本文關鍵詞：論中國抗戰(zhàn)音樂的倫理價值　出處：《湖南師范大學》2014年博士論文　論文類型：學位論文

  更多相關文章： 抗戰(zhàn)音樂 倫理價值 愛國主義 民族精神 職業(yè)道德

【摘要】：在1931-1945年的抗日戰(zhàn)爭中,中華兒女歷經(jīng)14年百折不撓、艱苦卓絕的全民抵抗不僅趕走了侵略、奪取了實現(xiàn)民族復興偉大中國夢的關鍵性勝利,而且全民族放聲歌唱,掀起抗戰(zhàn)音樂狂飆,成為激蕩人心的文化景觀。 抗戰(zhàn)音樂在民族危亡、共赴國難的歷史語境下,和“一切為了救亡”的權利話語中,汲取了相承沿襲千年的“樂通倫理”觀和“樂教”思想,以愛國主義為主題、民族精神為核心,創(chuàng)造性的凝聚了民族自尊品格、民族團結意識,民族英雄氣概、民族自強信念,民族創(chuàng)造精神,民族奉獻精神等倫理價值觀念,并以特有的音符、旋律、歌詞、合唱等符號體系迅速廣泛傳播,最大化的發(fā)揮了抗戰(zhàn)音樂的倫理價值。一方面,促進了中國傳統(tǒng)音樂的現(xiàn)代轉型,產(chǎn)生了《大刀進行曲》《游擊隊歌》《黃河大合唱》《白毛女》等唱演俱佳、盡善盡美的音樂經(jīng)典之作。另一方面,弘揚了以愛國主義為核心的偉大民族精神,引領了無數(shù)中華兒女為實現(xiàn)民族復興的“救亡夢”而不懈奮斗。 抗戰(zhàn)音樂作為一種文化樣態(tài),積極有效的實踐了民族解放的“救亡”大業(yè),與我國傳統(tǒng)的“文以載道”、“樂以象德”、“樂通倫理”等一脈相承沿襲千年的致用模式息息相關,表明了我國音樂從一開始就超越了單純的藝術形態(tài),并作為具有道德征象功能的文化形態(tài)存在。就“樂通倫理”而言,音樂應該有普遍意義上的人格美和人倫善,盡善盡美的音樂應該合理的致用于社會人倫,如此,二者才是具有真正意義上的相通相融。 抗戰(zhàn)音樂傳播觀念體系是文化意識的核心,是一個民族內(nèi)在的凝聚力和進取精神的源泉。以團結一致,守土報國為觀念體系的音樂傳播必定會自覺的凈化音樂傳播的環(huán)境,使抗戰(zhàn)音樂在一個健康、向上的價值觀的引領下履行傳播媒介的約束和激勵功能。以貼近大眾生活及鼓勵大眾積極參與的傳播方式使音樂與民眾建立起前所未有的廣泛聯(lián)系,在血與火的洗禮中重塑國魂,重建人倫。抗戰(zhàn)音樂傳播主體恪守職業(yè)操守堅持“社會責任至上”的傳播理念,構建對社會、對受眾負責任的“救亡圖存”話語空間,盡可能的優(yōu)化戰(zhàn)爭的生存環(huán)境,構建全民抗戰(zhàn)的輿論氛圍。全民抗戰(zhàn)時期,抗戰(zhàn)音樂的傳播同樣反映民眾從各自為政到統(tǒng)一戰(zhàn)線到走向勝利的人與人之間關系的轉換。 抗戰(zhàn)時期音樂家以“三不朽”作為其人格基點,自覺的擔負“人民音樂家”音樂救國的歷史使命,使其職業(yè)道德規(guī)范和職業(yè)道德良知在全民抗戰(zhàn)年代發(fā)揚光大,凝練為“德藝雙馨”的最高實踐目標,不但適用于評價抗戰(zhàn)時期的職業(yè)音樂家,同樣也是當下職業(yè)音樂家畢生的價值追求。 抗戰(zhàn)音樂的倫理價值在“救亡夢”的實踐中,積極主動的與審美等其他價值一起,構建了我國新音樂文化的基本樣態(tài),并在走向復興之“中國夢”的征途上,給我們留下了豐富的值得傳承和致力于行的思想啟迪。
[Abstract]:In the War of Resistance against Japan from 1931 to 1945, the Chinese people not only drove out the aggression, but also won the key victory of realizing the national rejuvenation of the great Chinese Dream after 14 years of indomitable and arduous national resistance. And the whole nation singing, set off the music of the War of Resistance raging, become a popular cultural landscape. In the historical context of the national crisis and the right discourse of "all to save the nation", the music of the War of Resistance against Japan absorbed the concept of "Yue Tong Ethics" and the thought of "Music Education", which inherited the concept of "Yue Tong Ethics" and "Music Education". With patriotism as the theme and the national spirit as the core, it creatively condenses the national self-esteem character, the national unity consciousness, the national heroic spirit, the national self-strengthening belief, the national creative spirit. National dedication and other ethical values, and with unique notes, melodies, lyrics, chorus and other symbol system spread rapidly, maximize the ethical value of anti-Japanese music. On the one hand. Promoted the modern transformation of Chinese traditional music, produced the "big sword march" "guerrilla song" "Yellow River chorus", "White-haired girl" and other singing performances are excellent, perfect music classic. On the other hand. Carrying forward the great national spirit with patriotism as the core, leading countless Chinese people to fight tirelessly to realize the dream of national rejuvenation. As a cultural model, the music of the War of Resistance against Japan has actively and effectively practiced the great cause of "saving the nation" from national liberation, and the traditional "literature as a way" and "music as virtue". "Yue Tong Ethics" and other closely linked to the application of the model of a thousand years, indicating that our music from the beginning beyond the pure art form. As a cultural form with the function of moral sign, music should have universal sense of personality beauty and human kindness, and perfect music should be reasonably used in social human relations. In this way, the two have a true sense of mutual integration. The concept system of music communication in the War of Resistance against Japan is the core of cultural consciousness and the source of a nation's internal cohesion and enterprising spirit. The music dissemination of the system of defending the earth and serving the country for the country will surely purify the environment of music dissemination consciously, and make the music of the War of Resistance against Japan in a healthy way. Guided by the upward values of the media to perform the constraints and incentives to close to the public life and encourage the masses to actively participate in the dissemination of music and people to establish unprecedented extensive contact. In the baptism of blood and fire, rebuild the soul of the nation, rebuild the human relationship. The main body of music communication adheres to the professional ethics and adhere to the "social responsibility first" communication concept, and construct the society. Responsible for the audience to "save the nation" discourse space, as far as possible to optimize the survival environment of the war, build the public opinion atmosphere of the national anti-Japanese war. The spread of anti-Japanese music also reflects the change of the relationship between the people from their own affairs to the United front to victory. In the period of Anti-Japanese War, musicians took "three immortals" as the basis of their personality and consciously shouldered the historical mission of "people's musicians" music to save the country. It is not only applicable to evaluate professional musicians in the period of Anti-Japanese War, but also to make their professional ethics and conscience carry forward in the era of the Anti-Japanese War of the whole people, and to be condensed as the highest practical goal of "virtue and fine arts". It is also the lifelong value pursuit of professional musicians. The ethical value of anti-Japanese music in the practice of "the Dream of Salvation", together with other values, such as aesthetic, has constructed the basic pattern of the new music culture of our country, and is on the way to the rejuvenation of "Chinese Dream". It has left us rich enlightenment worth inheriting and devoting to practice.
【學位授予單位】：湖南師范大學
【學位級別】：博士
【學位授予年份】：2014
【分類號】：J605

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