本文關(guān)鍵詞：中國現(xiàn)代“美術(shù)”觀念的形成及其演變—1895-1924年的“美術(shù)”觀念　出處：《中國美術(shù)學院》2016年博士論文　論文類型：學位論文

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【摘要】：本文研究的是當代“藝術(shù)”觀念如何形成。是一篇以“美術(shù)”為關(guān)鍵詞切入考察,與思想史結(jié)合,運用數(shù)據(jù)庫關(guān)鍵詞研究法,經(jīng)統(tǒng)計與分析后,對“美術(shù)”觀念的形成并轉(zhuǎn)型為“藝術(shù)”觀念的研究。中國傳統(tǒng)“藝術(shù)”多為技藝之意,“圖畫”是“藝術(shù)”之一。在洋務(wù)運動經(jīng)世思想的影響下,本代表水墨丹青的“圖畫”轉(zhuǎn)化為“圖學”之意。1880年,“美術(shù)”一詞從日本傳入中國。1895年甲午中日戰(zhàn)爭中國戰(zhàn)敗后,中國思想開始現(xiàn)代轉(zhuǎn)型。伴隨著維新變法的腳步,“美術(shù)”作為新事物被報刊新媒體大量引入中國。1900-1915年中國社會思想是中西二分二元論,“圖畫”又轉(zhuǎn)變?yōu)椤坝闷鳟嫛迸c“自在畫”的意思,并隨著新式教育的發(fā)展,得以公共化。西學“美術(shù)”概念與中國儒學體系兩者發(fā)生互動。因“立憲”思潮的作用,“美術(shù)”意味著現(xiàn)代理性精神與公德,成為普遍觀念。在它的影響下,“圖畫”與“美術(shù)”之間建立起聯(lián)系,誕生新詞匯“美術(shù)圖畫”,而后又經(jīng)歷了去“圖”化,演化出“美術(shù)畫”概念。同時,在民族主義思潮下,中國以西學“美術(shù)”為參照系,整理與歸納出中國的“美術(shù)”。1915-1924年是五四新文化運動的第一個十年,“美術(shù)”成為了包含建筑、雕塑、繪畫、工藝美術(shù)和中國民族美術(shù)的造型藝術(shù)名詞。在“美”的影響下,“藝術(shù)”的含義從側(cè)重于技術(shù)的傳統(tǒng)技藝之意轉(zhuǎn)化為“美的技藝”,最終包含了“美術(shù)”。在觀念層面,“藝術(shù)”取代了“美術(shù)”。中國“美術(shù)”觀念的形成并轉(zhuǎn)型為“藝術(shù)”觀念的過程,與中國現(xiàn)代思想形成與轉(zhuǎn)型的大結(jié)構(gòu)是吻合的。
[Abstract]:This paper studies how to form the concept of contemporary "art". It is a study of "art" as the key words, combined with the history of thought, the use of database keyword research method, after statistics and analysis. The formation of the concept of "art" and its transformation into the study of the concept of "art". Chinese traditional "art" is mostly the meaning of art, "picture" is one of "art". Under the influence of the thought of managing the world in the Westernization Movement. In 1880, the word "fine art" was introduced from Japan to China. In 1895, China lost the Sino-Japanese War. With the pace of reform, art as a new thing was introduced into China from 1900-1915 to 1900-1915. "Picture" changed into the meaning of "painting with tools" and "painting at ease", and along with the development of modern education. The concept of "fine art" in western studies interacts with the Confucian system in China. Because of the role of "constitutionalism", "art" means the modern rational spirit and public morality, and becomes a universal concept. The relationship between "picture" and "art" was established, a new word "art picture" was born, and then it went through the process of "drawing", and evolved the concept of "art painting". At the same time, the concept of "art painting" was developed under the trend of nationalism. Taking the "fine art" of western learning as the reference system, China sorted out and summed up that the period of 1915-1924 was the first decade of the May 4th New Culture Movement, and that "Art" had become a part of architecture and sculpture. Under the influence of "beauty", the meaning of "art" has changed from "traditional technique" to "beautiful art". At the conceptual level, "art" replaces "art". The formation and transformation of Chinese "art" concept into "art" concept. It is consistent with the great structure of the formation and transformation of modern Chinese thought.
【學位授予單位】：中國美術(shù)學院
【學位級別】：博士
【學位授予年份】：2016
【分類號】：J209.2
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本文編號：1427764