發(fā)布時(shí)間：2018-04-11 13:19

  本文選題：鄉(xiāng)土美術(shù) + 延安版畫�。� 參考：《中央美術(shù)學(xué)院》2017年博士論文

【摘要】：本文所討論的鄉(xiāng)土美術(shù)實(shí)際上是指以中國(guó)共產(chǎn)黨在中國(guó)鄉(xiāng)村中所進(jìn)行的一系列革命實(shí)踐與政權(quán)建設(shè)為題材和內(nèi)容的美術(shù)作品。通過圍繞1937-1953年中國(guó)共產(chǎn)黨所經(jīng)歷的三個(gè)戰(zhàn)爭(zhēng)階段進(jìn)行論述,并在這個(gè)特定的歷史框架內(nèi)討論中國(guó)共產(chǎn)黨如何通過對(duì)中國(guó)鄉(xiāng)村基層政權(quán)的組織建設(shè)進(jìn)而戰(zhàn)勝和消化接踵而至的困境與危機(jī)的。這一時(shí)期的鄉(xiāng)土美術(shù)緊密聯(lián)系著中國(guó)共產(chǎn)黨各個(gè)階段處理危機(jī)和困境的革命實(shí)踐以及革命政策。通過對(duì)美術(shù)作品與歷史文獻(xiàn)進(jìn)行交叉分析的方式,將有關(guān)農(nóng)村生產(chǎn)、農(nóng)民生活的美術(shù)作品置于政治、經(jīng)濟(jì)、文化、軍事等語(yǔ)境內(nèi)加以審視,去努力還原中國(guó)共產(chǎn)黨在艱難的歲月里所領(lǐng)導(dǎo)的鄉(xiāng)村現(xiàn)場(chǎng),去討論文藝工作者們?cè)诤畏N的歷史抉擇中徹底融入了黨所領(lǐng)導(dǎo)的政治生活,去觀看黨員干部如何深入農(nóng)村、貼近農(nóng)民、指導(dǎo)生產(chǎn)、發(fā)展教育、動(dòng)員群眾等等這一系列鄉(xiāng)村建設(shè)實(shí)踐,去回顧中國(guó)共產(chǎn)黨如何在貧瘠的困境里塑造出自力更生、不畏險(xiǎn)阻、一切從人民的利益和需要出發(fā)的優(yōu)良品質(zhì)等等進(jìn)而總結(jié)中國(guó)共產(chǎn)黨在對(duì)農(nóng)村、農(nóng)民、戰(zhàn)爭(zhēng)以及現(xiàn)代國(guó)家進(jìn)行塑造的過程中所遇到的阻礙和取得的成就。
[Abstract]:The local art discussed in this paper actually refers to a series of revolutionary practices and regime construction carried out by the Communist Party of China in the countryside of China as the theme and content of the fine arts works.By discussing the three stages of war experienced by the Communist Party of China in 1937-1953,In this particular historical framework, it discusses how the Communist Party of China can overcome and digest the difficulties and crises that follow through the organizational construction of the rural grassroots regime in China.The vernacular art of this period is closely related to the revolutionary practice and revolutionary policy of the Communist Party of China in dealing with crises and dilemmas.Through the cross-analysis of art works and historical documents, the art works related to rural production and peasants' life are placed in the political, economic, cultural, military and other language areas to be examined.To try to restore the rural scene led by the Communist Party of China in the difficult years, to discuss what historical choices the writers and artists have thoroughly integrated into the political life led by the Party, and to watch how party members and cadres go deep into the countryside.Close to the peasants, guide production, develop education, mobilize the masses, and so on a series of rural construction practices, to review how the Communist Party of China in the barren plight of shaping self-reliance, not afraid of obstacles,All the good qualities based on the interests and needs of the people, and so on, to sum up the obstacles and achievements of the Communist Party of China in the process of shaping rural areas, peasants, wars and modern countries.
【學(xué)位授予單位】：中央美術(shù)學(xué)院
【學(xué)位級(jí)別】：博士
【學(xué)位授予年份】：2017
【分類號(hào)】：J120.9
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本文編號(hào)：1736171