本文選題：趙望云 + 中國畫改良運動��； 參考：《西安美術(shù)學(xué)院》2016年博士論文

【摘要】：在二十世紀(jì)初生發(fā)的中國畫改良運動中,趙望云深受民主主義思想影響,積極投入到這場藝術(shù)改良大潮,并以藝術(shù)平民化的探索實踐及所取得的成就,成為那個時代藝術(shù)大眾化進程中無可爭議的先驅(qū)和杰出代表;之后在“文化尋源”、“西行尋根”的文化思潮中又扎根西部,溯源唐宋繪畫,堅持深入生活,由此開拓了西部審美的新風(fēng)尚;新中國成立后,他堅持自己的藝術(shù)理想和藝術(shù)追求,終將沉寂千年的西部繪畫重新喚起并推向一個時代高潮,亦帶動和影響了整個西部繪畫群體,也為后來崛起的“長安畫派”奠定了良好的藝術(shù)理念和學(xué)術(shù)思想及審美取向;同時,趙望云以獨特的藝術(shù)教育理念和方式,也為中國畫壇培養(yǎng)出了黃胄、方濟眾、徐庶之等幾位風(fēng)格各異的藝術(shù)家;晚年的趙望云在遭受文革迫害后,畫風(fēng)轉(zhuǎn)向沉郁自然、清凈平和,在藝術(shù)追求上又達到另外一個高度,走入他藝術(shù)人生中的化境。趙望云的藝術(shù)探索始終堅持“直面生活”不斷拓新,是二十世紀(jì)中國美術(shù)史上一道亮麗的人文景觀,為近現(xiàn)代中國畫的轉(zhuǎn)型發(fā)展提供了一條文化尋源的復(fù)興之路和可資參考的典型范例。當(dāng)我們研究趙望云一生的藝術(shù)探索之路時,也同時打開了二十世紀(jì)中國畫變革的發(fā)展史。從中去領(lǐng)略那一代藝術(shù)家的責(zé)任和擔(dān)當(dāng),時代精神和藝術(shù)氣質(zhì)。
[Abstract]:In the reform movement of Chinese painting, which was born in twentieth Century, Zhao Wangyun was deeply influenced by democratic thought, and was actively engaged in the art improvement tide, and became an undisputed pioneer and outstanding representative in the process of art popularization in that time. In the cultural trend of thought of "Western root seeking", the cultural trend of thought was also rooted in the west, traced to the Tang and song paintings and persisted in the deep life, thus opening up the new style of the western aesthetic. After the founding of the new China, he insisted on his own artistic ideals and artistic pursuit, which eventually revive and push the western painting of the millennium to a high tide, and also led and influenced the whole west. The painting group of the Ministry also laid a good artistic concept, academic thought and aesthetic orientation for the later "Changan painting school". At the same time, Zhao Wangyun also trained some artists of different styles, such as Huang Zhou, Fang Ji Zhong, Xu Shuzhi and so on in the Chinese painting world, with the unique artistic education idea and way; Zhao Wangyun in his later years was forced by the cultural revolution. After the damage, the style of painting turned to the natural, clean and peaceful, and reached another height in the artistic pursuit and entered the artistic life of his art. Zhao Wangyun's artistic exploration persisted in the continuous development of "face to face". It was a brilliant human landscape in the Chinese art history of twentieth Century, which provided the transformation and development of modern Chinese painting. When we study the road of artistic exploration of Zhao Wangyun's life, we also open the history of the transformation of Chinese painting in the twentieth Century, and take the responsibility and responsibility of the generation of artists, the spirit of the times and the artistic temperament of the generation.
【學(xué)位授予單位】：西安美術(shù)學(xué)院
【學(xué)位級別】：博士
【學(xué)位授予年份】：2016
【分類號】：J205
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本文編號：1927953