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  本文選題：《詩經(jīng)》 + 祭祀詩��； 參考：《山東大學(xué)》2013年碩士論文

【摘要】：《詩經(jīng)》是我國最早的一部詩歌總集,其內(nèi)容表現(xiàn)了周代為主的農(nóng)事、軍事、婚戀和祭祀等方面的情況。在周代,祭祀是人們生活中必不可少的一部分�！啊对娊�(jīng)》與祭祀文化”這一論題目前還有進(jìn)一步討論的空間,本文在利用先秦歷史文化典籍、相關(guān)研究著作和考古學(xué)成果、民俗學(xué)成果的基礎(chǔ)上,對此做了盡可能全面的分析。 本文按照詩之用,將在正祭場合演唱的詩歌歸為祀典詩,分舞詩和歌詩兩類；將在祭祀過程作為背景歌詩劃分為與祭祀有關(guān)的祀事詩；有些詩歌是由人與神的交流話語組成的,有嘏詩和禱詩之別；祀風(fēng)詩則是以受到高媒祀風(fēng)俗影響的社會現(xiàn)象為內(nèi)容的詩歌,在此之前一直被歸于戀愛詩：史詩本是源于西學(xué)理論而名,按照西方的儀式理論,史詩是起源于祭祀儀式的,至于其在使用上是否仍與祭祀有關(guān),筆者推測史詩除在朝聘、會盟外還可能在祭祀之后的宴會上使用。本文不是對祭祀詩進(jìn)行分類,而是論證哪些詩歌與祭祀有關(guān),為什么有關(guān)。這些標(biāo)準(zhǔn)之間沒有聯(lián)系,而且詩歌之間可能有重合,筆者僅是就其中一個相關(guān)點來論述的。 之前學(xué)術(shù)界對《詩經(jīng)》時代祭祀的特征已有較多討論,觀點比較一致,主要有文明、禮樂、等級、政治意圖等關(guān)鍵詞。本文在論述這部分時,并不是簡單的重復(fù)而是采用了新的切入點和材料�！对娊�(jīng)》與祭祀文化的關(guān)系究竟如何?本文在前文討論的基礎(chǔ)上做出了總結(jié),并側(cè)重于祭祀文化對《詩經(jīng)》的影響。祭祀詩在演唱上對祭祀場合的超越、祭祀詩在后世傳播中的局限都是本文的獨特之處。探討《詩經(jīng)》與祭祀文化的雙向關(guān)系對我們進(jìn)一步認(rèn)識《詩經(jīng)》和了解祭祀文化有積極意義。
[Abstract]:The Book of songs is one of the earliest collections of poems in China. Its contents show the main aspects of agriculture, military affairs, marriage and sacrifice in Zhou Dynasty. In the Zhou Dynasty, sacrifice is an indispensable part of people's life. There is room for further discussion on the topic of "Book of songs" and sacrificial culture. On the basis of the achievements of folklore, this paper makes a comprehensive analysis of it as far as possible. According to the use of poetry, this paper classifies the poems sung at the sacrifice occasion as ritual poems, dance poems and song poems; classifies the poems as background songs in the sacrifice process into sacrificial poems; some poems are composed of the exchange words between man and God. There is a distinction between Gu and prayer poems, while poems of worship are poems based on social phenomena influenced by the custom of high media worship, which have been attributed to love poems until this time: the epic is famous for its origin in western theory, according to western ritual theory. The epic originated from the ritual of sacrifice. As to whether its use is still related to sacrifice, the author speculated that the epic could also be used in the banquet after the sacrifice. This paper does not classify sacrificial poems, but demonstrates which poems are related to sacrifice and why. There is no relation between these standards, and there may be overlap between poems. Prior to the "Book of songs", the characteristics of sacrifice in the times have been discussed more, the views are more consistent, mainly civilized, ritual, hierarchical, political intentions and other key words. This article discusses this part, is not simple repetition, but has adopted the new breakthrough point and the material. "the Book of songs" and the sacrificial culture after all how? Based on the previous discussion, this paper makes a summary and focuses on the influence of sacrificial culture on the Book of songs. The transcendence of sacrificial poems in singing and the limitation of sacrificial poems in later generations are all unique points of this paper. It is of positive significance for us to further understand the Book of songs and understand the sacrificial culture by exploring the two-way relationship between the Book of songs and the sacrificial culture.
【學(xué)位授予單位】：山東大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：I207.22;B933

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本文編號：2065361