發(fā)布時間：2018-06-22 22:33

  本文選題：九十年代以來 + 城市劇場　； 參考：《吉林大學(xué)》2017年博士論文

【摘要】：本論文以九十年代以來的劇場二人轉(zhuǎn)作為考察與研究對象,運用田野考察和文獻(xiàn)梳理相結(jié)合的方法對論文進(jìn)行分析、論證。以往研究成果,對傳統(tǒng)二人轉(zhuǎn)的研究較多,對城市劇場二人轉(zhuǎn)專門進(jìn)行研究的著述較少。本論文嘗試從以下幾個章節(jié)展開論述:前言部分以時間為序,對二人轉(zhuǎn)的研究進(jìn)行梳理,九十年代以來也是二人轉(zhuǎn)研究的多元與深入期,并開始出現(xiàn)對劇場二人轉(zhuǎn)的討論。第一章對二人轉(zhuǎn)在城市中的發(fā)展進(jìn)行概述,二人轉(zhuǎn)在書場里揀板凳頭、唱客棧、唱票房子(火車站)、唱撂地、唱小劇場、唱茶社及串巷子演唱、在城市公園演唱、唱站前曲藝廳、小劇場等等,最后在城市劇場站穩(wěn)腳跟,每一時期每一地點,表演的內(nèi)容也不同。第二章對二人轉(zhuǎn)的演出空間及演出內(nèi)容發(fā)生的變化進(jìn)行梳理、分析,并對二人轉(zhuǎn)的“真?zhèn)沃q”進(jìn)行剖析。第三章論述劇場二人轉(zhuǎn)是多種合力作用的結(jié)果,二人轉(zhuǎn)由民間文化向大眾文化的轉(zhuǎn)化、劇場的經(jīng)營管理者、演員的文化自覺及創(chuàng)新意識、政府的作用等等,共同制衡著二人轉(zhuǎn)的發(fā)展。第四章主要分析劇場二人轉(zhuǎn)的特征,二人轉(zhuǎn)的涉性表演、二人轉(zhuǎn)對娛樂至上的追求、二人轉(zhuǎn)帶有粗野的鄉(xiāng)土氣息。第五章論證劇場二人轉(zhuǎn)對傳統(tǒng)二人轉(zhuǎn)的回歸,注意與觀眾的交流、“百貨迎百客”的原則、丑旦的角色構(gòu)成與跳進(jìn)跳出的方式、兼容并包的形式、戲擬化的表演。第六章論證媒介與劇場二人轉(zhuǎn)的關(guān)系。結(jié)語部分,本文以九十年代以來的城市劇場二人轉(zhuǎn)為研究對象,對其在城市的發(fā)展?fàn)顩r有個大致梳理,對其與傳統(tǒng)二人轉(zhuǎn)的變與不變、劇場二人轉(zhuǎn)對傳統(tǒng)二人轉(zhuǎn)的回歸等問題進(jìn)行了深入的探討,尤其是對劇場二人轉(zhuǎn)的特征進(jìn)行了剖析。劇場的繁榮也是多方力量作用的結(jié)果,其中劇場的經(jīng)營管理者、政府及演員的文化自覺意識、創(chuàng)新意識等共同影響著劇場二人轉(zhuǎn)。尤其是媒介,對劇場的二人轉(zhuǎn)影響相當(dāng)巨大。劇場二人轉(zhuǎn)也在多方力量的制衡中,向前發(fā)展。
[Abstract]:In this paper, the theater since the 1990s as the object of investigation and research, the use of field investigation and literature combing method to analyze and demonstrate the paper. In the past, there are more researches on the traditional tworentun, and less on the urban theater errenzhuan. This thesis attempts to discuss from the following several chapters: the preface part takes the time as the order, carries on the combing to the research of the Errenzhuan, also is the multivariate and the thorough period of the study of the Errenzhuan since the 1990s, and begins to appear the discussion of the Theater's Errenzhuan. The first chapter gives an overview of the development of Errenzhuan in the city. Errenzhuan picks up benches, sings inns, sings the house (railway station), sings the floor, sings small theatres, sings teahouses and lanes in the city park, and sings in the city park. In front of singing quyi hall, small theater and so on, finally in the city theater to establish a firm foothold, each time each place, the performance content is also different. The second chapter combs and analyzes the changes of the performance space and the performance content of Errenzhuan, and analyzes the debate of truth and falsehood of Errenzhuan. In the third chapter, the author discusses the result of various combined forces, the transformation from folk culture to popular culture, the management and management of the theater, the cultural consciousness and innovative consciousness of the actors, the role of the government, and so on. Together check and balance the development of the two-person rotation. The fourth chapter mainly analyzes the characteristics of the theater, the sexual performance, the pursuit of entertainment, and the rustic flavor of Errenzhuan. The fifth chapter demonstrates the return of the theatrical two people to the traditional one, the communication with the audience, the principle of the department store meeting the hundred guests, the ugly character composition and the way of jumping out, the inclusive form, the theatrical performance. The sixth chapter demonstrates the relationship between the media and the theater. In the conclusion part, this text regards the city theater two person turn since the 1990s as the research object, to its development condition in the city has a rough comb, to its and the traditional two person rotation change and the invariable, This paper probes into the return of the traditional two-person rotation, especially the characteristics of the two-man-rotation of the theater. The prosperity of the theater is also the result of various forces. Among them, the management of the theater, the government and the actors' consciousness of cultural consciousness and innovation together affect the two-player theater. In particular, the media, the theater of the two-person impact is quite great. Theater two people also in the checks and balances of various forces, forward development.
【學(xué)位授予單位】：吉林大學(xué)
【學(xué)位級別】：博士
【學(xué)位授予年份】：2017
【分類號】：J825
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本文編號：2054476