【摘要】：現(xiàn)代社會(huì)中,一部分民間傳統(tǒng)信仰儀式逐漸轉(zhuǎn)型為視覺化民俗儀式藝術(shù)。這個(gè)動(dòng)態(tài)過程是認(rèn)知范式轉(zhuǎn)型的一種體現(xiàn)。在前現(xiàn)代社會(huì),人們對(duì)儀式的理解主要建立在平行空間認(rèn)知論的基礎(chǔ)上,這種以空間作為認(rèn)知基礎(chǔ)的思維方式進(jìn)一步?jīng)Q定了前現(xiàn)代社會(huì)中民間信仰儀式實(shí)踐中的視覺"遮蔽"特征。當(dāng)下社會(huì)中的部分民間信仰儀式去魅轉(zhuǎn)型為視覺化民俗藝術(shù),體現(xiàn)了認(rèn)知論中"空間"型向"時(shí)間"型的現(xiàn)代性嬗變,這種轉(zhuǎn)型的另一個(gè)表征則是視覺化的民俗儀式藝術(shù)向理性敞開的現(xiàn)代美學(xué)特征。
[Abstract]:In modern society, part of the traditional folk belief ceremony gradually transformed into the visual folk ritual art. This dynamic process is a reflection of cognitive paradigm transformation. In the pre-modern society, people's understanding of rituals is mainly based on the cognitive theory of parallel space. This way of thinking, which takes space as the cognitive basis, further determines the visual "masking" characteristic in the practice of folk belief ritual in the pre-modern society. The disenchantment of some folk beliefs in the present society is transformed into the visual folk art, which embodies the modern evolution from "space" to "time" in cognitive theory. Another sign of this transition is the modern aesthetic characteristic of the visual folklore ritual art open to rationality.
【作者單位】： 南京大學(xué)藝術(shù)研究院;
【基金】：教育部人文社會(huì)科學(xué)項(xiàng)目“非物質(zhì)文化中的災(zāi)難敘事研究”(11YJC850021) 教育部哲學(xué)社會(huì)科學(xué)研究重大課題攻關(guān)項(xiàng)目“當(dāng)代中國(guó)社會(huì)轉(zhuǎn)型中的視覺文化研究”(12JZD019)的階段性成果
【分類號(hào)】：B933

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