發(fā)布時間：2018-06-29 11:28

  本文選題：法海寺壁畫 + 佛教植物��； 參考：《文化遺產(chǎn)》2017年03期

【摘要】：北京法海寺明代壁畫在中國古代壁畫史上意義非凡。它對佛教植物的刻畫,既能體現(xiàn)明代畫院對宋代畫院風(fēng)格的繼承,又能展示明代宮廷壁畫的精湛技法;既能體現(xiàn)自古印度以來就暗含在植物身上的佛教隱喻,又能在遵循佛教儀軌的前提下表現(xiàn)明代宮廷畫師的藝術(shù)個性。本文運用圖像學(xué)方法將四種佛教植物分別對比研究,提取它們在佛教藝術(shù)中的基本藝術(shù)特征,分析法海寺壁畫中植物所暗含的隱喻、藝術(shù)形象處理的優(yōu)勝之處,進(jìn)而理解法海寺壁畫中的佛教植物寫實、華麗的藝術(shù)特征。
[Abstract]:The murals of Beijing Fahai Temple Ming Dynasty are of great significance in the history of ancient Chinese murals. Its depiction of Buddhist plants can not only reflect the inheritance of the style of the painting institute of the Ming Dynasty to the Song Dynasty painting institute, but also show the exquisite techniques of the court murals of the Ming Dynasty, as well as the Buddhist metaphor implied in the plants since ancient India. Under the premise of following the Buddhist ritual, the artistic personality of the court painters in the Ming Dynasty can be expressed. In this paper, four kinds of Buddhist plants are compared and studied by using the method of image science, their basic artistic characteristics in Buddhist art are extracted, the metaphor implied by plants in the frescoes of Hai Temple is analyzed, and the advantages of artistic image processing are also discussed. Then understand the Fahai Temple murals of Buddhist plants realistic, gorgeous artistic characteristics.
【作者單位】： 中山大學(xué)哲學(xué)系;
【分類號】：J19;K879.41
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本文編號：2081970