藏傳佛教藝術(shù)中的十一面觀音研究——兼論千手千眼觀音
發(fā)布時間：2018-07-13 16:45
【摘要】：十一面觀音是藏傳佛教藝術(shù)中常見的觀音題材,相關(guān)經(jīng)典在吐蕃時期已流行于藏地,圖像的傳入則基本為11世紀(jì)以后,所依據(jù)的文本是由阿底峽和仁欽桑布自梵文所譯,現(xiàn)收錄于《丹珠爾》。由于所依據(jù)文本的不同,十一面千手千眼觀音和千手千眼觀音分屬不同的圖像系統(tǒng),在圖像特征上有明顯差異,這兩種觀音圖像在15世紀(jì)以后開始對稱出現(xiàn)。
[Abstract]:Guanyin on 11 sides is a common subject in Tibetan Buddhist art. The relevant classics were popular in Tibet during the Tubo period, and the image was introduced basically after the 11th century. The text was translated from Sanskrit by Adixia and Renchin Sangbuk. Now in Danjul. Because of the difference of the text, the 11 sides thousand hands thousand eyes Guanyin and the thousand hand thousand eye Guan Yin belong to different image systems, and there are obvious differences in the image features. These two kinds of Guan Yin images began to appear symmetrically after the 15th century.
【作者單位】： 四川大學(xué)博物館;
【基金】：中央高�；究蒲袠I(yè)務(wù)費(fèi)青年教師科研啟動基金項目“藏東地區(qū)吐蕃時期藏傳佛教藝術(shù)研究”(項目編號:SKQ201627)的階段成果
【分類號】：J19
，
本文編號：2120079
[Abstract]:Guanyin on 11 sides is a common subject in Tibetan Buddhist art. The relevant classics were popular in Tibet during the Tubo period, and the image was introduced basically after the 11th century. The text was translated from Sanskrit by Adixia and Renchin Sangbuk. Now in Danjul. Because of the difference of the text, the 11 sides thousand hands thousand eyes Guanyin and the thousand hand thousand eye Guan Yin belong to different image systems, and there are obvious differences in the image features. These two kinds of Guan Yin images began to appear symmetrically after the 15th century.
【作者單位】： 四川大學(xué)博物館;
【基金】：中央高�；究蒲袠I(yè)務(wù)費(fèi)青年教師科研啟動基金項目“藏東地區(qū)吐蕃時期藏傳佛教藝術(shù)研究”(項目編號:SKQ201627)的階段成果
【分類號】：J19
，
本文編號：2120079
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