【摘要】：鄉(xiāng)民藝術(shù)是村落文化體系中的外在性組成內(nèi)容,在鄉(xiāng)村社會(huì)運(yùn)行中扮演著重要角色。本文以甘肅臨潭太平社火為研究對(duì)象,在對(duì)其展演內(nèi)容、時(shí)空?qǐng)鼍懊枋龅幕A(chǔ)上,以文化與社會(huì)的關(guān)系為研究視角,探討了鄉(xiāng)民藝術(shù)與村落歷史、宗教信仰及文化秩序建構(gòu)的關(guān)系。文章認(rèn)為鄉(xiāng)民藝術(shù)是鄉(xiāng)村社會(huì)的重要文化表達(dá)形式,與當(dāng)?shù)氐纳a(chǎn)、歷史、宗教信仰緊密聯(lián)系。同時(shí),受村落具體語境的影響,鄉(xiāng)民會(huì)對(duì)藝術(shù)進(jìn)行個(gè)性化的重構(gòu),賦予歷史和宗教的特征,使其成為村落的標(biāo)志性文化。
[Abstract]:The art of the villagers is an external component of the village culture system and plays an important role in the operation of the rural society. This paper takes the fire of the Taiping Society in Lintan, Gansu Province as the research object, on the basis of describing its performance content and space-time scene, and taking the relationship between culture and society as the research angle, probes into the art of the villagers and the history of the villages. The relationship between religious belief and the construction of cultural order. The article holds that the art of villagers is an important form of cultural expression in rural society, which is closely related to local production, history and religious belief. At the same time, influenced by the specific context of the village, the villagers will carry on the individualized reconstruction to the art, endow the history and the religious characteristic, make it become the iconic culture of the village.
【作者單位】： 西北民族大學(xué)蒙古語言文化學(xué)院;
【分類號(hào)】：B933;K892.24

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