本文選題：中國傳統(tǒng)工藝　切入點：深層意蘊　出處：《中國宗教》2016年08期 　論文類型：期刊論文

【摘要】：正剪紙如同繪畫、雕像、書法一樣成為中華民族的歷史記憶,成為一種文化傳承�；刈宓乃囆g家在文化傳承的基礎上將獨特的伊斯蘭文化元素與東方韻味的中國傳統(tǒng)工藝相融合,將宗教的神圣符號與傳統(tǒng)文化相融合,造就了具有深層意蘊的多元文化之間的交融。說起剪紙,國人都不會陌生。然而對阿拉伯文剪紙藝術,想必了解的人寥寥無幾。阿拉伯書法素以板書著稱,中國的穆斯林卻借用了中國剪紙藝術的外在形式,糅合進了阿拉伯書法藝術和伊斯蘭特色的紋飾,
[Abstract]:Paper-cut has become the historical memory of the Chinese nation like painting, statues and calligraphy. To become a kind of cultural heritage. On the basis of cultural heritage, the artists of the Hui nationality combine the unique elements of Islamic culture with the oriental flavor of Chinese traditional craftsmanship, and the sacred symbols of religion with the traditional culture. It has created a blend of multiculturalism with deep implications. When it comes to paper-cutting, people are no stranger. However, few people are sure to understand the art of paper-cut in Arabic. Arabic calligraphy is famous for its blackboard writing. Chinese Muslims, on the other hand, borrowed the external form of Chinese paper-cut art and mixed it with Arabic calligraphy and Islamic ornaments.
【作者單位】： 中國人民大學哲學院;
【分類號】：B968;J528.1

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本文編號：1560723