本文選題：安順　切入點：跳神戲　出處：《宗教學(xué)研究》2015年04期

【摘要】：貴州安順跳神戲堂班正月跳神是典型的村落儀式,有著嚴(yán)格的儀式流程。二灣河跳神戲堂班以正月跳神為中心,以土地祭祀為主體,輔之以儀式戲劇中被神化的將帥兵馬神靈系統(tǒng),構(gòu)筑了村寨公共信仰空間。并以跳神戲為紐帶,強(qiáng)化寨鄰與寨際交往,協(xié)調(diào)著鄉(xiāng)村社會關(guān)系。跳神戲寓教于樂,于神靈明鑒中行使社會教化功能,且搭建鄉(xiāng)村文化平臺,整合了鄉(xiāng)村社會資源。
[Abstract]:In Anshun, Guizhou Province, it is a typical village ritual with a strict ritual process. In Erwan River, it takes the first lunar dance as the center and the land sacrifice as the main body. Supplemented by the deified military and horse deities system in ritual drama, it constructed the public belief space in the village, and strengthened the communication between the village neighbors and the village, and coordinated the social relations between the village and the village. It exercises the function of social education, and sets up the rural culture platform to integrate the rural social resources.
【作者單位】： 貴州民族大學(xué)西南儺文化研究院;
【基金】：貴州省2015年度社科規(guī)劃課題“黔中漢族村寨的儀式、信仰與村落秩序研究”(15GZYB67) 貴州民族大學(xué)科研院(所)、基地(中心)基金資助項目“民間信仰視域中的儺文化與鄉(xiāng)村社會空間”(校科KYJG[2014]45號)的階段成果
【分類號】：B933

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1 張進(jìn);;跳神兩則[J];青年文學(xué)家;2014年02期

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本文編號：1657520