(gòu)成新的藝術(shù)形式,打破人們一直以來固有的視覺形象,為平面設(shè)計(jì)帶來了新的動力。本文從圖形中的分解重構(gòu)設(shè)計(jì)手法探索出發(fā),結(jié)合當(dāng)代平面設(shè)計(jì)實(shí)踐,呈現(xiàn)具有代表性的圖形分解重構(gòu)設(shè)計(jì)師的優(yōu)秀作品,以在圖形分解重構(gòu)過程中的思維轉(zhuǎn)變及設(shè)計(jì)表現(xiàn)形式為切入點(diǎn),探討圖形的分解重構(gòu)的重要性與多種發(fā)展趨勢,從不斷變化的分解重構(gòu)設(shè)計(jì)方式中尋求新的突破與創(chuàng)新。論文首先探究了圖形分解重構(gòu)設(shè)計(jì)手法的誕生背景、內(nèi)涵以及意義,新時代背景下,圖形的分解重構(gòu)設(shè)計(jì)正隨著視覺藝術(shù)的進(jìn)步在人們面前展現(xiàn)著更加豐富多彩的藝術(shù)形式。其次,結(jié)合實(shí)際案例對分解重構(gòu)的表現(xiàn)形式做了深入的探究,給設(shè)計(jì)帶來了無窮的啟發(fā)和借鑒。然后,從抽象思維的角度掌握圖形設(shè)計(jì)在分解過程中元素的提取,以及最后達(dá)到形式美與意蘊(yùn)美的重構(gòu)過程。最后,結(jié)合自己的畢業(yè)設(shè)計(jì),在平面設(shè)計(jì)中通過實(shí)踐來展開新穎的圖形分解重構(gòu)設(shè)計(jì)手法的探索。
[Abstract]:As the most basic visual language, graphics is a kind of artistic expression with intension and purpose, which is used in every corner of our life practice. In recent years, the form of graphics is becoming more and more diverse, and people's aesthetic pursuit is also improving. This leads designers to create various new ways of expression and form, so as to make the design works have a new form of aesthetic feeling. The way of decomposing and reconstructing the graphics is under the background of the development of the times. With the endless freedom and personality design, we bring new aesthetics to us. In the traditional design style, we are impacting our vision with new art forms, bringing infinite visual charm. It decomposes the existing visual elements and forms new formal elements. According to the new form of aesthetic rules, it forms a new art form, breaking the inherent visual image of people, and bringing new impetus to graphic design. This article from the decomposition and reconstruction of the graphic design techniques to explore, combined with the practice of contemporary graphic design, outstanding works of representative graphic designers in the decomposition and reconstruction, decomposition and reconstruction in the process of thinking transformation and design forms in the graph as the starting point, discusses the importance and development trend of various reconstruction pattern decomposition, to seek a breakthrough and new ideas from changing the decomposition and reconstruction design of. This paper first explores the background, meaning and significance of graphic decomposition and reconstruction design. Under the background of new era, graphic decomposition and reconstruction is showing more colorful art forms in front of people with the progress of visual arts. Secondly, in combination with actual cases, this paper makes a thorough inquiry into the form of decomposition and reconstruction, which brings endless inspiration and reference to the design. Then, from the perspective of abstract thinking, the extraction of elements in the process of graphic design in the process of decomposition is grasps, and finally the reconstruction process of form beauty and implication beauty is achieved. Finally, combining with my own graduation design, a new design method of graphic decomposition and reconstruction is explored through practice in plane design.
【學(xué)位授予單位】：武漢紡織大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J51

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本文編號：1347084