本文選題：圣像　切入點：“紅角”　出處：《世界宗教文化》2017年02期

【摘要】：俄羅斯圣像畫發(fā)源于拜占庭,10世紀隨東正教傳入羅斯大地。隨著東正教的傳播,圣像畫崇拜也漸漸根植于俄羅斯民族的思想意識及風俗傳統(tǒng)之中。除了教堂的裝飾物、各種禮拜儀式的必備之物,圣像更成為俄羅斯每個普通家庭"紅角"的永遠圣物。本文以普通信徒的家庭"紅角"為研究視角,介紹俄羅斯民族傳統(tǒng)生活中有關(guān)圣像的風俗文化:圣像的分類、擺放位置、習俗禁忌,以及"年老"圣像的處理方式等。
[Abstract]:Russian icon painting originated in Byzantium and was introduced to Ross in the 10th century. With the spread of the Orthodox Church, the worship of the icon painting gradually rooted in the ideology and customs of the Russian nation, except for the church ornaments. As a necessary part of all kinds of liturgical ceremonies, the icon has become the eternal sacred object of the "red horn" of every ordinary family in Russia. This article takes the "red horn" as the research angle of the family of the ordinary believer. This paper introduces the customs and culture of the Russian traditional life about the sacred images, including the classification, placement, taboos of customs, and the treatment of the "old" figures, and so on.
【作者單位】： 北京師范大學哲學學院;
【基金】：國家留學基金資助
【分類號】：B976.2

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本文編號：1680600