本文選題：涼州瑞像 + 正光　； 參考：《敦煌學(xué)輯刊》2017年03期

【摘要】：《集神州三寶感通錄》是涼州瑞像研究的主要文獻(xiàn),只是因?yàn)樗錆M神話色彩,研究者需要抽絲剝繭,才能還原歷史本來(lái)面目。據(jù)此可以推測(cè)6世紀(jì)初當(dāng)?shù)卮_有造像活動(dòng),但是未必發(fā)生在"正光"年間。因?yàn)檫@則材料中有關(guān)時(shí)間的記載都普遍缺乏準(zhǔn)確性,在佛教上層精英的眼中,"正光"是佛教僧團(tuán)發(fā)展的一個(gè)轉(zhuǎn)折點(diǎn),瑞像的無(wú)首狀態(tài)和正光佛教態(tài)勢(shì)契合,因此"正光說(shuō)"可能也是高僧傳經(jīng)布道的一種權(quán)宜方便。
[Abstract]:The collection of the three treasures of China is the main document of Liangzhou Ruixiang study, only because it is full of mythological color, researchers need to take the cocoon, in order to restore the true face of history. It can be inferred that in the early 6 th century there was a local portrait activity, but not necessarily in the "positive light" years. Because there is a general lack of accuracy in the records of time in this material, in the eyes of the Buddhist elite, "Zhengguang" is a turning point in the development of the Buddhist Sangha. Therefore, Zhengguang Theory may also be a convenient and convenient way for senior monks to preach the sermons.
【作者單位】： 蘭州大學(xué)敦煌學(xué)研究所;
【基金】：蘭州大學(xué)中央高校基本科研業(yè)務(wù)費(fèi)項(xiàng)目“敦煌與絲綢之路研究”(17LZUJBWTD003)
【分類(lèi)號(hào)】：B949
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本文編號(hào)：2082999